Creative Economy : Featured Stories

Last Wednesday's kickoff event for the linkup between the search-engine giant and the local coworking space was full of energy, ambition, and promise for local entrepreneurs, some of whom think Silicon Prairie's ready to bloom.

In A Line or Two, I share some of my enthusiasms and discoveries as I make my way around the Twin Cities. Call it an editor's note as blog entry. This week: A multi-everything hip-hop/spoken word extravaganza organized by our coolest Lao-American diva and sponsored by the lovable Saint Paul Almanac.

"Placemaking" is a powerful buzzword in 21st-century urbanism. Do we know what it actually means and whom it's supposed to serve? For Brendan Crain of New York's Project for Public Spaces, the idea that it's all about attracting talent to town and building the new economy is wrongheaded. Placemaking, Crain insists, should be rooted in the immediate needs of the people who already live here. 

The bars and restaurants in this uber-trendy corner of downtown Minneapolis draw national attention. Meanwhile, developers, community groups, and residents are turning the surrounding neighborhood into a pleasantly dense, lively, and livable urban village.

Despite some women-led startups, high tech here, as elsewhere, is still more or less drowning in testosterone. But some strong local initiatives are pointing the way toward more opportunities for women to get their geek on.

Jay Walljasper checks in with British urbanist Charles Landry, who recaps his experience touring the Twin Cities, meeting a wide array of local urban changemakers, and applying his principles of city vitality to our reality. And Landry draws some conclusions about how our towns can thrive in the coming decades.

On December 7 and 8, Minneapolis' Midtown Global Market turned hyper-crafty as 96 hand-makers of beautiful, funny, and freaky objects gathered to sell their wares. It was more than a holiday craft fair--it was a celebration of the Twin Cities as a leader in the new crafts movement. Our photographer, Bill Kelley, was there.

The Theater of Public Policy, cofounded by the improbably named improv guy Tane Danger, uses comedy to probe public issues. Call it improvisational democracy, with real situations, serious intentions, and plenty of laughs.