Powderhorn : Development News

The City of Minneapolis is launching a free technical assistance program for budding co-op founders, starting with a two-hour presentation on April 20th.
 
Dubbed C-TAP (Cooperative Technical Assistance Program), the initiative is an outgrowth of the city’s successful B-TAP (Business Technical Assistance Program) for aspiring small and midsize business owners. Like B-TAP, C-TAP is an immersive program designed to support co-op founders and supporters from ideation through opening—and, in some cases, beyond.
 
According to the City of Minneapolis, C-TAP will unfold over three years, in three steps.
 
Step one, happening this year, focuses on “co-op readiness planning” for “groups that are thinking of forming a Co-op…to get a clear picture of the legal, operational and organizational requirements.” It’s basically a crash course in what it means to start a co-op.
 
Step two, set for next year, will focus on “board member and organizational design.” That means training prospective board members in the basics (and nuances) of co-op governance, as well as “one-on-one technical assistance” for select co-ops that require guidance designing their organizational structures. Step two is available to not-yet-open co-ops and existing co-ops that want or need outside assistance.
 
Step three, set for 2018, will revolve around “sustainability [and] profitability.” In other words, setting and keeping newly opened co-ops on the path to stable, long-term profitability and prosperity.
 
C-TAP’s kickoff event, a two-hour presentation dubbed “The State of Co-ops in Minneapolis,” is scheduled for April 20, 5:30-7:30 p.m., at Open Book in Downtown East. The presentation will discuss the city’s current “co-op inventory” and the industries supported by Minneapolis co-ops, introduce and explain C-TAP, and discuss next steps for co-op founders and principals interested in participating.
 
On May 11, Step one officially gets underway with an eight-week “co-op feasibility” course. Held at the City of Minneapolis Innovation Center in the Crown Roller Mill Building near City Hall, the course’s eight sessions will cover the basics of the co-op development process, co-op business plans, finances, cooperative governance, legalities and other topics. Registration is free and open to the public, but prospective co-op groups need to have at least two participants and have selected a product or service to offer prior to signing up.
 
The City of Minneapolis is no stranger to co-op support. According to city government, Minneapolis has plowed some $3.5 million into local co-ops through existing development and support initiatives, and has an additional $850,000 outstanding in loans to three in-development co-ops—including Wirth Cooperative Grocery, a first-of-its-kind grocery co-op in the city’s underserved Northside, slated to open later this year.
 

Good Grocer, an independent grocery store tucked into a low-slung building near the old Kmart at Lake Street and I-35W, has only been open since mid-June. Yet it’s already received coverage in a half-dozen press outlets, from the Star Tribune and the Huffington Post.
 
What makes Good Grocer different? Founded by Kurt Vickman, long-serving (now former) pastor at Edina’s Upper Room Church, Good Grocer is part co-op, part nonprofit social enterprise and all good.
 
According to its website, Good Grocer stocks more than 3,000 items, focusing mostly on fresh fruits and vegetables, and minimally processed meats, dairy and baked goods. Unlike a traditional co-op, whose members pay fees on joining, Good Grocer regulars pay for their memberships by volunteering at least 2.5 hours per month at the store: stocking shelves, working checkout, whatever needs to be done. In return, they get 25 percent discounts to sticker price on everything they buy at the store that month. Good Grocer has at least 300 members and counting.
 
The goal, says Vickman, is inside-out empowerment — the inverse of the standard outside-in, or top-down, charity model. Though Vickman doesn’t keep detailed statistics on members’ economic status, the immediate neighborhood is among Minneapolis’ poorest precincts.
 
Good Grocer helps locals who “value eating well, but can’t afford the ever-increasing cost of food” to partake in a food quality experience usually reserved for Whole Foods shoppers. By giving members an outlet to give back to their fellow shoppers in a tangible way, Good Grocer is literally helping people help themselves.
 
“Low-income people aren’t helpless or giftless,” says Vickman. “We all have gifts and strengths within us. It’s [Good Grocer’s] mission to draw those gifts and strengths out of our members and empower them to define themselves in terms of their potential, not their limitations.”
 
Good Grocer also addresses its densely populated environs’ glaring lack of fresh food options. Its corner of South Minneapolis doesn’t meet the technical definition of “food desert,” but the Midtown Global Market and the Uptown Cub — the closest reliable sources for fresh food — aren’t close at hand.
 
“We thought we’d get some positive feedback about our choice of location,” says Vickman, “but we were really taken aback by the number of people who came in to say, ‘Man, thank you for opening a grocery store here.’”
 
Then again, Good Grocer isn’t a straightforward charity. The blocks to the north and west of Good Grocer are economically diverse — and, in some areas, downright affluent — so a fair number of locals can afford to shop at the store without much regard to price. Good Grocer counts on those folks to patronize the store in numbers and pay full price for their purchases. Full-price customers subsidize in-need members who rely on the 25 percent discount and ensure that Good Grocer can afford to stock top-quality food items.
 
Indeed, Vickman sees Good Grocer as a low-friction way for people of means to give back in a more meaningful way than simply donating some cans to a food pantry or church around the holidays. The store’s motto is “Let us never tire of doing good,” a Scriptural reference to Christians’ charitable duties. That motto neatly summarizes Vickman’s choice to leave his relatively comfortable appointment at Upper Room and strike out as a social entrepreneur.
 
“I decided that I wanted to spend more of my time living the themes I was preaching, rather than just talking about them,” he explains.
 
Despite Good Grocer’s ecclesiastical pedigree, the store is strictly non-denominational — non-religious, actually. “No one’s handing out tracts at the door,” says Vickman, who notes that the store’s membership base is a reflection of the neighborhood’s racial and denominational diversity: first- and second-generation immigrants from Latin America, Asia and Africa shop and volunteer alongside the area’s established European and African-American residents.
 
“We’re not looking for help or support from outside the community here,” says Vickman. “We’re proud to be creating our own solutions.”
 
 
 

 
Kickstarter connects you with people willing to fund the innovative idea you’re working on in your garage. Why can’t you get funding for the innovative idea you have for the vacant storefront down the block?
 
Hoodstarter may have an answer. Co-founders Justin Ley and David Berglund, who work together at UnitedHealth, recently finalized and launched a first-of-its-kind crowdsourcing/funding platform that allows users to post vacant properties, post and vote on ideas for new onsite businesses or public uses, and fund entrepreneurs willing and able to turn those ideas into tangible businesses.
 
Property owners, real estate brokers, entrepreneurs and Twin Cities residents mingle on its website, exploring property listings, offering ideas, gauging interest and forging new connections.
 
“The goal of Hoodstarter is to connect neighborhood and city residents — anyone with a stake in and ideas for the vacant space — with real estate brokers equipped to market empty properties, property owners looking to monetize their holdings, and companies or entrepreneurs willing to shoulder the risk of launching a new use,” says Berglund.
 
“We’re facilitating connections between all the parties to a typical real estate transaction,” adds Ley, “including community members directly and indirectly affected by the project. Basically, we’re taking a model that hasn’t changed in 50 years” — commercial real estate development — “and making it much more efficient, while also creating opportunities for businesses and ideas that might not have access to other sources of funding.”
 
Though the platform hasn’t yet provided direct funding for any nascent businesses, the founders follow the well-worn model used by other successful crowdfunding platforms: taking a five-percent cut of users’ contributions and passing the rest along to entrepreneurs.
 
Hoodstarter’s database includes vacant sites across the Twin Cities, from expansive, high-visibility spaces like the unoccupied retail level at St. Paul’s new West Side Flats to abandoned churches and petite storefronts along community corridors like Chicago and James avenues in Minneapolis.
 
In addition to listings with detailed information about the property, including its price per square foot (when publicly available), leasing agent and amenities, Hoodstarter has a social function that supports lively debate over user-generated ideas, posted properties and urban life in general. The community is largely self-policing: A recent post suggesting that a prime Chicago Avenue storefront be left vacant was met with swift, if polite, criticism.
 
Less than a year and a half since its initial launch, Hoodstarter is already gaining traction across the Twin Cities. “When you see a vacant lot or storefront, there’s an intrinsic desire to envision its potential,” says Ley, especially if it’s in your neighborhood. “You can’t help but wonder, ‘Why has that place been vacant for so long?’ It’s a frustrating feeling.”
 
The South Minneapolis resident speaks from experience. His commute takes him past the same vacant space every day — a retail storefront empty for so long that no one quite remembers what it used to be.
 
Ley’s “pet” storefront crisply illustrates the problems Hoodstarter seeks to remedy. The property sits on an otherwise busy corner, near Angry Catfish, the Baker’s Wife and other popular businesses. It has obvious assets: space for indoor and outdoor seating, corner visibility and a floor plan tailor made for a restaurant or cafe.
 
But before Hoodstarter approached him, the owner had legitimate concerns about developing the property, says Ley, or even finding a temporary tenant for the space. According to Ley and Berglund, even well-meaning property owners who care about their neighborhoods can be overwhelmed by the cost, time investment and risks associated with finding a commercial tenant or developing a space on their own.
 
And, counterintuitively, many owners prefer to leave their properties empty as commercial land values rise, in the hopes of cashing out as the market peaks. Hoodstarter’s success will depend on its ability to convince property owners that they stand to gain from filling vacancies now, not waiting to sell later.
 
If all goes well, the owner of the vacant South Minneapolis property may soon have a new tenant or buyer. Last fall, Hoodstarter held a Better Block event at the site itself, continuing the conversation that began online.
 
According to Ley and Berglund, this hybrid model — using in-person events to publicize vacant properties and build support for the best usage ideas — could be a big component of Hoodstarter’s model going forward. But first, they need to fill some vacancies.
 

They’re known as granny flats, mother-in-law apartments, even Fonzie suites for those who remember the Fonz’s digs above the Cunninghams' garage in the tv show “Happy Days.” For years, accessory dwelling units (ADUs) have been popular throughout the U.S. for homeowners needing an additional, separate living space for a relative (or family friend) adjacent to main house—and as a flexible housing option in developed urban neighborhoods.
 
Now ADUs are legal in Minneapolis. On December 5, 2014, the Minneapolis City Council passed a zoning code text amendment allowing ADUs on lots with single or two-family homes. Shortly thereafter, architect Christopher Strom, who spent countless hours working with zoning administrators during discussions about the code change, launched his new initiative, Second Suite.
 
“I wanted to be the first to market my expertise with the zoning related to these small residential dwellings,” says Strom, who has a thriving business as a residential architect in Minneapolis, and has designed ADU-type cottages for clients in the suburbs and northern Minnesota.
 
He learned during informational meetings that “a lot of people didn’t want ADUs because they fear too many people would be added to the neighborhood, resulting in extra noise and traffic,” Strom says. “But the new law limits ADUs to a total of 1,000 square feet, including parking; they’re only feasible on certain lots, depending on the positioning of the primary house; and the primary house must be owner occupied. Only one accessory building is allowed per property, so most people will combine an ADU with a detached garage.”
 
As a result, Strom continues, “The majority of the new ADUs to be built in Minneapolis will be Fonzie suites. Remember how he lived above the Cunninhgams' garage? He had a cool bachelor pad totally separate from the main house, but was always at the Cunninghams'.”
 
ADUs are a viable option for creating more space, whether for additional storage, an art studio, home office or apartment for aging parents. With the new zoning, the units can also include a small kitchen and/or bath. “They’re wonderful for seniors, and a nice way to establish multi-generational living next to the primary house while giving the occupant an integral level of independence,” Strom explains.
 
St. Paul, particularly the neighborhood of St. Anthony Park, is currently looking at its building codes, as well, by studying the feasibility of allowing ADUs on single-family lots.  
 
Strom adds that ADUs are “a great entry point for people to start working with an architect.” A well-considered design might result in an ADU that blends in with the architectural style of the existing residence, or be entirely different.
 
Moreover, Strom adds, “Second Suite represents a lifestyle that I want to be able to deliver to my clients. This lifestyle is about families pooling resources and enjoying more quality time together through care-giving that enables grandparents to help with childcare and adult children to help with aging parents.”
 
 

First & First, the creative developer of such hotspots as Icehouse, Aria, and 612 Broadway, has purchased the former Franklin Theater in Minneapolis. The historic 10,000-square-foot building, most recently owned by Franklin Art Works as a contemporary-art exhibition space, still has its original plaster movie screen and proscenia. The building also has a brick façade with a 29-foot-long stained-glass window, 35-foot-long arched entry, and second-level open-air balcony facing Franklin Avenue.

“The Franklin is a significant theater in Minneapolis history,” says Peter Remes, founder of First & First. “I’ve always loved this fascinating building, especially what’s behind the exhibition space, which people haven’t seen for decades: the spectacular old theater.” The building also has a storied history.

Originally known as the New Franklin Theater, the building was designed by Lindstrom and Almars and constructed in 1916. After serving as a neighborhood silent-movie house for 60 years, the building was gutted in 1977 and turned— under the ignominious ownership of Ferris Alexander—into a three-screen adult movie theater. After the City of Minneapolis seized the building in 1990, the Franklin was a bike shop and site for under-the-radar performances.

Franklin Art Works purchased the building in 1999. With help from the Neighborhood Revitalization Program, Franklin Art Works transformed the building into a contemporary art center. “They took a horrible mess and turned it into a well-respected art gallery that held numerous groundbreaking exhibitions by emerging artists,” Remes says.

First & First’s purchase signifies the company is moving into a new part of town and new type of building. “It is new for us,” Remes says. “We’re stretching our boundaries from where we typically focus or concentrate.”

“But the neighborhood, which is so culturally diverse, and the building, which on its own is gorgeous, are equally interesting,” he continues. “We just found the Franklin—a one-of-a-kind building waiting to be reactivated in an interesting way—to be a dynamic, unique project we’re intrigued by.”

Possible new uses for the building include an exhibition space with microbrewery, or “expanding the Aria concept here for smaller groups,” Remes says. “Because of the way the building sets up, it offers a lot of creative possibilities, which we also found compelling.”

In the next 60 days, activity will begin taking place in and around the building. “We would like to launch with unique and compelling programming that brings people from the community, and from outside of the neighborhood, into the building. We’re discussing internally how to find a balance of uses that creates that perfect harmony.”

Source: Peter Remes, First & First
Writer: Camille LeFevre

City Food Studio, a new shared-use commercial kitchen geared for culinary entrepreneurs and cooking enthusiasts, is under construction at 38th and Chicago in Minneapolis.

Owner Journey Gosselin says he's busy lining up contractors to install modern utilities, add glass block windows, and build new walls.

The space will have a special dairy room for making cheese and ice cream, and a storefront retail area. Besides the commercial food prep, a part of the kitchen will be used for a variety of cooking classes, as well.

In terms of its look, “I’m trying to blend a clean and classic 1930s look with a modern, urban art aesthetic,” he says. He'll accomplish that with a big curving metal pot rack that will be a centerpiece for the kitchen; clean white walls; and green and gray tiles, along with other accent elements.

The metalwork inside is a theme that will be echoed in a wire mesh bound for the building’s exterior.
Additionally, the exterior is getting a full makeover. It'll be repainted to a browner shade, while most of the front will be covered by a rust-colored metal façade.

The custom metal façade, which a local artist through the Arts on Chicago project will fabricate, will be shaped like a cityscape, reflecting nearby architecture. “The building will probably recede more. I’m playing down the cinderblocks,” he says.

Separately, the place will soon get a bike rack, and Gosselin hopes that the building might get some sort of bike-delivery system going, he says. The location works well for that, he explains, adding, “I’m excited about how vibrant it is,” and the potential for collaboration with people from all different backgrounds, he says.

“I’m sure it’ll go places I’m not envisioning right now,” he says.

Gosselin hopes to open in the space in mid-May.

Source: Journey Gosselin, City Food Studio
Writer: Anna Pratt

The Central Area Neighborhood Development Organization (CANDO) will soon settle in to a new home at 38th and Chicago.

The organization was previously located in the nearby Sabathani Community Center, according to Eric Weiss, the president of CANDO’s board.
 
“We wanted a street presence where passersby could find us and we could be more accessible,” to do more community outreach, he says. In scoping out other possible locations, “We wanted to stay within the boundaries of the neighborhood, within our budget, into a place that was move-in ready,” he says.

That’s when the group started looking at a space in the vintage brick complex that includes Blue Ox Coffee Company, The Third Place Gallery, Covet Consign and Design and Fox Egg Gallery. Mike Stebnitz, who owns the complex, is a CANDO board member, though he stayed out of the group’s decision-making on this matter, Weiss says.

In recent years, the neighborhood group has invested a lot of money and energy in the 38th and Chicago intersection. That made the space especially appealing. “We’re excited about the improvements and the new businesses there and we thought we could be a part of it,” he says. “We want to build on the momentum.”  

It’s the first time the space has had a tenant since the 1980s. “It’s great to have that space filled. It completes the strip,” Weiss says.  

White walls, original hardwood floors, exposed beams, and spacious windows that can open up characterize the place. “We hope to have it free-flowing and open,” he says. The space has plenty of room for rearranging tables and chairs for various community events, a commercial kitchenette, a reception area, plus room for administrative functions. In the future, another small nonprofit organization could join CANDO in the space, he says.

The group is billing the place as more of a community hub than an office, with free wifi access, a computer station, a resource library, art gallery and more.

Right now, construction in the space is wrapping up, while CANDO plans to hold an open house at its new location on May 18.

Source: Eric Weiss, president, Central Area Neighborhood Development Organization board
Writer: Anna Pratt

In its latest show, a long-running theater troupe at Pillsbury House + Theatre in South Minneapolis called Breaking Ice is tackling big questions about community development in the area.

The show, which runs through February 26, responds to comments that come up in all types of community forums, online and in person, according to Alan Berks, a spokesperson for the theater company.     

Through its performance and a facilitated conversation that follows, Breaking Ice explores questions relating to a major question: “How can neighborhoods evolve in economically stable and sustainable ways?” according to event materials.

This show is part of the Arts on Chicago placemaking initiative, which includes 20 art happenings. Pillsbury House + Theatre is leading the charge with the help of a number of community partners. (See The Line story about the project here.) 

Often, the improvisational-style troupe performs for companies that are having difficulties in the workplace with communication--difficulties that frequently are rooted in cultural conflicts.

“What we get from it is a multifaceted perspective on the issue, with lots of people’s points of view,” Berks says, adding, “It starts to create a more direct conversation about the issues.”

Basically, it breaks the ice on these tough topics, hence the group’s name, he says.

The show delves into thorny questions related to community development, gentrification, and the displacement of longtime residents, questions that touch on race, economics, and culture. “There’s some tension among different sectors of the neighborhood," he says.

The company addresses these issues in a personal way, “from the perspective of people in the neighborhood,” he says, adding, “It’s about showing the human effects, what people are experiencing.”
The idea is to “create more conversations among communities in the neighborhood.”  

At different times in history, the neighborhood has seen a large concentration of Scandinavians, African Americans, and Latinos. Historically, a lot of people have moved through, Berks says, adding, “It’s one of the most diverse neighborhoods in the state.”

Despite the culture shock that often entails, the neighborhood seems to “have a lot of ability to embrace differences,” he says, adding, “I think a high concentration of artists helps.” Artists are social connectors who help bridge the gap, he says.

Source: Alan Berks, spokesperson, Pillsbury House Theatre
Writer: Anna Pratt

Smoke in the Pit, a smoked barbecue restaurant, is coming to a building on 38th and Chicago in South Minneapolis that long ago housed the House of Breakfast.

Smoke in the Pit owner Dwight Alexander says he has already built up a clientele for the food at the restaurant’s former location on East Lake Street.

For a couple of years, it offered his specially prepared smoked meats. “No flame hits the meat. It’s pure smoke,” making it healthier than straight-up barbecue, he explains.

To make way for the family-owned business, Alexander is revamping the place, which had to be completely gutted. Right now, construction is still underway, with everything from sheetrock to kitchen equipment being installed. However, the place is shaping up on schedule, even if the space looks a bit raw right now, he says.   

Alexander, who lives nearby, aims to open the restaurant by the end of the month or in early February.
He’s done some street vending outside of the restaurant, to let people know that Smoke in the Pit is on the way.  

The restaurateur sees the place as a positive addition to an area of the neighborhood that’s undergoing revitalization in many ways. Smoke in the Pit is across the street from a redevelopment that includes the Blue Ox Coffee Company, Covet Consign and Design, photographer Wing Young Huie’s The Third Place Gallery, and the Fox Egg Gallery.   

Plus, it offers a place to eat in area that has been known as a food desert. “I already know this will be a big improvement to the area,” he says.

Alexander expects the restaurant to draw people from outside of the neighborhood, as well, especially those who are already familiar with Smoke in the Pit.

Source: Dwight Alexander, owner, Smoke in the Pit
Writer: Anna Pratt

“Constellation,” an art crawl that first took place last year, will once again wind around various off-the-beaten-path places throughtout South Minneapolis on Sept. 8 and 9.  

This year the art crawl features mobile karaoke, film screenings, theater, a cakewalk, quilt making, fermentation skill-shares, music, and other types of visual and interactive art, according to its website.  

The eclectic show builds on an experiment that took place last year around the same time.

Lacey Prpic Hedtke, an organizer of the event who lives in the Powderhorn neighborhood, explains that it was triggered in part by a visit to Minneapolis by the New York artist group Non Solo. At the time, the group was on a coast-to-coast art tour, and they collaborated with Hedtke and local artist Kevin Loecke in setting up the event.

“We wanted to see what we could do here,” Hedtke says.   

In thinking about alternative exhibition spaces, they ended up pulling together a bunch of local artists who creatively turned their porches, backyards, garages, bedrooms and other personal spaces into public venues.
 
It was such a success that “We thought it was worth doing it again,” she says.

Once more, “People will be able to bike around and see some things that people are doing in different neighborhoods,” Hedtke says.

It’s about building community. “We hope that people come out and talk to people in the neighborhood, not just those who are into art, and that maybe they venture into neighborhoods they've never been to before,” she says. “A lot of projects welcome that."

All in all, the two-day event “highlights the integral role that art and cultural production play in our daily lives, neighborhoods and communities,” by opening up domestic spaces for public cultural events, the Constellation  website reads.

Source: Lacey Prpic Hedtke, “Constellation” organizer
?Writer: Anna Pratt

Many neighborhoods throughout the Twin Cities have become increasingly diverse in recent years, yet the back-stories of different groups’ arrival so often are unknown.

The current show at the Third Place Gallery in Minneapolis, which is the studio and exhibit space of photographer Wing Young Houie, focuses on representatives of various immigrant communities, including some political refugees, whose stories vary greatly.  

Called (re)locate: A Place to Call Home, the show brings together images from Houie and another local photographer, Selma Fernandez. It'll be on view through Aug. 16.

The 22 images from both photographers are intermingled on the walls, as opposed to being separated, visually, Houie says. It includes a mix of color and black-and-white shots.

Adults and children are shown in their natural habits, such as home, school and work, in and around the Twin Cities.

One young boy is pictured up close wearing a bright red superhero outfit. Alongside that is a black-and-white print of a young boy holding a sign that states, “I want to be a doctor.”

In another picture, a couple wearing traditional dress stands out amid a festive-looking crowd at the 2002 Hmong new year celebration in St. Paul in 2002.  

In some ways, each of the subjects is in costume, he says.

Together, the poignant images pose questions such as “What is home? Do you ever leave home? What does relocate mean?” The answers are especially complicated for immigrants, Houie says.

It’s a familiar topic for Houie, who is the only child in his Chinese family to be born in U.S. Often he gets asked where he’s from, even though he’s a native Minnesotan.

Throughout his work, he tries to “normalize iconography,” showing everyday examples of the reality, which is a lot more colorful than is shown in the mainstream media, he says.

 
Source: Wing Young Houie
Writer: Anna Pratt

As a part of the “Arts on Chicago” initiative, 20 creative placemaking projects will happen in the coming year along the Chicago Avenue corridor in South Minneapolis, to help brand the arts district.

Pillsbury House + Theatre, where professional theater and social services have been integrated in recent years, received $250,000 for the project from ArtPlace, a national funding group. Pillsbury is working with a handful of local partners on the project. 

Nearly $1 million in ArtPlace grants is going to a handful of projects along these lines in Minneapolis, according to project information.

Alan Berks, a spokesperson for Pillsbury, says, “For us, it’s very much what we’ve been doing for years, using creativity and the artists within the neighborhoods to inspire and instigate connections and change."

At the same time, the area has seen a lot of momentum around the arts in recent years. "Chicago Avenue runs through one of the poorest neighborhoods in the Minneapolis metro area, and has seen new investment in the past year by a handful of arts groups," a prepared statement about the project reads. 

Soon, Pillsbury will be sending out its first call for artists to take on these placemaking projects, which ultimately will unfold over the course of a year.

Individual projects will likely take many forms. “We’re asking artists to be creative. We’re not saying we want 20 murals,” he says.  

For example, it could mean wrapping area utility boxes with decorative coverings, projecting images onto exterior walls of local buildings, or hosting a performances at nontraditional yet “natural amphitheaters,” or other outdoor gathering places.

Projects should be sustainable, high-quality, and continue branding the area as an arts district, Berks says.

“It’s an opportunity to ask artists to contribute their knowledge and skills to improve the neighborhood they live in,” he says, adding that artists are good at bringing people together.

They have “so much knowledge about communities and social networks,” he says.  

In a diverse area, “This is a great way of strengthening connections between people,” he adds. 

Pillsbury is also working on a similar project, called Curb Culture, which will place artistic sandwich boards curbside in front of businesses throughout the neighborhood.

Although the Powderhorn area has long been an arts hub, “It’s not always reflected in our corridor,” he says, adding that this project is an effort to “to knit together these creative aspects” in a more intentional way.


Source: Alan Berks, spokesperson, Pillsbury House + Theatre
Writer: Anna Pratt

When Melanie Logan was scoping out places for her Blue Ox Coffee Company concept, she was immediately drawn to a storefront space at 38th and Chicago in Minneapolis.

The area reminds her of the small Pennsylvania town where she grew up. She was also attracted to it because she wanted to try to fill a void in "a neighborhood that's lacking," at least as far as coffee shops go.  

Mike Stebnitz, the principal of Stillwater Companies, recently renovated the complex, which is close to another recent rehab, the Chicago Avenue Fire Arts Center, a hub for sculptural welding, blacksmithing, glasswork, and jewelry making.

It's a key intersection that ties together the Powderhorn, Central, Bancroft, and Bryant neighborhoods. Previously, some of the storefronts had been vacant and boarded up for up to 40 years. "This was a notorious intersection in the neighborhood," she says, adding that in recent times, "my friends have seen a huge improvement."

The Blue Ox shares a 1925-vintage two-story building with an empty restaurant space and handful of apartments, while an adjacent one-story structure is home to Covet Consign & Design, The Third Place (the photography studio and gallery of artist Wing Young Huie), and the Fox Egg Gallery,

Inside the space, a counter is still being built, but most of the rest of the construction is wrapping up. Original plaster and hardwood floors are intact, while several shades of blue on the walls and metal accents give the place an industrial feel. The build-out for the coffee shop totals about $80,000.  

A minimalist style defines the space, which is furnished with used white Formica tables, black chairs (new), and rescued church pews. "We want it to be an inviting environment," Logan says.

The cafe will feature many certified organic and "direct trade" coffee beans. Baked goods come from Patisserie 46 while sandwiches will be made in-house.

Logan plans to open the place by the end of the month. Already she's been getting plenty of positive feedback. "Most people can't wait for it to open. I'm looking forward to it."  

Source: Melanie Logan, owner, Blue Ox Coffee Company
Writer: Anna Pratt

When a couple living in Powderhorn Park moved out of the neighborhood this month, they hung wooden signs with stenciled blackbirds along the way to their new home, many blocks north. And a photographer from the Powderhorn 365 project was there to document the endearing demarcations of their departure.

Every day since Jan. 1, 2009, someone in Powderhorn has posted a photo from the neighborhood on the Powderhorn 365 website. It's a fascinating catalog of life in this diverse south Minneapolis enclave of artists, activists and everyday people.

"I wanted to show people our neighborhood," says resident Amy Wurdock, who dreamed up the project in late 2008 when she got a digital SLR camera. Her motivation: to replace the occasionally heard refrain of "God, this place sucks" with "How cool is this?" Wurdock calls Minneapolis-based photographer Wing Young Huie--known for his epic documentation of urban streets and neighborhoods--"my main inspiration."

But the prospect of posting a photo a day was too daunting for a mother of two young children, so Wurdock looked for six others who, with her, could each take a day of the week, all year long. The result is not only online but in an impressive coffee table book collecting the team's photos from 2009, made possible through the efforts of Leonie Thomas, an intern from the Higher Education Consortium for Urban Affairs (HECUA). One resident sent the book to friends in Germany and Australia to persuade them to visit him, Wurdock says. (A 2010 book is possible--if another organization or foundation shows interest in contributing.)

Now the project is continuing with a new crop of seven photographers, augmented by occasional guests filling in. One of the only rules is that photos must come from within the neighborhood's boundaries--although the 2009 book includes a couple that violate that rule. No one has guessed which, says Wurdock.

Source: Amy Wurdock, Powderhorn 365
Writer: Chris Steller

This will be remembered as the year the City of Minneapolis got serious about community gardening.
 
In previous years, City Hall had an ad hoc system for entertaining occasional requests from groups who wanted to start gardens on city-owned property. Now an initiative called Homegrown Minneapolis is taking that to the streets, with a pilot program soliciting groups to lease space at 20 sites around the city.
 
These aren't just any 20 pieces of unused urban property. In a kind of "American Idol" for local vacant lots, city staff winnowed down a list of about 60 potential garden spots, ranking each on factors such as sun, safety, and access to water. An initial list of 22 properties included two that soil tests showed weren't safe for growing food. Of the remaining 20, two are spoken for: 1213 Spring St. NE, in the Beltrami neighborhood, and 3427 15th Ave. S. in Powderhorn.
 
One of the most critical criteria was whether the properties would tempt developers as the economy turns around. It wouldn't be fair to seek groups committed to gardening for sites likely to sell soon, says Karin Berkholtz, community planning manager. The city will take applications through the summer, with one-year leases for those new to gardening and multi-year leases for experienced groups.
 
Community gardens have gone in and out of fashion over the decades, appearing in city plans as far back as 1917. But this time, Berkholtz asks, "Is it a fashion or is it a paradigm shift?"
 
Source: Karin Berkholtz, City of Minneapolis
Writer: Chris Steller