Arts and Culture : Development News

A twofold event dubbed “exp-Air-iment” offers participants the opportunity to see the neighborhood from a new perspective--literally.

The St. Anthony Park Community Council Pop-Up Shop is hosting an aerial photography “open lab” and separately, a workshop, from Aug. 1 to 5.

The pop-up shop, which temporarily fills an empty storefront space on University Avenue, is among the numerous creative initiatives to come out of Irrigate Arts. The initiative is funding all kinds of place-making projects along the Central Corridor light rail transit line.

Kristen Murray, a co-founder of the Starling Project, which is helping to program the pop-up shop, is leading “exp-Air-iment.”   

In the “open lab,” visitors will get a chance to try the special aerial photography rig in the shop and see the images that come from a custom-built 3D printer, which was designed by Will Janicke, a local maker.

The workshop takes it a step further; people will learn the basics to get started with aerial photography, which involves sending digital cameras into the air with balloons, she says.

Also over the coming week, Murray is doing aerial photography with the Teen Tech Crew at the Science Museum of Minnesota, where she previously led hands-on technology-based programs.

Recently, she worked with teens from the nearby Skyline Tower housing complex. “We took a couple of cameras, rigs, and a bunch of balloons over to Dunning Field and captured some great shots,” she says, adding that they also suspended cameras from kites.  

The playing field’s wide-open spaces worked well for the balloons, which hovered overhead about 50 feet high. The group also got views of Marshall Avenue, Central High School, the St. Anthony Park community garden along with other local landmarks--and the photographers themselves.

“I enjoy seeing broad views where you can recognize the place easily, as well as more accidental angles and perspectives that catch interesting patterns,” she says.

The images show that “The railyard is just an impressive site--amazing that so much activity happens in a place that is smack-dab in the middle of the city but yet mostly out-of-mind and out-of-sight,” the website reads.  

The images can be seen on the website and hanging in the pop-up shop this week.

Source: Kristen Murray, Co-founder, Starling Project
Writer: Anna Pratt

Many neighborhoods throughout the Twin Cities have become increasingly diverse in recent years, yet the back-stories of different groups’ arrival so often are unknown.

The current show at the Third Place Gallery in Minneapolis, which is the studio and exhibit space of photographer Wing Young Houie, focuses on representatives of various immigrant communities, including some political refugees, whose stories vary greatly.  

Called (re)locate: A Place to Call Home, the show brings together images from Houie and another local photographer, Selma Fernandez. It'll be on view through Aug. 16.

The 22 images from both photographers are intermingled on the walls, as opposed to being separated, visually, Houie says. It includes a mix of color and black-and-white shots.

Adults and children are shown in their natural habits, such as home, school and work, in and around the Twin Cities.

One young boy is pictured up close wearing a bright red superhero outfit. Alongside that is a black-and-white print of a young boy holding a sign that states, “I want to be a doctor.”

In another picture, a couple wearing traditional dress stands out amid a festive-looking crowd at the 2002 Hmong new year celebration in St. Paul in 2002.  

In some ways, each of the subjects is in costume, he says.

Together, the poignant images pose questions such as “What is home? Do you ever leave home? What does relocate mean?” The answers are especially complicated for immigrants, Houie says.

It’s a familiar topic for Houie, who is the only child in his Chinese family to be born in U.S. Often he gets asked where he’s from, even though he’s a native Minnesotan.

Throughout his work, he tries to “normalize iconography,” showing everyday examples of the reality, which is a lot more colorful than is shown in the mainstream media, he says.

 
Source: Wing Young Houie
Writer: Anna Pratt

To step into a new era, the James J. Hill Reference Library in St. Paul, which specializes in business materials, is inviting patrons to use it in new ways.

Greg Heinemann, a representative of the library, says that it’s trying to adapt to the drastic technological changes that have hit libraries over the past decade.

Gone are the days of going to the library solely to conduct research or find information in books and periodicals or on microfiche. “Reinventing libraries has become necessary to make them relevant,” he says.

It doesn’t mean that buildings, like the ornate James J. Hill, which dates back to 1921, are obsolete or that the library's resources should be scrapped. But it has shifted its focus. For example, Heinemann is thinking about how the building can be a “platform to create content, promote discourse, entertain, and gather communities while still making information and help available when it is needed,” he says.  

To carry this out, the library has recently embraced everything from weddings to retail events. It hosts a roots music show, which has become a "wonderful, live event that promotes gathering, entertainment, [and] culture and gets people to the library,” he says.  

Come December, the James J. Hill will have a pop-up store called Holiday Grade, which it’s creating with partners Katherine and Mac MacMillan, who founded the Pierrepont-Hicks clothing company. The store will bring American-made fashion pieces “to a very hip and cultured audience,” he says.  

It's also working to bring entrepreneurs together to share information and insights. Right now it's exploring ways to help veterans find new careers or grow their businesses.

At the same time, the library is renovating parts of the building. Soon, the conference rooms and reading room will be updated, as will the electrical, sound, and lighting systems. New bathrooms will be added as well.

All in all, the idea is to “keep our building in great shape, our services top-notch and our future intact,” Heinemann says.

Source: Greg Heinemann, James J. Hill Library
Writer: Anna Pratt

Too often, people pass by the businesses on Snelling Avenue, near University in St. Paul, without stopping.

As one way to change that, the African Economic Development Solutions (AEDS) group is leading an effort to brand the district that spans Snelling Avenue between University and Minnehaha avenues as “Little Africa.”

Soon, the Central Corridor light rail transit line will run through the area, but in the meantime, the construction has decreased foot traffic in the district and beyond.

Bruce Corrie, who is a business professor at Concordia University in Saint Paul, explains that the branding campaign comes out of the broader, nonprofit-driven World Cultural Heritage District. This emerged as a way to help businesses stay afloat during the light rail construction on University.

The idea is to make the area a destination for ethnic tourism. Here, “there’s a growing presence of African Americans,” he says, adding that it includes about 20 immigrant businesses.

Further, “African immigrant groups are very dynamic and entrepreneurial,” he says. “We want to capture that.”

It follows other similar branding efforts along different segments of University, including “Little Mekong” (see The Line story here) and the African American Cultural Corridor.

The districts would also relate to similar areas in Minneapolis and Brooklyn Park.  As it is, “There’s not a strong cultural infrastructure in Minnesota,” he says, adding that it’s an opportunity. “We’re trying to tap into the global market.”

While encouraging more people to come to the district, another goal is to “develop the cultural capacity,” he says.

Eventually signage will come to indicate the district visually.

“One challenge is to get the attention of policymakers,” to help bring more resources to the area, he says.

Recently the district rolled out a voucher program, offering $5 coupons to district shoppers. Also, the Snelling Café will host a free book exchange through its new Little Free Library, which it’s celebrating with a July 27 luncheon.  

Source: Dr. Bruce Corrie, Professor of Business in the College of Business and Organizational Leadership, Concordia University
Writer: Anna Pratt

The historic Minneapolis Club’s restaurant, which hasn’t changed since 1974, will soon get a facelift.

As a part of the $900,000 project, the club, which has long been a gathering place for city leaders and businesspeople, is adding a new bar and patio, while the first-floor grill’s hours will expand to include dinner.

This part of the building hasn’t seen any renovations since 1974, according to the club’s general manager, Frank DiLapo. “Everyone loved it and they were reluctant to do anything in there,” he says.  

However, it finally got to the point where it was tired enough that “We needed to do something to spruce it up" and give it a contemporary atmosphere. The changes will help make it a better gathering place, says DiLapo. “We looked at the clubhouse and the ways members want to use it now,” he says. “The hallmark of a great club is that it transitions for its members.”

Although the place will be updated, it’ll still have an old-fashioned look. Design-wise, the club looked to a London hotel called The Connaught. “It resembles the clubhouse in a lot of ways, with dark wood in the lobby area,” DiLapo says.  

In the 110-seat restaurant, the club preserved the woodwork without painting over it. To inject some color into the space, colorful furniture and white tablecloths were brought in. “The whole room is a brighter, lighter spot,” he says.

The 40-seat bar will be something of a throwback to what the space looked like in the past, with familiar yet refurbished chairs. A mural referencing the skyline will grace the walls.  

An area alongside the building, which had been a lawn, has been turned into a 50-seat patio. The patio, which will have its grand opening today, is going for a modernized speakeasy feel with stone, black wrought-iron furniture, and a white-flower garden.

Altogether, “Now we’ll have this whole little dining complex,” DiLapo says.

The restaurant and bar changes will wrap up in September. “Some of the most important decisions about the city have been made here at the club, he says, adding, “We want to make sure we’re around for another 130 years.”


Source: Frank DiLapo, general manager, Minneapolis Club
Writer: Anna Pratt

Until last year's Southside Sprint Bicycle Race, the area surrounding 48th and Chicago in South Minneapolis hadn't seen an elite bicycle race since the 1980s. 

More than 200 racers, plus at least 500 spectators, showed up for the event last year.

This week, the race is returning the neighborhood. The July 22 event includes eight races that invite riders of all ages and abilities, including the region's top bicyclists, along with a family fun festival and a separate, free children's race and a movie screening.

The South Chicago Avenue Business Alliance and Nomad Marketing have teamed up to put on the event, according to Jason Lardy, one of the event’s organizers.

Lardy and his business partner, Andrew Dahl, also help plan another annual event: the high-profile Nature Valley Bicycle Festival.

When it comes to the Southside Sprint, “Certainly one of our goals is to put on a fantastic race for racers and spectators,” he says. “We’re also trying to draw attention to this fantastic neighborhood in South Minneapolis.”

Lardy also lives in the neighborhood. “It’s gone from a sleepy, not-so-exciting part of town to a vibrant, diverse retail environment,” he says.

“We’re making the race really accessible for new riders,” he says, adding that a beginner race clinic will help people work on skills.

He and Dahl hope to repeat the race every year. “We’ve gotten good feedback from riders and the neighborhood,” he says. “It’s one of the biggest events in the neighborhood all year long.” It’s also a good opportunity to expose new people to the area, he says.

Too often, bike races happen in areas “where it’s not very spectator-friendly,” which is why the pair sought a festival atmosphere. “We’re in this for the love of racing as a culture and community,” he says.


Source: Jason Lardy, organizer, Southside Sprint Bicycle Race
Writer: Anna Pratt

Mona, a new small-plate restaurant on South Seventh Street in downtown Minneapolis, takes its name from the famous Mona Lisa painting, which depicts a “woman with a mysterious smile.”  

Restaurant owner Lisa Hanson, who is also its head chef, says that like the painting, she thought the place might pique people’s curiosity: “Since I haven’t been cooking long in this town, I thought there might be a sense of mystery about how I became the 100-percent owner of this restaurant and built it from scratch,” she says.  

Hanson revamped the place earlier this year. Previously it had housed an Asian restaurant called Black Bamboo. “There was a lot of work to do,” she says, adding, that only the floor stayed intact. “We gutted the whole thing.”  

Today, the 3,000-square-foot space includes an open kitchen, counter seating, and booths, which can accommodate up to 102 people, along with a 75-seat patio.

A 20-foot island-style bar, chandeliers, tiled kitchen, dark wood, gilded mirrors and plenty of white and stainless steel define the space. “The media has said it looks like surgery,” she says. “The dining room is much softer and snazzy-looking.” 

Further, the patio is recessed from the street, so it has a more private feel.

Even though the restaurant has only been open for a few months, already it has seen an uptick in foot traffic. “A lot of people have said this is an area that’s underserved,” in terms of the cuisine, she says.  “We bring an opportunity for a lovely dining experience” as opposed to the more casual service at a bar.  
The restaurant also supports a number of local purveyors and farms and has a seasonal menu--something that she says is also lacking in this part of town. “We bring a lot of those factors to the area,” she says.

In a neighborhood that has many condos and apartment buildings, Mona seems to meet a need. “People come in and are so excited to have a real restaurant in their neighborhood,” she says. “We already have regulars.”  


Source: Lisa Hanson, owner and head chef, Mona
Writer: Anna Pratt

After several years of traveling exhibits, the Minnesota Museum of American Art will have a regular gallery in St. Paul this fall.  

The museum is moving into a ground-level space in the vintage Pioneer-Endicott building, which developer Rich Pakonen plans to turn into a high-end housing complex. (See The Line story here.)  

In 2009, the museum moved out of the space it rented at the Ramsey County Government Center. It hasn't had a home base since then.

The 3,700-square-foot space at the Pioneer will enable the museum to do local programming, according to its director, Kristin Makholm.  

“We haven’t had any kind of regular space in St. Paul to do any kind of on-the-ground programming for over two years, so this will allow us to intersect and create a vibrant space,” and to reconnect with local artists and community members. “It’ll be populated with events and conversations.”  

At the same time, “We don’t consider this the final museum,” she says.

But the MMAA will be investigating the building as a permanent home. “That’s one of the reasons we chose this space for the gallery. It’s a testing ground,” she says.  

The museum will continue to do shows in other locations in the short term, she says.

If the museum does decide to expand in Pioneer, it’ll bring in additional exhibits, classrooms, offices, and storage areas and fill up to 45,000 square feet, according to the Star Tribune.

Besides the visibility that the space will give the museum, the building will be close to the coming Central Corridor light rail line.

“It’s really going to help invigorate that part of St. Paul that traditionally lies between Lowertown and the Rice Park districts and connect the city,” she says.

Source: Kristin Makholm, director, Minnesota Museum of American Art
Writer: Anna Pratt

The recognizable blue tubes that once graced Orchestra Hall in downtown Minneapolis, along the building’s exterior, are getting a new life.

The 16 tubes, which are 10 and 20 feet tall, had epitomized the building's style, which dates back to 1974, according to orchestra information. The tubes also helped with the lobby's ventilation system.  

Right now, Orchestra Hall, which is home to the Minnesota Orchestra, is undergoing a $40 million expansion project for which construction will wrap up next summer. Its new look didn’t include the retro blue tubes, according to orchestra spokesperson Gwen Pappas.

This got orchestra staffers thinking about what to do with them. Since the tubes are so well known, “We thought it would be neat to find life for them outside of Orchestra Hall,” she says.

So the orchestra turned to fans on Facebook, asking for their suggestions for how to go about repurposing them. “It was a whimsical thing,” she says. “There were lots of clever answers and it started to gather steam.”

Based on that feedback, the orchestra sent out a request for proposals on possible new uses for the tubes. The orchestra planned to donate the tubes. “We were hoping to find people with creative ideas, possibly musically related,” but that wasn’t a requirement, she says. “We also wanted to see a public component and have them be spread out geographically.”  

Out of a dozen submissions, the orchestra went with five that met the criteria and had practical implementation plans, she says.

The tubes, for which Mortenson Construction covered delivery costs, landed at the Anderson Center at Tower View, a sculpture park in Red Wing; a private home in St. Paul, where they’ll be used for a sound installation and bat house (yes, a house for bats), and Big Stone Mini Golf and Sculpture Garden in Minnetrista.

Separately, sculptor Peter Morales, who is affiliated with Franconia Sculpture Park in Shafer, plans to fashion a three- or four-legged blue beast with some of the tubes. Franconia received another 10 of the tubes.   

“It was a real connection that people felt for the tubes,” she says. “We feel really good about it.”  

 Source: Gwen Pappas, spokesperson, Minnesota Orchestra
Writer: Anna Pratt

As a part of the “Arts on Chicago” initiative, 20 creative placemaking projects will happen in the coming year along the Chicago Avenue corridor in South Minneapolis, to help brand the arts district.

Pillsbury House + Theatre, where professional theater and social services have been integrated in recent years, received $250,000 for the project from ArtPlace, a national funding group. Pillsbury is working with a handful of local partners on the project. 

Nearly $1 million in ArtPlace grants is going to a handful of projects along these lines in Minneapolis, according to project information.

Alan Berks, a spokesperson for Pillsbury, says, “For us, it’s very much what we’ve been doing for years, using creativity and the artists within the neighborhoods to inspire and instigate connections and change."

At the same time, the area has seen a lot of momentum around the arts in recent years. "Chicago Avenue runs through one of the poorest neighborhoods in the Minneapolis metro area, and has seen new investment in the past year by a handful of arts groups," a prepared statement about the project reads. 

Soon, Pillsbury will be sending out its first call for artists to take on these placemaking projects, which ultimately will unfold over the course of a year.

Individual projects will likely take many forms. “We’re asking artists to be creative. We’re not saying we want 20 murals,” he says.  

For example, it could mean wrapping area utility boxes with decorative coverings, projecting images onto exterior walls of local buildings, or hosting a performances at nontraditional yet “natural amphitheaters,” or other outdoor gathering places.

Projects should be sustainable, high-quality, and continue branding the area as an arts district, Berks says.

“It’s an opportunity to ask artists to contribute their knowledge and skills to improve the neighborhood they live in,” he says, adding that artists are good at bringing people together.

They have “so much knowledge about communities and social networks,” he says.  

In a diverse area, “This is a great way of strengthening connections between people,” he adds. 

Pillsbury is also working on a similar project, called Curb Culture, which will place artistic sandwich boards curbside in front of businesses throughout the neighborhood.

Although the Powderhorn area has long been an arts hub, “It’s not always reflected in our corridor,” he says, adding that this project is an effort to “to knit together these creative aspects” in a more intentional way.


Source: Alan Berks, spokesperson, Pillsbury House + Theatre
Writer: Anna Pratt

Soon, the well-known Fitger’s Brewhouse in Duluth may have a sister location in Minneapolis.

The nearly 20-year-old brewhouse’s co-owners, Rod Raymond and Tim Nelson, plan to bring the business to the space that the Trocaderos night club previously occupied in the downtown North Loop neighborhood, according to the Star Tribune.

The partners hope to make it a neighborhood hangout, according to the story.

“Raymond said to expect to see a 'warehouse/industrial' look replace the blandly suburban remnants of Trocaderos,” including outdoor and rooftop seating, the story states.

However, the place will take advantage of at least one prominent Trocaderos leftover: The brewery will be built around the stage, which is still intact, and live music will be scheduled at the venue, which will be re-imagined as a beer hall, the story explains.  

Also, the 1892 building’s historic ties to macaroni and the Creamette company name will be factored into the menu.  

Joanne Kaufman, who leads the Warehouse District Business Association, says that the reaction from the area’s business community to the brewhouse’s plans has been largely positive.

For one thing, “The Trocaderos space has been empty for quite some time,” she says. “We’re thrilled to see something go in there.”  

It helps that “We all know Fitger’s,” she says. “It’ll be fun to have a local outpost in the area.”

The brewhouse is a destination in Duluth, a traditon she says that she expects to carry on in the Warehouse District.

It’ll bring more foot traffic to the area, which helps other businesses, too. “I think it’ll be a great addition to the neighborhood.”

Source: Joanne Kaufman, Warehouse District Business Association
Writer: Anna Pratt

While scoping out possible sites for a new French-style café and bistro, co-owners Peter Ireland and Jay Peterson sought a place with a strong neighborhood feel.  

They settled on a space in the complex shared by the Patina gift shop and the George and the Dragon neighborhood pub at 50th and Bryant in Southwest Minneapolis.

Construction for The Lynn on Bryant, whose name references its home in the Lynnhurst neighborhood, starts this week, according to Peterson.  

The restaurateurs are drawing from the fact that “Lynnhurst is beginning to identify itself strongly,” says Peterson.

To take it a step further, he hopes that businesses here, including the restaurant, can turn the corner “into a nexus of sorts for residents.”

Already, the pair’s concept has been well received by neighbors, he says. “There’s support for independent restaurants and businesses in the neighborhood.”  

He knows, he says, that making it work is about “lots of community-building and being out in public.”

The 1,600-square-foot restaurant will be divided into two rooms, each with 28 seats. The front room will have a casual feel, with a large communal table, while the back room will be a more formal dining room.

Since the building is new, The Lynn has the flexibility to build it out with the help of an architect. “We can lay out the kitchen and service area exactly as we like.” 

As a nod to his and Ireland’s farm backgrounds, reclaimed barn wood will figure into the place. Other reclaimed materials will also be used throughout.  

He describes the aesthetic as "warm Scandinavian modern," with plenty of natural light coming in. “Overall it’s going to be a light space, with a lot of white, soft grays, and a little red,” he says. “It’ll be elegant but playful.”

The restaurant is set to open by early October.


Source: Jay Peterson, manager, The Lynn on Bryant
Writer: Anna Pratt

It's hard to imagine a bookstore not being in the basement space of the historic Blair Arcade building in St. Paul--at least that's how building owner June Berkowitz feels.

So, when Common Good Books, which writer and radio personality Garrison Keillor owns, relocated to the Macalester College campus, she got to work finding a new bookstore tenant. (See The Line story here.)
 
Today, Berkowitz is a partner in the venture; Sue Zumberge owns the shop. Berkowitz, who also owns Nina’s Coffee Café, which is above the basement-level bookstore, is helping by offsetting the cost of rent and utilities. She went that route because “I decided it was important to do what I could do," she says. 
 
Although the place’s redesign is still in progress, it has already taken on a different atmosphere from the former Keillor bookstore, with plenty of soft seating and a red-tufted bar that dates back to the 1940s. They're going for sort of a parlor feel, Berkowitz says. The bar had once been in a building on Summit Avenue, she adds. “It’s very cozy. It’s supposed to be an extension of Nina’s as a community gathering place.” 
 
The built-in bookshelves, which will be a design centerpiece, are getting a facelift, too. 
 
Already, the space is starting to live up to the community vision that she and Zumberge share, she says.
 
Besides author readings and other kinds of art-related events, including a teen program, the space is a good spot for meetings or quiet readings. The idea is to “fill it up with people. It’s not just [for] browsing for books, but people are able to hang out,” she says.  
 
The bookstore plans to have its grand opening in September. 
 
Source: June Berkowitz, Nina’s Coffee Café and building landlord for Subtext
Writer: Anna Pratt

Creative Citymaking, which is a collaboration of the city of Minneapolis and Intermedia Arts, recently received $325,000 from the national ArtPlace consortium for a project that gets artists involved in city planning.

It’s one of four local art projects for which ArtPlace is granting $1.3 million, according to city information.

Separately, ArtPlace also backed Irrigate Arts, which is an artistic place-making project that’s underway along the coming Central Corridor light rail transit line.

As a part of Creative Citymaking, four artists will be “embedded” in the city’s planning division next year. Over the course of a yearlong timeframe, they’ll work with the city’s planners on certain transportation, economic, environmental and social issues, according to Theresa Sweetland, who leads Intermedia.

Although the project’s details are still being fleshed out, the resulting work will get exposure throughout the year at various community events, including a final exhibit and forum at Intermedia.

The project builds on Intermedia’s work on cross-sector leadership training and its co-working space for artists, organizations and community organizers, she says.  

It dovetails with the city’s Plan for Arts and Culture, which the arts commission put together a handful of years ago. The idea is for the city and artists to come together to “explore creative ideas for addressing city problems.”   

It helps that right now, “Many artists are initiating discussions with community members around key civic issues,” she says.

Thinkers like Ann Markusen, Charles Landry and public artist Candy Chang have led the way with their philosophies “centering on the impact of people-oriented planning and the role of the arts and the creative process on developing vibrant urban places.”

One of the project’s goals is to bring more diverse communities into the fold.

Gulgun Kayim, who works on the city’s side of the project, says that both artists and city planners will get training on this process. It’s not about making public art, but bringing more social capital to the planning process, she says, adding, “It needs to be done in an intentional way.”  

‘We think it brings creative assets to the table,” she says. “The process of planning and art-making is similar,” she says. “Hopefully we get that crossover intelligence, and it makes us smarter.


Source: Theresa Sweetland, Intermedia Arts, Gulgun Kayim, city of Minneapolis
Writer: Anna Pratt

The New York-based Carticulate, which two Twin Cities natives co-founded, has recently come up with a colorful map that lays out future transit lines in the Twin Cities.

Carticulate has also created a Minneapolis skyway map, which The Line covered here.

Matt Forrest, who is one of the principals of Carticulate, wanted to synthesize the light rail and bus rapid transit projects that are in the works for the Twin Cities, while also showing how they’re interconnected with existing lines.

Other maps that are out there right now "don't give a good idea of what areas are being served, where the stops would be and how it looks to get around that system," he says.

To create a new map, he and his business partner, Kate Chanba, compiled data from various project websites and Wikipedia.

Then they put together a simplified travel diagram. Done in a subway map-style, it’s “distorted, but cleaner and easier to see,” he says.  

It shows that “It’ll be a pretty robust system,” he says, adding that he hopes it opens up alternative transit opportunities for people who might want to rely less on their cars.

The map also showcases Carticulate’s design theory around transit, about which it’s also put out a white paper, he says.

Further down the road, signage for the color-coded map could appear at every bus or train stop, he says. “You could also scan your bus ID and it could tell you when the next bus is coming,” he says. “We’re thinking about how it integrates across the whole system.”   

The idea is to make it accessible and easy to scan with a smartphone, he says.

Source: Matt Forrest, Carticulate Maps
Writer: Anna Pratt