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Public Art St. Paul transforms gravel pit into flower field

Concept drawing for the Urban Flower Field, courtesy City of St. Paul

Amanda Lovelee at the Pedro Luggage site, courtesy Curtis Gilbert, MPR, MCAD

From luggage store to barren gravel pit, to the future site of what could be downtown St. Paul’s largest park, the land parcel at 10th and Robert streets is an urban space in transition. For the next two years, it will be home to Urban Flower Field—a public art project from the nonprofit Public Art St. Paul.

With 96 plots of bio-diverse flower beds arranged in a fanning pinwheel shape and a public plaza at the center, Urban Flower Field seeks to transform what might otherwise be a lifeless void downtown into a lush community gathering space.

Amanda Lovelee, City Artist in Residence with Public Art St. Paul, is heading the project. She explains it’s a unique opportunity to explore the intersection of art, civic process and science in a way that re-imagines how we conceive, develop and utilize urban space.

She hopes to have a full slate of programming in the field over the next two years, including regular movie nights, free yoga and more. “The city is letting artists use these spaces to make something the community can enjoy during the time between what the spaces will be and what they currently are,” Lovelee says.

The Pedro Family of Pedro luggage, which previously occupied the site, donated the land to the City in 2009 with the condition that it be made a public park. The City is considering several designs for the forthcoming Pedro Park, the most ambitious of which would require the acquisition of more land and cost upwards of $10 million, according to Brad Meyer with St. Paul Parks and Recreation.

Urban Flower Field is more than an artistically crafted temporary community gathering space, though. Students and faculty with the Department of Environmental Sciences at the University of St. Thomas are lending their expertise and time to conduct a comprehensive soil remediation study at the site.

They are studying whether a diverse selection of flowers can be more effective at cleansing and replenishing soil. Led by professor Adam Kay, students are on the ground at Urban Flower Field every day, planting and tending the flowerbeds, as well as sampling and documenting the soil quality. They hope to publish their findings in scientific journals at the end of the two-year period, according to Lovelee.

This intersection of art and science led Lovelee to create the flower field’s pinwheel form. The form is based on the Fibonacci sequence (also known as the Golden Mean)—a mathematical pattern that occurs everywhere in nature, including at the center of sunflowers, which will be planted in the plots.

The Fibonacci sequence is also commonly considered the scientific basis for the abstract concept of beauty. “In my mind, that was when science and beauty kind of come together,” Lovelee said. The Fibonacci sequence is also the basis of a large mural painted by Ed Charbonneau on the back wall of the Police Annex building that borders the space to the north.

The $45,000 project is being funded in large part by the city, which put $30,000 toward the project. In addition, a $15,000 grant from ArtPlace America is going toward  the efforts, as well as in-kind and monetary support from businesses and organizations including Lund’s, Black Sheep Pizza, Keys Café and the Minneapolis College of Art and Design.

Members of the surrounding community have also stepped up to plant, weed, water and program, according to Christine Podas-Larson, president of Public Art St. Paul.

Urban Flower Field will officially open June 28th when community members and neighbors will be invited to paint field stones that will line some of the beds, Lovelee said. The flowers will be in full bloom by August.

 
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