Arts and Culture : Development News

One year ago, the former Midway Chevrolet car dealership at 1333 University Avenue was yet another vacant lot along the Central Corridor—a remnant from a previous era when car dealerships dominated the Midway area of Saint Paul. Today, the lot stands as a colorful, artistic sign of things to come.

Over the past year, artist/organizer Oskar Ly has been working on a large-scale public art project at the site dubbed “ARTIFY—Bringing the Arts to Hamline Station.” Her project aims to create a renewed sense of place around the site ahead of a 108-unit affordable housing development, which Project for Pride in Living plans to break ground on this spring.

Ly brought community members and more than two-dozen local artists together to create 20 public art installments and 11 performances at the lot—all based on the theme “Home is…” She says the goal is to signify the transformation of an abandoned business to a place people would soon call home.

ARTIFY capped-off its yearlong project with a final celebration, “Midway is Home,” last Saturday. Artists reflected on their work, while spectators toured the grounds to view the various installments. Poetry for Thought, a local effort to inspire community dialogue through spoken word performances, organized area poets to present original works and spark discussion of what “home” means.

Janell Repp, a Saint Paul native, has lived all over the world, most recently in India. For her, home is often changing, she says. She once purchased a car at the Midway Chevrolet dealership. “I sat in this office and signed the papers,” she said. “It’s funny how time changes…you make your home where you are… and you keep moving through time.”

The most visible installation to passerby is a large mural painted at the Saint Paul Open Streets event last summer. It depicts a row of colorful houses over the façade of the old dealership with the words “Home is Hamline Midway” printed across the top. Another piece involves 108 house-shaped wood cutouts decorated by area youth with their own ideas of what “home” is.

Mischa Keagan and Witt Siasoco held several workshops at the Hamline Midway and Rondo libraries where people traced places they considered home on large green canvases that are now on display at the site. “All along people talked about their family, their kids, their homes, and their dogs…it was a really nice way to get to know people in the community,” Keagan said.

Most of the art installments will remain on display till demolition begins this spring. Ly says she has at least one more project planned. She hopes to hang large photos on the fence surrounding the construction site this summer. “I want to create a façade that helps create an environment that’s more community-oriented than if it was just a construction site,” she said.

The future PPL development will feature a public plaza to display art, thanks in part to the ARTIFY project, according to Ly.

ARTIFY is supported by Irrigate Arts, an artist-led creative placemaking initiative that seeks to foster a new sense of place through public art along the Central Corridor. Irrigate is made possible through a partnership between the City of Saint Paul, Twin Cities Local Initiatives Support Corporation, and Springboard for the Arts.

Sources: Oskar Ly, Janell Repp, Mischa Keagan
Writer: Kyle Mianulli

Vinyl aficionados can look forward to flipping through a new trove of wax when Barely Brothers Records opens later this month at 783 Raymond Avenue in the Creative Enterprise Zone on the Central Corridor in Saint Paul. Barely Brothers joins such retro and vintage shops in the area as Mid Mod Men and Succotash.

The shop’s grand opening celebration is March 22. Local music acts including Minneapolis-based Eleganza, and Matt Arthur & the Bratlanders, will perform.

Co-owner Mike Elias has spent a good part of his life digging through stacks of records. After working at various record shops for a decade, he spent 13 years at the Electric Fetus in Minneapolis. When he’s not pushing vinyl, he’s often spinning it at clubs and events around town where he performs as DJ Father Time.

Along with co-owner Spencer Brook, Elias is now bringing his erudite musical tastes to bear on this new venture. With 8,000 LPs and 20,000 45s in store, Barely Brothers will offer a “deep and eclectic” catalogue of used records along with new releases, according to Elias.

“We have a pretty good Latin Boogaloo section,” Elias says, only half joking. “People don’t even know they want this stuff yet,” Brook adds.

Just talking about music and expanding customers’ horizons is a big part of the joy of owning a record store, Elias says, while fingering through a rack of albums. “Show me what you like and I’ll show you what else you’ll like,” he says.

Elias and Brook also plan to host live performances in their new space. With movable racks, the record store by day can easily become an intimate music club by night. Elias hopes to tap local DJs—many of whom he calls friends—to spin records specifically from the store’s catalogue. The owners would eventually like to host art-show openings in the space as well.

Their eclectic inventory might attract a certain collector crowd, but Elias and Brook are non-discriminating in their music tastes.  “My tastes are expansive so I really can’t discount anyone else’s…unless it’s Billy Joel,” Elias says.

Brook says they want every music fan, especially young ones, to stop by the shop and rediscover a different way of listening to music. They’re critical of today’s digital music industry, which pushes single tracks over holistic albums.

“We want people to think about the way they are listening to music, that there are better ways to do it,” Brook says. His suggestion? “Sit down and put on a record.”

Sources: Mike Elias, Spencer Brook
Writer: Kyle Mianulli

Sisyphus Brewery, named for a character in Greek mythology, plans to open in Loring Park in April. The brewery will include a taproom and a 100-seat theater for live comedy, music, and podcasts about beer. The name is about keeping things fresh, with new taps and new acts every week, says co-owner Sam Harriman.

Harriman, a comedy veteran who co-owns the brewery with his wife Catherine Cuddy, are renovating the first floor of a vintage warehouse space that previously served as storage for the nearby Dunwoody College of Technology. The 7,000-square-foot space has low ceilings, exposed brick walls, and industrial floors and ceilings that “We’re not touching,” he says.  The couple is taking a “less-is-more” kind of approach to the design, with wood and metal finishes setting the tone. 

Within the taproom area, Harriman adds, “we’re creating different zones” with booths, shuffleboard, and “a lot of different hangout spots.” In some ways, the place will feel more like a coffee shop, where people can linger over a beer or take in a show. The theater’s programming will come later — after the taproom gets set up.   

The couple decided to merge the brewery with an entertainment venue to differentiate Sisyphus from other breweries. In the near future, the local brewery scene will be “super competitive, more so than it is now,” he says. “I thought entertainment and beer would go perfectly together.”

Source: Sam Harriman, co-owner, Sisyphus Brewing  
Writer: Anna Pratt  



 

A historic mansion in Minneapolis’s Lowry Hill neighborhood,  last used as an office four years ago, could soon see inhabitants once again. Owner Jack Kistler wants to renovate the 1906-built Eugene J. Carpenter house and bring in a bed-and-breakfast, a beauty salon, and several apartment units. 

The house is significant for its Georgian-Revival style exterior, the handiwork of Edwin Hewitt, who was a well-known local architect, according to city materials. The house was placed on the National Register of Historic Places in 1977.

Mina Adsit of Adsit Architecture, the firm behind the project, says the interior is well preserved, with its original panels and high ceilings intact, though the exterior needs to be restored. As such, the facade will be fixed up and repainted. The plan calls for the restoration of a previous covered porch along with an old garden space where a surface parking lot currently exists. The idea is to return the house to a residential use that’s in keeping with the neighborhood’s original character, Adsit says. 

That’ll help the owner to “tell the story of the house,” which was the first of its kind in the area. It’s also a chance to talk about the history of the Carpenter family, which had a hand in founding several arts institutions in the city around the turn-of-the-century, she says. In general, the idea is to “preserve that feeling of place that happens up there on the hill with the big houses.”   

“The whole area of the top of the hill is kind of threatened historically. These mansions are getting overwhelmed by the buildings around them,” she says. The goal is to begin construction on the house this spring and to open the place in the summer of this year, according to Adsit. 
    
Source: Mina Adsit, architect, Adsit Architecture 
Writer: Anna Pratt 

First & First, the creative developer of such hotspots as Icehouse, Aria, and 612 Broadway, has purchased the former Franklin Theater in Minneapolis. The historic 10,000-square-foot building, most recently owned by Franklin Art Works as a contemporary-art exhibition space, still has its original plaster movie screen and proscenia. The building also has a brick façade with a 29-foot-long stained-glass window, 35-foot-long arched entry, and second-level open-air balcony facing Franklin Avenue.

“The Franklin is a significant theater in Minneapolis history,” says Peter Remes, founder of First & First. “I’ve always loved this fascinating building, especially what’s behind the exhibition space, which people haven’t seen for decades: the spectacular old theater.” The building also has a storied history.

Originally known as the New Franklin Theater, the building was designed by Lindstrom and Almars and constructed in 1916. After serving as a neighborhood silent-movie house for 60 years, the building was gutted in 1977 and turned— under the ignominious ownership of Ferris Alexander—into a three-screen adult movie theater. After the City of Minneapolis seized the building in 1990, the Franklin was a bike shop and site for under-the-radar performances.

Franklin Art Works purchased the building in 1999. With help from the Neighborhood Revitalization Program, Franklin Art Works transformed the building into a contemporary art center. “They took a horrible mess and turned it into a well-respected art gallery that held numerous groundbreaking exhibitions by emerging artists,” Remes says.

First & First’s purchase signifies the company is moving into a new part of town and new type of building. “It is new for us,” Remes says. “We’re stretching our boundaries from where we typically focus or concentrate.”

“But the neighborhood, which is so culturally diverse, and the building, which on its own is gorgeous, are equally interesting,” he continues. “We just found the Franklin—a one-of-a-kind building waiting to be reactivated in an interesting way—to be a dynamic, unique project we’re intrigued by.”

Possible new uses for the building include an exhibition space with microbrewery, or “expanding the Aria concept here for smaller groups,” Remes says. “Because of the way the building sets up, it offers a lot of creative possibilities, which we also found compelling.”

In the next 60 days, activity will begin taking place in and around the building. “We would like to launch with unique and compelling programming that brings people from the community, and from outside of the neighborhood, into the building. We’re discussing internally how to find a balance of uses that creates that perfect harmony.”

Source: Peter Remes, First & First
Writer: Camille LeFevre

A new coffee shop called Five Watt Coffee is in the works for 38^th and Nicollet in Minneapolis. Five Watt aims to open within the next month, according to Lee Carter, who co-owns the place with Caleb Garn. The coffee shop’s name references an old record label called Five Watt Studios that Garn previously owned.

While scoping out possible locations, the pair looked all over the metro area before settling on the 1,100-square-foot space in the Kingfield neighborhood, Carter says. In terms of parking, visibility, accessibility, and construction costs, “It was the best spot by far,” he says. The space also has a full-sized basement that’s in good condition.

Initially, they’d overlooked this area of town due to nearby road construction. From what Carter can tell, some businesses didn’t outlast the road construction. “I’m just excited to re-use the corner and give the neighborhood something new,” he says. 
 
Plus, the neighborhood lacks a coffee shop. “We’re meeting the needs of the area and helping the intersection get back on its feet,” he says. “We’re really excited to have something in a familiar neighborhood for us.”   

Right now, the pair is wrapping up the build-out. Through the process, they’ve brought out some of the 1909 building’s original features, such as hardwood floors, an exposed brick wall, and a tin ceiling. “When we came in, there was drywall everywhere and a dropped ceiling,” he says. 

A garage door and new windows will help update the space, as well. Although they’re going for a modern aesthetic, “We don’t want to do something that’s sterile,” he says, but rather create a warm and inviting ambiance.  


Source: Lee Carter, co-owner, Five Watt Coffee
Writer: Anna Pratt 

Several years ago, Saint Paul’s historic Victoria Theater was nearly demolished. Now, after sitting vacant for 14 years, the place is getting a new lease on life. The Twin Cities Community Land Bank is closing on the purchase of the theater, according to Tyler Olson, the project coordinator. Olson is working with the volunteer-driven Victoria Theater Arts Initiative (VTAI), which will take over the building’s ownership in the future. 

Basically, the land bank is “holding” the property for the group. “The fear was that we would do the work upfront and the owner [of the theater] would get an offer that couldn’t be refused” from someone else, Olson says. 

A kickoff event, which includes building tours, begins at 2:30 p.m., Thursday, January 16.

VTAI, which began meeting a year ago, is comprised of representatives from various local organizations including the Frogtown Neighborhood Association, the Center for Hmong Arts and Talent, Historic Saint Paul, Dangerous Productions, and the New Victoria Theater Project. “We started saying, ‘Let’s make something happen here. It feels like now is the time, especially with the light rail coming,’” he says.   

That kind of grassroots effort is typical in Frogtown, where a "trend of organic growth" has taken hold, he says, citing the development of the nearby Frogtown Farms. 

Together, the consortium “intends to revitalize the building, transforming it into a community-owned and -managed center for arts engagement, education and performance,” a prepared statement reads. Irrigate, Springboard for the Arts, and the City of Saint Paul helped to make the project happen.   

What are the next steps? As it is, the building is a shell that needs to be renovated. “We really need to figure out all of the things that need to happen to make it workable and usable,” he says. The group is also “getting out into the community,” to find out what people are interested in seeing happen at the theater, he says. “People are excited about its potential.”
 
The theater will be “a huge boon to the community, a landmark destination,” he says. “The hope is that people will come to see something here they wouldn’t be able to see anywhere else in the Twin Cities."  


Source: Tyler Olsen, project coordinator, Victoria Theater Arts Initiative 
Writer: Anna Pratt 

Last year, the Preservation Alliance of Minnesota (PAM), together with The Cultural Landscape Foundation (TCLF), went to court to save Peavey Plaza, a historic landmark in downtown Minneapolis.

The City of Minneapolis had decided to scrap the aging plaza and build anew on the site. After suing the City to keep the place intact, PAM and TCLF came to a settlement agreement this past summer. The agreement stipulates that the plaza will be rehabbed. Recently, the National Trust for Historic Preservation called the Peavey outcome preservation's biggest win in 2013. 

Erin Hanafin Berg, a field representative for PAM, says she’s encouraged by the shout-out. “The fight to preserve Peavey put an enormous strain on our resources, so it is nice to be acknowledged for our efforts,” she says. 
  
The 1975-built modernist plaza was designed by M. Paul Friedberg + Partners. During the court proceedings, the preservation groups lined up historic designation for the plaza. “Often referred to by Friedberg as a 'park plaza,' this two-acre space is also described by him as 'a mixture of the American green space and the European hard space,'” the TCLF’s website reads.  

What’s next for the plaza? The alliance is working with partners, including TCLF, Preserve Minneapolis, Docomomo US MN, and the Minnesota chapter of the American Society of Landscape Architects, “to develop a strategy to lead a preservation solution,” Berg says. 

If the plaza is going to be successfully rehabilitated, she says, “Those of us who are interested in its preservation will have to marshal our resources and present both design and funding solutions."

The plaza needs a committed programming entity along with infrastructure and accessibility improvements, Berg says. “We’re inspired by the recent revitalization of Pittsburgh’s Mellon Square.”

Peavey is significant architecturally and historically. “We also think it is a really wonderful and unique public space that can and should be revived,” she says. “We like to think of it as everybody’s sunken living room — a place where a variety of year-round activities can take place for individuals, small groups, and crowds of people.”  

 
Source: Erin Hanafin Berg, field representative, Preservation Alliance of Minnesota 
Writer: Anna Pratt 

For the owners of Sociable Cider Werks, a cider house and brewery in Northeast Minneapolis, it made sense to establish the business in an area characterized by a robust beer scene. Jim Watkins, who co-owns the cidery with Wade Thompson, also happens to live nearby.       

Sociable Cider Werks provides new inroads into the craft-beer movement by producing hard cider. “We can participate in the movement but do our own thing at the same time,” Watkins says. Sociable’s ciders, he adds, are for “people who have a palate for craft beer."   

Unlike the typical macro-cider house that produces sweet, middle-of-the-road-tasting ciders, Sociable is going for a bitter flavor, and mixes hops and grains into its concoctions. “We think ciders are supposed to be dry. They’re supposed to be bitter and torched. It’s a good representation of the apple,” Watkins says. 

The co-owners leased the cider house’s vintage industrial building just over a year ago.The place was a fixer-upper that gave the impression of a “junky warehouse” at the time. To make way for Sociable, the space was completely gutted and redone. Now, the cider house “has a cool aesthetic, with a lot of exposed brick and wood,” Watkins says.  

The 6,000-square-foot space is long and narrow, while the interior is open, giving visitors a feel for the whole operation, he says.  Already, the renovation has had a positive impact on the block. “I’ve heard from neighbors that they love having us here.”

Even though the taproom has only been open for a little over a month, the place already has regulars, which is a testament to the friendly beer community, hence the “Sociable” in Sociable Cider Werks, Watkins says. In “the craft beer scene in Minneapolis," he says, "everyone is willing to help each other.”
 
That generosity extends to the patronage, as many visitors go from one taproom to the next. “Northeast is a brewpub destination. It’s like Minnesota’s own little Fort Collins, Colorado," he says. "There’s a high percentage of breweries in a short distance and it’s walkable.”   


Source: Jim Watkins, Sociable Cider Werks
Writer: Anna Pratt 

Todd Boss is planning an ambitious public art installation at the historic Saint Paul Union Depot that explores themes of arrival and departure.

Boss, a local poet, public artist, and a co-founder of Motionpoems, intends to turn the landmark building into a 3D screen for various short films based on original poems. His project, titled, "Arrivals and Departures," will coincide with the Saint Paul Art Crawl in October 2014.     

Films will be projected onto the building’s façade every five minutes so the Depot appears to be moving along a rail line, he explains. "The idea is to inspire Minnesotans to think about the Depot and to attempt a poem about what it symbolizes,” he says. 

In the coming years, the recently renovated Depot will be a multimodal hub for various forms of transit. Boss's project celebrates the building's turnaround. “I want this to be a sort of reclamation of the space. I want it to be one way in which we give that space new meaning, and possess it again,” he says. 

The poetry that will inspire the films is emerging out of a statewide poetry contest for which The Loft Literary Center is a sponsor. The contest deadline is Jan. 15, the same day that the Kickstarter campaign ends. Boss is trying to raise $20,000 through Kickstarter. He hopes to remount the project annually over the next four years. He also wants to document the process through film.

Boss encourages contest entrants to think broadly about the theme, not literally. For him, the theme has to do with “second chances and opportunity and this melting pot nation that we have. All of the things that we associate with departure and arrival,” he says. 

Depending on how much funding the project secures, as many as 10 poems could move forward, he says. At that point, local filmmakers will be invited to interpret the poems in film. It’s all about “locally-sourced, community-making,” he says.

Boss credits his wife, Amy, for coming up with the original idea for the installation. One day last year, when they were working on a separate project, “She sat down at the kitchen table and said, ‘You know what would be cool?’ And she laid out a vision of a projected image of a landscape slowly going by, to make it look like the view out of a train car,” he says. “The poet part of my brain just recognized the poetic gesture of that.”  


Source: Todd Boss, Poetry in Motion 
Writer: Anna Pratt

The Minnesota Honey Company, a store devoted to all things crafted from and with honey, opened in Minneapolis’s Fulton neighborhood this fall.  

Previously the 1,500-square-foot space at 49^th and Xerxes housed a nail shop, according to Kelley Flanders, who co-owns the honey specialty place with his wife, Deborah. 

The store has an eye-catching center island that’s set up as a tasting bar. Customers can sample just about any honey product, with a few exceptions -- like soap, Flanders says. Luckily, the modern storefront, which is characterized by white walls and plenty of natural light, didn’t require too much build-out, he adds. 

The couple looked into various possible locations for the store. But Flanders says he's glad they landed in Fulton. Their business seems to complement other local shops, especially the nearby Vinaigrette. The area is “good for foot traffic. It’s a destination spot,” especially for foodies, he says. 

The Flanders' started out as beekeepers at Deborah’s parents’ honey farm. They’d also sold the farm’s products at the Minnesota State Fair. At the fair, customers are always asking about where to find honey products year-round, Flanders says. 

That’s what made him want to get into the retail business on a bigger scale. “We’re giving it a shot to see if we can make it work,” Flanders says. 

The Minnesota Honey Company offers honey, candles, soap, syrups, sauces, and more, for which honey is a key ingredient. “People forget how many things are made out of honey,” he says. 

For starters, honey is a natural sweetener that can be used as a sugar substitute. As such, it’s popular for cooking and brewing craft beers, he adds. 

The Minnesota Honey Company emphasizes local products. “We’ve been lucky,” Flanders says. “People seem to be liking what we’re doing.” 

“There’s been a huge resurgence with honey,” he adds, which is contributing to the store's popularity. People are rediscovering honey, in part, because of the “crisis of the bees dying off." Minnesota is also a national leader in honey production, Flanders says. 

Source: Kelley Flanders, co-owner, Minnesota Honey Company 
Writer: Anna Pratt 

Omforme, a Norwegian word meaning "to transform,” is the name of a new shop at 24^th and Lyndale in Minneapolis. Omforme also describes the ways in which its owner, Carter Averbeck, who is part Norwegian, gives furniture and other home goods a new lease on life. 

The shop offers a mix of vintage and modern pieces that reflect every era, as well as original furnishings from local designers. Some pieces are restored to their former glory, while others get a modern update, Averbeck explains.   

The shop evolved out of Averbeck’s other business, Trompe Decorative Finishes, through which Averbeck creates murals and decorative finishes for commercial and residential spaces. Often, when clients stopped by the studio, Averbeck says, they would remark on the unique furniture in the space--often pieces that Averbeck had reconditioned.

Before opening Omforme, Averbeck experimented with several pop-up shops. Those were successful, so he was able to secure a permanent home for Omforme.  

From the beginning, Averbeck wanted to be near Uptown, an area that has an artistic, hip edge to it, he says. 

Lyndale seemed like an ideal location. “Lyndale is moving so fast into what Uptown used to be,” with many new retail shops, restaurants, and apartments, he says. “I got lucky. It was the right space at the right time.”  

Previously, the 1,100-square-foot space had been a Gothic-style hair salon. Although the place needed a lot of attention, “the building has great bones,” Averbeck says.

Averbeck took his design cues from the vintage building. Old World details blend with crisp modern shades of white and charcoal gray, while the colorful pieces for sale lend ambiance. “It’s like a high-class manner house,” in Europe, “a timeless space,” he says. “People say it’s like walking out of Minneapolis, into some place else.”  
 

Source: Carter Averbeck, owner, Omforme 
Writer: Anna Pratt 

Karen Linner, principal at Shenandoah Consulting, and Harvey McLain, of the Turtle Bread Company, teamed up to renovate Longfellow Offices at 36^th and Lake in South Minneapolis. The new Longfellow Offices had its grand opening earlier this month. 

The vintage building previously housed an art gallery. The building's focus now is wellness, which Linner says is a “burgeoning market.” Longfellow Offices houses tenants that work in massage therapy, acupuncture, and Rolfing. A holistic diabetes group is also in the works.

Throughout the construction process, Linner and McLain sought to bring out the building’s best features.

“It’s a great building with great bones,” Linner says. 

The structure was gutted, then divided into 10 suites for practitioners. Tenants share a common hallway that’s equipped with a sink, plus a kitchenette and an accessible restroom.  

Linner and McLain added windows to allow for plenty of natural light, and they installed dimmable light fixtures, “which are convenient for practitioners,” she says.

They also paid attention to design details that preserve the building’s character. For example, hand-painted ceilings resemble old-fashioned pressed tin. Hardwood floors, high ceilings, subway tile, and wood trim add to the effect.  

Soundproofing in each suite was a priority. In wellness offices, Linner says, the “biggest complaints are about sound transmission. You don’t want to hear someone’s emotional release coming through the walls.”

Linner's  pleased with the way Longfellow Offices turned out. “People walk in and say, ‘This is such a nice building,' or 'It feels so calm in here,’” she says. 

On a broader level, “I hope we’ve created a community in the building,” she says, adding that the like-minded tenants “are part of a renaissance on East Lake Street.” 

Source: Karen Linner, principal, Shenandoah Consulting 
Writer: Anna Pratt 

Pharmacie, a boutique at 28^th and Lyndale in South Minneapolis, held its grand opening on Saturday, November 9.

The storefront space, which is part of the Greenleaf Apartments development, was previously a showroom for apartment rental, according to Sam Beberg, who co-owns Pharmacie with Roger Barrett. Beberg also owns and operates Hot Plate, a brunch spot in South Minneapolis, with Carrie Lewis.

For Beberg and Barrett, bringing Pharmacie to fruition has been a two-year endeavor. 

Pharmacie sells furniture, with a special emphasis on pieces made by independent designers from around the country, plus vintage items. Other household goods for sale include light fixtures, handmade pillows, glassware, cookbooks, toys, art, and gifts.  

The store’s aesthetic plays off of the French spelling of pharmacy. Apothecary items, candles, and beakers lend an authentic pharmacy feeling. A floor-to-ceiling graphic image of an old-fashioned pharmacy acts as a backdrop. The 1,400-square-foot space, which has tall ceilings, gets plenty of natural light through big windows.

With its reclaimed wood decor and modern fixtures, “Someone said [the shop] looks like an industrial farm, with the modern and rustic look,” Beberg says.   

Beberg and Barrett settled on the space in part for its proximity to Lyn-Lake and Uptown. 

The area is “like the new Hennepin,” Beberg says. “We feel like a lot of places are within walking distance, including bars and restaurants.” 

He hopes to see more shops fill in around the area, including the next-door space. Fortunately, the area gets plenty of foot traffic. “It would be nice to see more retail on the street,” he says. “Everyone wants more businesses so they can feed off of each other.”  


Source: Sam Beberg, co-owner, Pharmacie
Writer: Anna Pratt 

Spyhouse Coffee expanded into Northeast Minneapolis this fall with a third location in The Broadway, a former warehouse at Central and Broadway redeveloped by Peter Remes of First and First. 

The warehouse building’s other tenants include 612 Brew, Seventhsin (a creative agency), and the Steller Hair Co.

Christian Johnson, who owns the Spyhouse coffeehouses along with The Bad Waitress restaurant in South Minneapolis, scoped out plenty of other locations around town before settling on The Broadway, according to The Journal. At the time, the building was undergoing early renovation work, according to the story.

Today, old barn wood salvaged from an Amish farm in Wisconsin, and the warehouse's original flooring and thick beams lend a rustic feel to the place.

A variety of antiques, including an old-fashioned roaster and custom-made furniture, add character to the space, as well.

Johnson plans to turn the Northeast shop into a roastery that will provide coffee to the other locations, according to The Journal.   
 
Chris Bubser, an architect and community activist who lives nearby in the Windom neighborhood, says the place makes a nice impression from the street. “I think the outside of the building looks great, and I'm glad someone saved and repurposed another cool old Northeast building,” he says. 

He’s fond of the big floor-to-ceiling windows, which provide views of the interior from the outside. 

The renovation respects the building’s original architecture, and “changes the whole dynamic of what was a pretty unappealing corner," Bubser says. "Those kinds of improvements may seem small, but the more developers make such improvements, the more momentum is built." 

Source: Chris Bubser, community resident 
Writer: Anna Pratt