arts and culture : Development News

Urban Growler Brewing, a small packaging microbrewery with a taproom, is in the works for a vintage brick building in St. Paul's St. Anthony Park neighborhood. The place is hosting an open house this Friday and Saturday.

Although the 6,200-square-foot warehouse space still has a ways to go before the brewing can happen, the event is a chance to learn more about Urban Growler or to become a member, according to brewer and co-founder Deb Loch.

Loch, whose business partner is Jill Pavlak, says the women-run brewery’s mission is to "bring people together through beer." Also, they want to make craft beer more accessible to women. Although beer brewing is male-dominated, long ago in the brewing tradition, “It was a woman’s job,” Loch says.

Right now, the brewery is fundraising to build out the space. That includes installing the right equipment for the brewing process. Besides that, “We have to make sure the structural integrity is there to hold the weight of the tanks,” she says.

The brewery plans to make traditional and specialty beers, while its “Plow to Pint” series will include local ingredients. “We’ll be partnering with local farmers and bringing out their story,” and some customers might act as “specialty suppliers,” too, she says. The brewery will have a “kitchen where a small but delicious menu of food that goes with beer will be made. We hope to have a local twist for that as well."

Its ambiance will be “warm industrial,” according to Loch. “We hope it becomes a community gathering spot,” she says, adding, “We envision this area becoming the next Northeast Minneapolis,” brewery-wise.  

The place joins a growing list of local breweries springing up in the area, including Bang Brewing Co., Burning Brothers Brewing and Surly Brewing Co. “Craft beer is growing like crazy in the Twin Cities,” she says.

She hopes that the neighborhood “becomes a destination for people outside the area. “There’s a lot of interest in beer out there and there’s plenty of room for everyone.”  


Source: Deb Loch, co-founder and brewer, Urban Growler Brewing
Writer: Anna Pratt

The recently formed Women on Bikes Saint Paul, an advocacy group that aims to get more women biking around the city, is looking for a full-time community organizer to lead the way. (See the job posting here.)

The group hopes to fill the position by early July, according to Jessica Treat, the executive director at St. Paul Smart Trips, its umbrella organization.  

The idea behind the initiative is to “advance the political will in St. Paul” as it pertains to bicycling. “We want to turn out a coalition of women, including women with kids, for bicycling issues,” she says. “It’s about livability.”

Treat is a co-founder of the group along with Amber Dallman and Samantha Henningson. All of them are avid bicyclists. 
 
The idea for the group came out of a grassroots process to get a bike boulevard on Charles Avenue, from North Aldine Street to Park Street. It was a success, but it took quite a bit of effort to turn out women and families. “That was eye-opening to the three of us involved,” Treat says. “We said, ‘what would it take to turn out that voice repeatedly?’”   

The “percentage of women on bikes is a lot lower,” than it is for men, she says, adding, “There are real reasons for that.”

A recent survey from St. Paul Smart Trips of over 200 women in the city showed that safety is a major concern when it comes to biking, especially for those with children, she says. “It’s not that there aren’t sympathetic men, but women with families are a powerful constituency that needs to be heard."

The group’s next step is to pull together a group of spokeswomen from each city ward, who would be responsible for connecting with local politicians. Soon, the group will also organize an advisory body of some sort, to “help us decide what to focus on,” she says.   

Some areas of the city have little to no bicycle infrastructure. “We need to have some conversations about trade-offs, what are the priorities,” she says. “We need to start talking about why biking and having a bike-supportive city is important to business in St. Paul, and attracting talent and young people.”  
 

Source: Jessica Treat, executive director, St. Paul Smart Trips
Writer: Anna Pratt

Youthlink, a nonprofit organization that provides services to homeless youth, is installing an original sculpture outside of its drop-in center in Minneapolis’s North Loop neighborhood.

The organization's Youth Opportunity Center is planning an official unveiling for the sculpture this summer, while the basic installation process will wrap up later this month, according to Francis Roen, director of development for YouthLink.

Youthlink worked with a partner at the center, the Kulture Klub Collaborative, a nonprofit organization that engages homeless youth through art, to come up with the piece. The sculpture is a creative solution to the center’s lack of “a visual marking for the space,” which is somewhat tucked away from view, she says.

Considering the fact that the center tries to help youth navigate various resources, “We were missing a key piece of that, as navigators, if we didn’t have a clear marking for this building,” she says.  

The resulting piece from local artist Randy Walker, titled “Filling the Void,” is a permanent steel frame that allows for constant change. Like many other artworks at the center, the piece was “created hand-in-hand with young people,” she says. Youth at the center and other local artists will continue to put their stamp on it through time. The frame allows for everything from video projection to living vegetation, according to center materials.  

In a prepared statement, Walker adds that the piece is symbolic in that “It provides a foundation, framework and opportunity for those who use it. It is full of potential. It is all about what you do with it.”

Ultimately, Roen hopes the piece conveys that the center is “youth-friendly and a place they can go to receive help.”  
 

Source: Frances Roen, director of development, Youthlink
Writer: Anna Pratt

Doodle Bird Design + Gifts, which opened on May 10 in South Minneapolis, focuses on locally made goods.

Owner Kristin Knych, who is also a graphic designer, says she went that route because, “There’s so much talent out there, that I wanted space to showcase it.” She sells everything from soap to pottery from artists around the state. The store’s inventory also includes crafts from Knych, who describes herself as “a graphic designer by day and an avid crafter by night.”

To prepare the 550-square-foot space for the shop, she tore down a wall, installed new flooring, and gave the walls a fresh coat of paint.

The store’s look is “eclectic DIY chic,” she says, adding that most of the fixtures and furnishings came from thrift stores, garage sales, and the like. Many pieces have been repurposed. For example, one shelf is made out of old ladders.  

Behind the storefront shop is Knych’s graphic design studio. In the past, she ran her graphic design business out of her home.

She happened upon the space by chance. Having driven past it many times, Knych, who lives nearby, knew the area had plenty of foot traffic. “I think it’s a very active corner. It has a strong neighborhood feel,” she says. “I felt it needed a little bit of retail to make it more competitive” with other areas around the city.

On a broader level, “I just want to promote local artists as much as I can,” she says. Having a shop that sources local artists and crafters is “a way to make more people aware of the talent we have around here.”


Source: Kristin Knych, owner, Doodle Bird Design + Gifts
Writer: Anna Pratt

Shelly Campbell, a local photographer, is interested in faces, especially those in her neighborhood.

That’s what inspired her to start her ongoing project “Faces of the West Side,” in late 2010. “I realized with the West Side, I don’t need to travel. I have the world at my fingertips,” she says.   

Her color portraits of people in the neighborhood are part of a rotating exhibit at Jerabek’s New Bohemian, a coffee shop in St. Paul.

The photos reflect the neighborhood’s diversity, showing people of all ages, ethnicities, and income levels. Some are recognizable characters in the neighborhood, while others are people she might not have met otherwise.

Often, people get referred to her. At times, she’s had to find someone to act as an interpreter for non-English speakers. She’s found that “It’s a great way to get to know a lot of people on the West Side,” she says, adding, “I feel privileged. I never thought I’d get to meet or interact with so many.”  

At this point, she’s even seeing some of the same people coming back for another photo, and she tries to document how they’ve changed.

In general, she looks for “images that say something about people,” and seeks the “real person.”

At the coffee shop, she usually displays about 10 photos at once, including some that have been blown up to poster size for more impact, she says. She changes the photos on a quarterly basis, so “Folks have four months of fame,” she says, adding, “Everyone comes in and sees them and they get all excited. The kids get a real trip out of it, which is fun.” In the end, “The photos belong to everyone in the room because it’s them,” she says.

Soon, she plans to apply for grant money to expand the project. “I’d like to do some interviewing or even audio recording during photo shoots,” she says.
 

Source: Shelly Campbell, photographer
Writer: Anna Pratt

In April, the St. Paul City Council gave the go-ahead to the parks department to enter into a development agreement with Frogtown Gardens.

The agreement lays out the next steps to make the five-acre urban agriculture demonstration site a reality. Frogtown Gardens “will encourage residents to start their own backyard gardens and will promote healthier eating habits,” a prepared statement reads.

The land for the garden once belonged to the Wilder Foundation, which has since moved its offices. St. Paul is working with the Trust for Public Land to acquire the property this year, according to St. Paul information. In the meantime, the trust is trying to raise the $3.45 million needed to buy the land and to jumpstart development and programming.

Mike Hahm, who leads the parks department, says the development agreement with Frogtown Gardens helps flesh out those details. “It’s the next important step to bring this thing to life,” he says. Frogtown Gardens speaks directly to a need for parkland in the neighborhood, a need that the parks department identified a while ago.

As a part of the project, more than half of the property will become public parkland. “We’re super excited about the project. It hits on so many priority issues for Frogtown and St. Paul as a community,” Hahm says. It goes without saying, he adds, that parkland “is important for the community for so many reasons.” Parkland contributes to sustainability and livability, both of which are big goals for the city, he says.

Another part of the acreage will be used for growing fruits and vegetables. “The city is facilitating the partnership between the Frogtown Gardens group and the public, which will own the land,” he says.

Frogtown Gardens is an example of a community-driven effort. “It was the community that raised its hand repeatedly and said it had a vision for this property as a park and an urban agricultural center,” Hahm says, adding, “It caught the attention of various officials and captured the imagination of others in the community.”


Source: Mike Hahm, director, St. Paul Parks
Writer: Anna Pratt

Last year, the Soo Visual Arts Center opened a temporary pop-up shop in a vacant storefront space in Minneapolis’s Lyndale neighborhood, as a sort of experiment.

The place, which it calls Soo Local, has turned out to be so successful that the gallery has decided to stick with it in the long term, according to Carolyn Payne, who heads the gallery.

Kim Bartmann, who owns the nearby Pat's Tap and other local restaurants, rents the space to the gallery, Payne says.

When it became available, Soo Visual Arts jumped at it. Despite a strong arts community in the area, “There aren’t a lot of visual art spaces that highlight locals,” she says.

Already, Soo Local has helped the gallery to broaden its reach, and work with a larger, more diverse pool of artists. The place has featured 200 artists since November of 2012. “It’s amazing, that’s sometimes what we show in one year at Soo Visual Arts,” says Payne.

She characterizes the place as a “more spontaneous, experimental space. We can do things quicker that don’t fit into the exhibition schedule.”

The second location gives the gallery the chance to partner with other local groups, something it often didn’t have the space or time to do in the past. SooLocal is “a way for us to do even more programming within the community.”

It’s also a venue for exploring new ideas from artists, often those who don’t have gallery experience, she says. In those cases, SooLocal is able to help people with everything from installing a professional-level show to writing press releases.
 
She’s been pleasantly surprised by the enthusiasm for SooLocal. In April, the place was so full for a  performance by artist Jaime Carrera that she had to turn people away from the doors, she says.  

“Tons of people walk in. It has a neighborhood vibe, with lots of families, artists, and non-artists coming in,” she says. “It’s been really fun and we’ve met a lot of people.”
 
Now, she’s hoping that SooLocal can secure more funding for regular hours, upgrades to the space, and an internship program.

Source: Carolyn Payne, SooLocal
Writer: Anna Pratt

The Preservation Alliance of Minnesota (PAM) is hosting its fourth annual (Anti)Wrecking Ball event on May 17 at the Soap Factory in Minneapolis.

The preservation-themed carnival is being held in conjunction with the start of Art-a-Whirl, the annual Northeast public art crawl, according to Erin Hanafin Berg, a spokesperson for the organization. “The free event will be a celebration of all things preservation in Minnesota,” PAM materials state.

This is the second time that the event has been connected to Art-a-Whirl, which was helpful in spreading the word last year, Berg says. Nearly 300 people attended the event last year, she adds.

On top of that, “We love the Soap Factory because it itself is a historic building, a preservation work in progress,” she says.

The annual party started out as a fun way for PAM to release its 10 Most Endangered list. But after a couple of years, the organization decided to go in a different direction. “Last year it turned into just an all-out party with some preservation-themed things for people to look at and engage with. We had such a good time last year that we’re sticking with that theme,” she says.  

Although the event is more about "friend-raising than fundraising," as Berg put it, it has a $10 suggested donation. “We’ll have a few ways for people to part with their money in support of our organization,” she says. Besides providing live music, food and drink, and a number of games, the nonprofit organization will announce its first Site Worth Saving, a program it’s starting to promote preservation, she says.
 
Source: Erin Hanafin Berg
Writer: Anna Pratt

Through a partnership with a group called CityLabs, which works with a nonprofit consortium called the Associated Colleges of the Twin Cities (ACTC) on various sustainability projects, a number of student designers will soon be making their mark on St. Paul streets.

The students, who come from Hamline University and Augsburg College, came up with a stencil design for stormwater drains throughout the city.

On Thursday, that design, and other pieces the students put together as a part of a larger campaign to create awareness around stormwater drains, will be unveiled in a special event at Hamline.

Jason Maher, a spokesperson from CityLabs, explains that the city is required to do a certain amount of education and outreach concerning stormwater drains. That’s where CityLabs and ACTC are able to have an impact: For the stencils, the city “proposed that to us in project form and then we match that with existing coursework,” he says.  

The idea is that the stenciled designs calls attention to the stormwater drains, which often end up conveying much more than runoff, he says.

Typically, the city works with the Friends of the Mississippi River (FMR) on these types of initiatives, and FMR will be coordinating the stenciling part of this project in the coming weeks. At Thursday’s event, people can sign up to help out with that, he says.   

The reason that this project came up has to with the fact that the current designs on the city’s stormwater drains are 20 years old, so the city “wanted a redesign of that campaign.”

Also as a part of this campaign, students designed eye-catching handles to flip over storm doors and coasters for area bars to use.

As the project progressed, the dynamic between the classes and the city was much like that of a graphic design firm and client, “with lots of feedback and give and take,” he says, adding, “Someone from the city works with the students to make sure the outcomes are there and they guide the work.”

Students started out with around seven design concepts, which they narrowed down to three and then one winning design. Along the way, the students came up with lots of “ideas that are super fresh and innovative,” he says.

Source: Jason Maher, spokesperson, CityLabs
Writer: Anna Pratt

Art Materials, which has had a longstanding presence in Minneapolis’s Uptown neighborhood, recently underwent a remodel and added a Northeast location.

Both projects unfolded simultaneously, according to Larry Brown, who co-owns the business with his wife, Joanne. In fact, many of the finishing touches on the remodel of its Lyndale store were still being made this week.

At one point, the store had considered relocating from Lyndale, but after putting the project on hold for a year, “We discovered in that year that Uptown had turned into a veritable beehive of building activity,” with lots of new apartments, restaurants and more. “It was a highly desirable place to be.”

So, after deciding to stay put, “We felt the building needed to be rehabbed,” he says.

The renovation process opened up the space in the vintage building, which had once served as a creamery with an attached garage. Higher ceilings and concrete floors came to light, while lighting fixtures were upgraded, which is important in a store that sells paint colors, he says, adding, “It has a softer and more pleasing look.”

A colorful mural reflecting various aspects of the city, something the store didn’t have room for before, brings a nice contrast to the gray walls, he says.

Later on, the store hopes to give the exterior a facelift, too, he says.

The art-supply store had long wanted to open a Northeast location, to serve the city’s Arts District. “There’s been a void in the area for the things we do and we see it as something to capitalize on,” he says.

Art Materials was able to settle into an industrial space in Northeast, which has a funkier look.

Both stores are destination places, as is a third location in Fargo, North Dakota.

“We have succeeded in changing the face of our business in Minneapolis to be something different and better than what it was,” Brown says.


Source: Larry Brown, co-owner, Art Materials
Writer: Anna Pratt

Potter’s Pasties, which started out with a food trailer and then a food truck, recently opened a storefront space at 1828 Como Ave. S.E. in Minneapolis.

The basement-level place, which specializes in an English-style pastry, is reminiscent of a food stop on the Tube, London’s underground train system.  

In the past, the space had been used as a delivery and take-out location for Broadway pizza, according to Potter’s owner Alec Duncan.

Potter’s doesn’t have street access, but bright signage helps show people the way, he says. Duncan sought out a brick-and-mortar location after demand for the pasties “shot through the roof. People wanted to take and bake the pasties and we were selling out all the time,” he says.

Although seating is limited in the space—it’s geared more for take-out—the location works well, especially with the number of students in the area who are always on the go, he says.

The place is decorated with pictures of England and other related paraphernalia that’s personal to Duncan and his wife and relates to their travels. Everything is British-themed, with a lot of red, white, and blue and a giant chalkboard, he adds. Additionally, his mother, a local artist, is working on a canvas to go in the space, and an exterior mural will soon be redone.

Duncan hopes the place helps to revive the small business scene in the area and can be “part of every part of the community,” he says.


Source: Alec Duncan, owner, Potter’s Pasties
Writer: Anna Pratt

Collective Spaces, a shared workspace for costume designers, is in the works at the Triangle Building in St. Paul’s St. Anthony Park neighborhood.

Amy Sparks, who leads the St. Anthony Park Community Council, says the new business dovetails nicely with the work of the neighborhood group and the Creative Enterprise Zone. Collective Spaces is the brainchild of local costume designer Amy Kaufman, who says in a Park Bugle story that designers lack space to do their creative work.

A place like Collective Spaces enables people from small theaters to share resources, too. Additionally, within the same building, similar collaborative projects centering on photography and printing are happening, according to Sparks. “The landlord seems to be supportive of these artist/artisan light industrial uses, which is encouraging to us,” she says.   

Looking at the tight deadlines that costume designers often deal with, “It helps to have a network of collaborators,” Sparks says.  

Last month, Kaufman and the building’s other tenants jointly hosted a happy hour to try to bring people together around that mission. “It was a great connecting event, which is exactly what we want to see happen,” Sparks says. “The more networked someone is, the better chance they have of creating a thriving business in the neighborhood.”

This demonstrates that Kaufman, who’s been involved in other neighborhood events, understands the need to build community to be successful. “She’s interested in being part of a larger conversation and a bigger working group," says Sparks. As someone who sees “the value of connecting the dots here in the neighborhood, it’s exciting for me to see.”


Source: Amy Sparks, St. Anthony Park Community Council
Writer: Anna Pratt

The Tangiers, an upscale eatery coming to Minneapolis’s North Loop neighborhood, is going for a look “reminiscent of entering a great room in an elegant vintage mansion,” its website reads.  

To set the scene, the 152-seat restaurant, which is going into 116 1st Ave. N., will have richly colored plush sofas and chairs and the “warm and inviting light” of chandeliers. “It is a venue in which the mature and sophisticated crowd can settle into an environment that speaks to them,” the website goes on to say. As in the nearby Marvel Bar, the restaurant’s lounge will feature fanciful custom drinks, along with artisan cuisine.

In a story from The Journal, Tangiers owner Behnad Taheri says that the restaurant’s name relates to a fictional hotel in the movie, “Casino.”

David Frank, who leads the North Loop neighborhood group, says that many community members are supportive of the restaurant’s plans. To begin with, “The owner of Tangiers came to our Planning & Zoning committee several times, and the board wrote a letter of support for the liquor license,” he says.

“We like seeing active uses where those have not been before,” Frank says, adding that the space has been vacant for some time. In general, the neighborhood group is “glad to see more restaurant uses to complement our growing residential population,” he says. This is a win-win on a couple of different levels: “It's great to see restaurants filling in the neighborhood, and we like that more people will be coming to the North Loop to eat there.”

Source: David Frank, North Loop neighborhood group
Writer: Anna Pratt

Joel Ahlstrom is planning an old-timey grocery store at 38th and East Lake Street in Minneapolis. It's something the longtime grocer has been working on for four years.

Ahlstrom presented his plan for the $4.5 million Longfellow Market to the Longfellow Community Council’s development committee last month, the Longfellow/Nokomis Messenger reports.

Spencer Agnew, a staffer with the Longfellow Community Council, says the neighborhood, as big as it is, has limited options when it comes to grocery stores. Many people end up going outside of the neighborhood to shop for groceries, he says.

With plans for the new market underway, “Neighbors are excited to have a grocery option that is close, walkable, and bikable,” he says, adding that a market study confirms a strong demand for the store.

Besides meeting a practical need, “We are also excited about the potential for the new store to attract additional retail businesses to vacant spaces on East Lake Street,” he says. Ahlstrom “has a great story to tell with his family history,” he adds.

In some ways, Longfellow Market will hearken back to the grocery store that Ahlstrom’s grandparents ran many years ago in the area (see photo). Ahlstrom, who’s been a grocer for a half-century, only recently learned that they’d been in the same business. Ahlstrom also owns the Riverside Market in Isanti and formerly had a grocery store by the same name in Seward.

To make way for the store, the old Peterson Machinery building will undergo renovations and several other structures on the site will be torn down, the Longfellow/Nokomis Messenger story explains. The Peterson Machinery building’s high-beam ceilings and original windows will stay intact, but the 14,500-square-foot space will be modernized to save energy.

Hand-crank awnings, tin ceilings, wood floors and cases, shelves that reach the ceiling and vintage packing will give the store an Old World atmosphere. To take the old-timey theme a step further, the store will feature demonstrations of butter churning and candle-making by hand and feature a barbershop quartet on occasion, while employees will don vintage-style clothing.  

The store also includes a bakery and a deli, plus a butcher who will prepare specialty ham, bacon and smoked meats.

The Longfellow Market aims to open in mid-November.

“We are always excited to see entrepreneurs bring their own passion and vision to East Lake Street," says Agnew, adding that some of the most successful businesses in the area “offer a great atmosphere and a unique experience." It seems to him that Ahlstrom is doing just that.

Source: Spencer Agnew, Longfellow Community Council
Writer: Anna Pratt

An antique carousel that’s housed in the pavilion at Como Park Zoo and Conservatory in St. Paul will be up and running on May 1.

The historic Cafesjian’s Carousel, which dates back to 1914, is in its 14th season at the park, according to city information.

Tamara Beckley, operations manager for Our Fair Carousel, the nonprofit community group that runs the carousel, says the old-timey attraction “adds to the glory of the history at the park. It takes one on a trip back in time.”

For 75 years, the carousel was stationed at the Minnesota State Fair. But in 1988, the carousel was about to be sold, piece-by-piece, to collectors. Our Fair Carousel stepped in then to preserve the iconic carousel, she says.

Over the course of a number of years, Our Fair Carousel gradually restored the carousel, even bringing back the original paint colors on the 68 horses and 2 chariots.

The carousel spent some time at Town Square Park before the group relocated it in 2000 to Como Park.

To keep it going, over 100 volunteers help run the ride throughout the season, and more are always needed, she says.

The volunteer aspect adds to the fun. “It becomes a much more community-involved piece,” she says.  

For Beckley, her recruits, and the nearly 100,000 people who ride the carousel during each season, it’s a chance to be “a part of living history,” she says.

Beckley hopes the carousel will be operational in another 50 years. “How cool would that be if people were still riding it and using it and cherishing it,” she says.

In Europe, far-older carousels are still running. “It’s part of a great tradition of people caring for history and bringing it into the future, to make sure it has a home."

Source: Tamara Beckley, operations manager, Our Fair Carousel
Writer: Anna Pratt