Arts and Culture : Development News

Japanese sakura cherry blossom trees will soon be blooming in St. Paul in recognition of a longstanding relationship with the faraway country. 

St. Paul is one of 20 U.S. cities to get 20 cherry trees apiece as a gift from Japan. It marks 100 years since Japan sent 3,000 sakura trees to Washington, D.C., according to city information. The National Cherry Blossom Festival in the capital city, which happens each spring, celebrates the 1912 gift as well.

“The gift and annual celebration honor the lasting friendship between the United States and Japan and the continued close relationship between the two countries,” the festival’s website reads.   

Bill Pesek, who is a landscape architect for St. Paul, says that the number ‘20’ is significant in Japan as a coming-of-age reference. As such, it’ll play a symbolic role in the June 9 ceremony that the city is planning to celebrate the gift.

That day, volunteers will help plant the trees in Como Regional Park. The planting of the 20th tree will be ceremonious, he explains.

In the park, the cherry trees will have a prominent place near the lily pond.  

Usually cherry trees don’t appear in Japanese gardens because they’re only in bloom for a short period, he says. “Sakura refers to this blossoming period,” he adds. However, in this case it makes sense to plant in that spot because of the Japanese gardens already in place nearby. Going forward, the city is also hoping to create a “blossoming corridor,” where the cherry trees will be highlighted, he says.

St. Paul, which is one of two Minnesota cities that were chosen for the gift--Winona is the other--has long had a sister-city cultural exchange with Nagasaki, Japan, he says.

In fact, in 1955, St. Paul was the first U.S. city to join the Sister Cities International program. “There’s a rich history of sharing,” and of “people-to-people relationships,” through its longstanding ties to Japan, he says.  

At the dedication event, representatives of Japan and local politicians who were instrumental in setting up the St. Paul-Nagasaki relationship will give speeches in English and Japanese. Traditional Japanese music and dance are also part of the celebration.  

“We hope this is one of many years that we’ll continue to celebrate this event of the sakura festival,” Pesek says.

Source: Bill Pesek, St. Paul
Writer: Anna Pratt

If all goes as planned, the bygone Caribe Caribbean Bistro could come back in a new form in Northeast Minneapolis.

The former St. Paul restaurant closed last year during Central Corridor Light Rail Transit construction.

Co-owner Heidi Panelli and her husband, Tony, want to reopen the restaurant in the former Amici Bistro space.

To do so, the couple is trying to raise $50,000 in donations through Kickstarter. Their web-based campaign, which started May 14, goes through June 13.  

Funds will go to “the bare bones of getting the place turned into a big art project,” including signage, décor, furniture, equipment, and promotional materials, explains Panelli.

She’s encouraged by the fact that Kickstarter has helped get a couple of other local eateries up and running.

The new space will allow for a bigger kitchen, which means the restaurant will be able to expand its menu, she explains.  

Like the old place, the restaurant would sport bright colors. Panelli plans to paint a mural on one wall that will picture the sun over water, with mirror pieces creating a reflective effect. Another mural would include the names of backers who contribute $100 or more, she says.

The couple has been getting ideas from thrift-store finds. They want the restaurant to resemble an island food stand, but without being too gimmicky, she says.  

She hopes it becomes a “destination location nestled in a neighborhood.” This particular neighborhood alcove “fits our vision perfectly,” she says.  

The couple will be on hand at the June 2 Johnstock annual festival on Johnson St. to share their plans with the public and to give out food samples. They’ll also be showing up on June 7 at the Chowgirls Parlor as a part of the Northrup King building's "first Thursdays" open- studio event.  

Source: Heidi Panelli, Caribe
Writer: Anna Pratt

One day on a whim a couple of years ago, Jesse Jamison, who’d reluctantly joined Facebook, decided to start a group page that’s dedicated to Old Minneapolis.

Jamison, a history buff, saw it as a fun outlet “for me to go back in time in the city I love,” he says.  

At the time, he had no idea the page would take off the way it has, with thousands of “likes,” especially since he didn’t advertise it anywhere.

Right away people started sharing all kinds of anecdotes and details about the city’s past. “I don’t even know how it happened, but very quickly there were thousands of people there, and everyone was contributing great stuff,” says Jamison. “The photos are great but the stories people tell are priceless.”

Jamison, whose family is from the North Side, remembers his father's colorful tales of the city, going as far back as the 1930s.

He also has stories of his own. At the age of 13, he and a friend took a bus to downtown Minneapolis, not realizing it would end up there, he says. 

Afterward, they returned to downtown on the weekends. They liked to walk around “looking at everything,” he says, adding, “The city was so alive and exciting. I never wanted to leave.”  

Years later he got a downtown apartment, which he describes as a “cockroach-filled dump right behind the Basilica. It was horrible but it was downtown and I loved it.”

Besides reminiscences, the Old Minneapolis group has also been valuable for crowdsourcing historical information. Whenever there’s a question about the date of a photo or the address of a shuttered business, the page’s supporters “get together like a pack of history detectives, and in most cases, solve the mystery,” he says. “I’ve learned so much more about this great city from the contributors of this page.”

On the page, he tries to keep a mix of locations and time periods so that nobody gets bored, he says.  

Going forward, Jamison hopes that the page keeps growing and reaching more people, including “the older, nostalgic ones, and the younger ones who are just discovering Minneapolis' history,” he says.  

Source: Jesse Jamison, Old Minneapolis
Writer: Anna Pratt

Two years after its closure, the old Burch Pharmacy space in Minneapolis’s Lowry Hill neighborhood will be resurrected in the form of a steakhouse called Burch.

The pharmacy occupied the three-story building for 80 years before closing in 2010, according to a Star Tribune story.

Leading the charge is well-known local restaurateur and James Beard Award winner Isaac Becker along with his wife, Nancy St. Pierre, and their business partner, Ryan Burnet, according to the Star Tribune.  

Burch will take up most of the building’s ground level; it’ll have a 100-seat dining room and bar along with an open kitchen, according to the story.

A separate neighborhood-style café area with a 50-seat bar and dining room is planned for the basement.

Also as a part of its redevelopment, office and retail space will fill other parts of the building, according to Maureen Sheehan, who serves as the vice president of the Lowry Hill Neighborhood Association board.  

Some building features, such as exposed brick walls and tiles, will be left intact, according to the Southwest Journal.
 
Sheehan says that the neighborhood is excited for the project, especially since it'll be a sensitive rehabilitation “to respect the structure that’s already there.”

Plus, the Burch Pharmacy was “such a cool institution in the city,” with great sentimental value. “To have it back in play is fantastic.”  

On a broader level, “We’re looking for that piece of Hennepin to be alive again,” she says.

The restaurant could open in late 2012 or early 2013.

Further, the Isaac Becker restaurants (112 Eatery, Bar La Grassa) have a good reputation. “We’re excited about the quality of the restaurant going in,” Sheehan says. “It will be a great addition to the neighborhood.”


Source: Maureen Sheehan, LHNA
Writer: Anna Pratt

The first-ever Northeast Ride, which is coming up on June 2, is a chance to see Northeast Minneapolis up close and personal, on bikes.

It'll show off everything from the area's bustling arts district to its up-and-coming beer breweries.

The family-friendly event is geared for cyclists of all ages and experience levels, according to information from the Northeast Community Development Corporation (CDC), which set it up.

The bike ride’s co-presenters include Bicycle Theory, MPLS Bike Love, and Altered Esthetics, along with a number of community sponsors.

Jamie Schumacher, who leads the Northeast CDC, says via email that the nearly 12-mile bike ride came about as a creative way to highlight the Northeast area.  “You always see a neighborhood differently on a bike, and we'll be touring throughout all of awesome Northeast,” she says. "We hope people take away from it a good introduction to Northeast, and a fun and creative experience."   

The ride also takes advantage of new bike trails and bikeways, according to Northeast CDC materials.

Participants will travel the route in small groups, starting out at the Northeast Minneapolis Armory, and exploring each of the neighborhood parks. Related activities will be happening at the parks along the way, including a post-ride expo, according to Northeast CDC information.  

Throughout nine stops, cyclists will get a taste of old and new developments in Northeast. They’ll visit such neighborhood landmarks as the historic Casket Arts building, the longstanding Grain Belt Brewery, and the brand-new Indeed Brewing.

Neighborhoods such as Logan Park and local businesses such as Community Bees on Bikes, which delivers honey via bike, are among other highlights of the ride.

The ride will wrap up with a party at Altered Esthetics, which will have bike-themed art on view.

 
Source: Jamie Schumacher, executive director, Northeast CDC
Writer: Anna Pratt

This month, the Minneapolis Parks Foundation is working to raise funds to plant 400 trees throughout four neighborhoods of North Minneapolis, trees that were lost when a tornado hit last year.

The tornado took out a huge portion of urban forest when it “tore across several miles of Minneapolis, tearing roofs off homes, tumbling cars down the streets, and ripping 40-foot trees from the earth like weeds from a flowerbed,” foundation materials read.

Mary deLaittre, who leads the Minneapolis Parks Foundation, explains that the urban forest is important for many reasons. “Not only is it beautiful, but it does things like lower blood pressure, clean the air and water, provide shade in the summer,” she says, adding, “It’s critical that we replace the urban forest as quickly as possible so we can get these wonderful workhorses back to doing their job.”  

Most of the trees the foundation funds will probably go into the city’s Jordan neighborhood, she says.

The foundation’s effort is part of the larger “Northside Treecovery Program,” which the city’s park and recreation board is spearheading along with several other partners.

The park system also has a forestry department that pays attention to the urban forest on an ongoing basis, she explains.

So far, the foundation has raised money to plant 100 trees. Each one costs $120. “We’d like to raise money for the others between now and the one-year anniversary of the tornado near the end of May,” she says.  

The effort coincides with the state’s Arbor Month activities, as well, according to foundation information.

All in all, “We’re really looking at this program as creating the next generation of urban forest, deLaittre says.

Source: Mary deLaittre, Minneapolis Parks Foundation executive director
Writer: Anna Pratt

The Lake Street Council hopes to spruce up Minneapolis's Lake Street by turning its utility boxes into objets d'art.

ZoeAna Martinez, who is the council’s outreach and services manager, explains that the project will help deter graffiti while also making “ugly boxes look better," as she puts it, adding, “We want to help our street look better."

The initiative is similar to ones in the Kingfield and Corcoran neighborhoods. Those neighborhoods used different methods to cover up the utility boxes; one way was to paint right on the surface of the structures. The boxes can also be covered with colorful shrink-wrap that has designs on it, Martinez explains.

To set the project in motion on Lake Street, Martinez is reaching out to local businesses. “We’re just trying to get feedback from businesses,” she says, adding that the council is hoping that the stakeholders will pitch in by sponsoring local boxes. 

The more utility boxes it can cover up, the better, she says, adding that sponsorship means a price break for the council as well.

Right now, the project's budget is still being determined. It’ll be based on how many boxes the council decides to do. “We’re still at the beginning of the process,” she says.  

The council is also working with the city on a project that’s titled Minneapolis Art Wrap, whose purpose is to make the process smoother for others who want to decorate their local utility boxes.

“In the last two years, the City of Minneapolis has seen increased interest by community groups in wrapping City-owned utility boxes with artistic designs,” council materials state.

Soon the city will be sending out a request for proposals to artists to design 12 pre-approved wrap covers to go on utility boxes all over the city.

It'll help streamline the city process, in that applicants won’t have to go through the art-related city committee to get designs approved. They can simply choose from one of the pre-approved designs, she says. “It makes it easier for groups to get city-owned utility boxes wrapped."   

Although the details are still up in the air at this point, the council hopes to complete it this year, Martinez says.

Source: ZoeAna Martinez, outreach and services manager, Lake Street Council
Writer: Anna Pratt

Soon, the Dangerous Man Brewing Company will be a destination brewery and tap house in Northeast Minneapolis.

It recently found a home in a warehouse-style brick building that dates back to 1927, according to owner Rob Miller. “We love the area,” he says. “This was the dream, to be in this neighborhood.”

Dangerous Man will fill the ground floor of the two-story building that Spinario Design and Gallery previously used for storage purposes.  

Right now, the place is an empty shell, which has its advantages. “It’s nice to start fresh and clean,” Miller says, adding, “We can build it the way we want it.”

Wide ceilings, open spaces, and big columns characterize the space. Inside, the mechanical and electrical systems will be updated, while plumbing needs to be installed as well.

Basement floors will be reinforced to withstand the load and the walls will get a fresh coat of paint.

The idea is to make it a comfortable hangout, with a fireplace, farm-style tables, couches and chairs, a pool table and darts, TV, and more, he says.

The brewery will have a custom-built bar that features the work of a local artist, while the concrete floor will be polished, with the brewery's logo stained into it.

Further, the brewing tanks and other equipment will be visible from the bar. “We want to make it feel like the building was meant to house a brewery,” he says.

He says the business won’t compete with others in the area. “I hope it brings more traffic to them and is a unique meeting place.”

Dangerous Man will probably be ready to open its doors in October.

All in all, “It’s an exciting time for the beer movement in Minneapolis and Northeast,” he says.

Source: Rob Miller, owner, Dangerous Man Brewing Co.
Writer: Anna Pratt

In recognition of the unique Asian businesses and other cultural institutions along University Avenue in St. Paul from Galtier to Mackubin streets, the area is being branded as Little Mekong.

It’s an initiative that the local Asian Economic Development Association (AEDA) launched on Feb. 25.

The name references the Mekong River, which is a major river in Southeast Asia, according to Va-Megn Thoj, who heads the AEDA. “Most businesses in the area have a connection to the river,” he explains.

In his view, “By giving a name to a destination which has existed for a long time, we can draw more people into the area.” This is especially needed during Central Corridor light rail construction, he says.  

Already, as a result of construction obstacles, many of the businesses are seeing less foot traffic, he says.

With the Little Mekong branding, “We want to build on what we have,” which he describes as “an attractive destination for people to get introduced to Asian cultures and cuisine.” Although the district has been around informally for a long time, not too many people are familiar with it, he says.

Besides improving the streetscape and putting up district-related signage, Little Mekong will host a number of events, including family-friendly festivals.

AEDA is also working with businesses to create incentive programs to bring in more customers, including coupons and other deals, and to handle increased traffic. “We’re working with businesses to strengthen their operations and customer service,” he says.

The coming Central Corridor represents “a tremendous opportunity to create something of benefit to the neighborhoods and city and region," he adds.

Source: Va-Megn Thoj
Writer: Anna Pratt

After reading about the idea, St. Paul-ite Paul Rogne was inspired to build a little free library in his yard.

The lending libraries, which resemble a cross between a mailbox and a birdhouse, offer books for passersby to exchange.

All over the globe, the Little Free Library movement, which started off as a two-person project, is taking off.

When they introduced the first little free library a couple of years ago, the movement’s originators, Todd Bol and Rick Brooks, who are based in Madison, Wis., probably had no idea it would spread as it has.

It turned out to be a relatively easy, grassroots way to encourage reading and community. Today, they have a goal of establishing at least 2,510 little free library boxes worldwide. To register or find the lending libraries, people can search a map on their website. 

In St. Paul, Rogne put the finishing touches on the literary lawn ornament this week.
 
The little free libraries have a slogan, “Take a book, leave a book,” which appealed to Rogne, and his wife, Barb, both of whom are avid readers.  

“We love to share good books,” he says via email, adding, “Used bookstores pay so little that we would rather just give them away to others who want to read them.”

The little free library is also a fun way to connect with neighbors, he says. Plus, his neighborhood gets plenty of foot traffic. A couple others are close to his house, too. “We think having this little library along our sidewalk will get good use.”

Also nearby, a group of students and educators constructed a number of the little free libraries in St. Paul's Frogtown neighborhood as a part of the 23rd annual National Service-Learning Conference and youthrive PeaceJam Leadership Conference that took place on April 14, according to a recent Pioneer Press story.

The libraries that they decorated have been planted in the neighborhood's various community garden spaces.

“Maybe this will catch on and spread,” Rogne says. “Wouldn’t that be terrific?"

Source: Paul Rogne
Writer: Anna Pratt

Finnegans beer, which donates its profits to charity, recently relocated from the historic Hinkle-Murphy House in Minneapolis’s Elliot Park neighborhood to a new office space just down the street.

The nonprofit brewer had to look for a new home base after the Hinkle-Murphy changed ownership, according to Finnegans staffer Tricia Nelson.

The 1,600-square-foot first-floor office space in the building at 609 S. 10th St., which also houses the Segue Cafe, among other tenants, had been vacant for some time. “We were lucky to find this space,” she says, adding, “We wanted to stay in Elliot Park. There are so many other great businesses and nonprofits nearby.”   

As another plus, the space has room for expansion further down the line, she says.

Although the set-up is still a work in progress, the space has seen some minor alterations, including a new paint job. The walls, which have been painted two shades of green, match its logo. 

To keep the budget down, most of the furniture in the offices, kitchen and meeting and reception areas, has been donated.  

Nelson says she hopes to create a friendly, relaxed atmosphere in the office. “None of us are cubicle people," she adds.  

Because it’s not able to host brewery tours, the organization wants to visually show its “Charitably Delicious Tour,”or history, in the brightly colored entryway.

With pictures and words, along with such curios as old beer tap handles, it'll tell about its efforts to fight hunger in the state and beyond. “We want this to be a well-branded storefront area,” that “shows off the brand and shares the mission and story.”

The entryway will also be a “nice space for happy hours,” and other gatherings, she says. 



Source: Tricia Nelson, Finnegans  
Writer: Anna Pratt

This past winter, over 200 artists trained to do collaborative public art projects as a part of Irrigate.

It's a creative placemaking initiative for the coming Central Corridor light rail transit line. 
 
The workshops have seen more than double the level of participation that was anticipated for their first year by Springboard for the Arts, which is administering the initiative, according to Laura Zabel, who leads the organization.
 
“It’s a demonstration of the demand and interest in artists engaging the community,” she says, adding that emerging and established artists from a wide variety of disciplines have gotten involved.
 
Once artists go through the training, they can apply for grant money to do collaborative projects along the Central Corridor. Already, a number of mural projects have come out of the project, along with a concert series and more. “We’re really starting to feel the momentum,” she says.
 
For example, Leonardo’s Basement in Minneapolis is working with the Avalon School in St. Paul to create something it’s calling “sculptural mobile units,” which will travel to various events. 
 
A new business at Frogtown Square in St. Paul, which isn’t ready to go public yet, worked with Irrigate to organize a workshop called, “Make it Mysterious.” Artists designed temporary murals for the space. It led to “really cool visual pieces that animate that corner,” and the business is building on it, says Zabel. 
 
The various art events draw people to the corridor, which is especially important as construction is ramping up again, she says.
 
Irrigate is open to suggestions; on its website, it has a map where people can identify spots where art is needed. “I’ve seen people saying, here’s this ugly wall or huge dead tree, or available green space,” she says. “People know that artists think of all those things as opportunities.”
 
Source: Laura Zabel, Executive Director, Springboard for the Arts
Writer: Anna Pratt

This year, Harvest Moon Backyard Farmers is expanding on its mission to set up sustainable “mini-farms,” and to deliver fresh fruits and vegetables to those in need.
 
Recently, Harvest Moon’s urban farming experts, Krista Leraas and Dina Kountoupes, raised $9,000 through a Kickstarter campaign, to further the cause.
 
It's helped to connect the pair to Habitat for Humanity, which “finds homeowners who are interested in gardening, who don’t have the resources or knowledge,” Leraas says.

Leraas and Kountoupes provide expertise and labor to the homeowners, helping them grow fresh organic produce. They may also lend a hand, depending on a homeowner's needs, for the remainder of the growing season.
 
As a part of another initiative that Harvest Moon has in the works, it's teaming up with the Shir Tikvah synagogue to bring items from its food-shelf gardens to the Aliveness Project.
 
It’s a natural partnership, considering that the Aliveness Project, which is a community center for people living with HIV/AIDS, is “very keen to getting a lot of good nutrition to people," she says.

Since the farmers started Harvest Moon a couple of years ago, they’ve worked with various homeowners, renters, businesses, and communities to establish “productive spaces.”
 
“Our whole philosophy is based on sustainability and sharing the surplus,” Leraas says.
 
“Many of us have forgotten what it’s like to have fresh sustenance coming from our work,” she says. “We view our yards as just kind of there.”
 
Harvest Moon is trying to reverse that trend. It’s about supporting “permaculture,” which is a combination of permanence and culture, meaning sustainability, she explains. “The idea is to be in harmony with natural law.” 
 
Source: Krista Leraas, Harvest Moon Backyard Farmers
Writer: Anna Pratt
 

 

 
 
 
 
 

The landscape is filled with the written word--but usually for the purposes of advertising or regulation.

Marcus Young, The city of St. Paul's artist in residence, says it's common to come across signage everyday that says things like “Buy one, get one free” or “No guns allowed.” He asks, why not poetry?

That reflection inspired him to start the Everyday Poems for City Sidewalk project, which is now in its fifth year in St. Paul. The idea is to bring beautiful text into the public realm, he says.

Considering that the city repairs up to 10 miles of sidewalk every year, “What better than to transform something mundane, that we take for granted, like the sidewalk system?”

Through the project, which is based on one of his earlier endeavors, poets compete to have their verses chosen to be stamped in wet concrete. The sidewalk becomes a medium for reading and writing, and thus “a walk becomes an experience of reading and imagining.”  

The contest, which has an April 13 deadline, prompts people to “think about what they would like to write in this big book” that is the city.

The city is looking for short, high-quality poems “that say something about everyday life and maybe even capture the moment of reading, looking down [on the sidewalk] and reflecting.” (Read the guidelines here.)

A handful of winners will be chosen in May, and the poems will be stamped onto various residential sidewalks around the city. Winners will also be awarded a cash prize of $150 apiece.

Young hopes that the poems take some people by surprise, and make their walk more enjoyable.

Also, winning poets get to be a part of the process of stamping the concrete slabs with their verses. “We all have the desire to stick our finger into wet concrete,” Young says. “This is that impulse glorified and sanctioned.”
 
One of his favorite poems to go into “circulation” reads: “A dog on a walk is like a person in love. You can’t tell them it’s the same old world.”

He expects that by the end of the year, 42 poems will be appear in and around the city, many repeatedly.

Source: Marcus Young, artist in residence, St. Paul  
Writer: Anna Pratt

The Northeast Minneapolis Arts District, which was established to recognize a vibrant local arts scene, took on formal boundaries in 2002 after various community leaders combined forces with the city and the McKnight Foundation.

Since then, the district has taken off, especially in the last couple of years, and many community members want to build on that, according to Susan Wagner Ginter, who chairs the board for the Northeast Minneapolis Arts Association (NEMAA).

To do so, it’s taking part in the first-ever “State of the Arts District” forum on April 12 at Chowgirls Parlor, organized by the Northeast Community Development Corporation, the Northeast Chamber of Commerce, and the participating speakers.

The event capitalizes on the fact that, “NEMAA is stronger and the arts district is a reality,” Ginter says.

For example, its annual arts crawl, titled “Art-a-Whirl,” brings 50,000 people to the area, she says, adding that the event's business impact is huge.

The question is, “How do we keep the momentum going and keep a stream of people coming into Northeast and discovering the amazing resource that we have?”

Hopefully the forum will help the community plan its next steps. “It’s about how to integrate the arts into the community and keep it vibrant,” she says.    

At the forum, Josh Blanc, who co-owns Clay Squared to Infinity with his wife, Layl McDill, will talk about their experience with a downtown pop-up art store, which they ran in a vacant space over the winter.

“They took a risk and they did really well selling their artwork,” Wagner says.  

Further, it’s a good example of artists getting out of their studios and into the community, a move that has a lot of potential, she says.

She hopes that the forum will bring together community leaders who’ve been instrumental in setting up the district, along with others who want to get involved.

Source: Susan Wagner Ginter, president, NEMAA board
Writer: Anna Pratt