Creative Economy : Development News

It works much like a food coop, but the Northeast Investment Cooperative (NEIC) deals with real estate.

Through NEIC, community members pool their resources to collectively buy, rehab, and manage commercial and residential property in Northeast Minneapolis, its website reads.

The group is focused on transforming the area’s “stressed and poorly utilized residential and commercial properties,” especially along Central and Lowry avenues.

Leslie Watson, a founding member who also lives in the area, explains that neighbors came together to set up NEIC, which had its first member meeting this past spring.

It’s an unusual model that’s “visionary and cutting-edge,” she says.

She knows of only one other similar cooperative model in the country,  River West Investment Cooperative in Milwaukee, which specializes in residential development.     

For NEIC, the basis is that Central is “not the main street it could be, that it once was,” she says.

Yet, Central and Lowry avenues both hold a lot of promise, something the group wants to build on. “It’s a connector and an obvious focal point to bring people together under a common cause.”    

The corridors are characterized by a number of vintage buildings, some of which are vacant. “Quite a few buildings have seen disinvestment,” and need maintenance, while many businesses have left the area, making way for more and more absentee landlords.

At this point, “The capital is no longer owned by people in the community,” she says. “NEIC offers the opportunity to bring your own money to try to recapitalize on a main commercial thoroughfare.”

So far, 50 people have signed on to contribute $1,000 apiece, while another 15 have pledged to give to the cause. The group continues to seek additional members at its monthly informational meetings. “There’s been an overwhelmingly positive response and support,” she says.

One of the group’s goals is to draw various businesses “that we want to succeed there, and create an environment that’s attractive for them.”

Source: Leslie Watson, Northeast Investment Cooperative
Writer: Anna Pratt

To motivate people to get out of their cars and to explore the area surrounding the Central Corridor by bike or on foot, the St. Anthony Park neighborhood in St. Paul is getting nearly a dozen "wayfinding bikes."

As a part of the project, the artfully decorated bikes/public art pieces will be strategically placed here and there, with signage that conveys travel times and distances to certain local destinations, according to council materials.

The St. Anthony Park Community Council (SAPCC) set the project in motion, which local artist and environmental designer Carrie Christensen took on. Her focus is on sparking “awareness of place and to create more ecologically, socially, and economically functional spaces,” according to council materials.

Irrigate Arts helped make it possible with $1,000 in funding for the collaborative project.

SAPCC, which held a bike painting party in mid-July, is hosting another one today from 12:30 p.m. to 2 p.m. at Hampden Park.

Amy Sparks, who leads the council, says that besides promoting more physical activity, the place-making project helps to mark the neighborhood’s in-progress Creative Enterprise Zone. “This also meets some of our goals in terms of increasing foot traffic and bringing vibrancy to the zone,” which is about cultivating creativity in the area, she says.

She's impressed with how Christensen took the concept and made it her own. Each of the bikes, which were donated, is getting a makeover.

One bike looks like it could be from the 1930s or 40s, with fin-like lines that resemble an old Cadillac car, she says.

Bikes will be adorned according to various themes, creating a mermaid, garden, rainbow and yarn bombing, among others. 

Also, the bikes will be chained to a signpost, so they’ll be fixed in place. Each of the bikes will be on view through Nov. 1, to avoid snowplows, she says.


Source: Amy Sparks, St. Anthony Park Community Council
Writer: Anna Pratt

Mosaic on a Stick, an art studio in St. Paul that centers on mosaic making, has outgrown its longtime home on Snelling Avenue.  

As such, the studio is planning to expand operations this fall within the nearby Hamline Park Playground building.

It’s a big upgrade for the studio, informally known as "the Stick," which will go from 2,000 square feet to 3,500, according to owner and artist Lori Greene.

Securing more space means that the studio will be able to offer additional classes, have more open workspace, and host formal gallery shows and other community events. “The benefits are huge for both the Stick and the community,” she says.

Greene also needs more room for a new nonprofit organization that she’s starting, called the Urban Mosaic Collaborative, which is about introducing youth to art and community work.

Often, the Stick collaborates with local teens on mosaic-style murals. Recently, Greene led a group of teens from the COMPAS program in the creation of a mural for Canvas at the Hancock Recreation Center.

Separately, soon her handiwork will be visible at the in-progress Café 180 and Holistic Health Farms, according to a St. Paul Monitor story.
 
Since it opened in 2004, the Stick has become a neighborhood hub and something of a local recycling center. “People bring me their old plates and dishes and old tiles and plastic containers for reuse,” she says, adding that the items pour in weekly. “Most people tell me they would rather give it to me than throw it away.”   

In the move, the place will retain its colorful, bright, and welcoming aesthetic, with mosaics everywhere, she says.  

At the same time, the Stick will work with the city to preserve the building’s historic character.

“We’ve already made a difference and want to continue to be in the Midway Hamline Park Neighborhood so we can do more of what we’ve been doing,” she wrote in her application for the new space.

Source: Lori Greene, Mosaic on a Stick
Writer: Anna Pratt

A twofold event dubbed “exp-Air-iment” offers participants the opportunity to see the neighborhood from a new perspective--literally.

The St. Anthony Park Community Council Pop-Up Shop is hosting an aerial photography “open lab” and separately, a workshop, from Aug. 1 to 5.

The pop-up shop, which temporarily fills an empty storefront space on University Avenue, is among the numerous creative initiatives to come out of Irrigate Arts. The initiative is funding all kinds of place-making projects along the Central Corridor light rail transit line.

Kristen Murray, a co-founder of the Starling Project, which is helping to program the pop-up shop, is leading “exp-Air-iment.”   

In the “open lab,” visitors will get a chance to try the special aerial photography rig in the shop and see the images that come from a custom-built 3D printer, which was designed by Will Janicke, a local maker.

The workshop takes it a step further; people will learn the basics to get started with aerial photography, which involves sending digital cameras into the air with balloons, she says.

Also over the coming week, Murray is doing aerial photography with the Teen Tech Crew at the Science Museum of Minnesota, where she previously led hands-on technology-based programs.

Recently, she worked with teens from the nearby Skyline Tower housing complex. “We took a couple of cameras, rigs, and a bunch of balloons over to Dunning Field and captured some great shots,” she says, adding that they also suspended cameras from kites.  

The playing field’s wide-open spaces worked well for the balloons, which hovered overhead about 50 feet high. The group also got views of Marshall Avenue, Central High School, the St. Anthony Park community garden along with other local landmarks--and the photographers themselves.

“I enjoy seeing broad views where you can recognize the place easily, as well as more accidental angles and perspectives that catch interesting patterns,” she says.

The images show that “The railyard is just an impressive site--amazing that so much activity happens in a place that is smack-dab in the middle of the city but yet mostly out-of-mind and out-of-sight,” the website reads.  

The images can be seen on the website and hanging in the pop-up shop this week.

Source: Kristen Murray, Co-founder, Starling Project
Writer: Anna Pratt

Many neighborhoods throughout the Twin Cities have become increasingly diverse in recent years, yet the back-stories of different groups’ arrival so often are unknown.

The current show at the Third Place Gallery in Minneapolis, which is the studio and exhibit space of photographer Wing Young Houie, focuses on representatives of various immigrant communities, including some political refugees, whose stories vary greatly.  

Called (re)locate: A Place to Call Home, the show brings together images from Houie and another local photographer, Selma Fernandez. It'll be on view through Aug. 16.

The 22 images from both photographers are intermingled on the walls, as opposed to being separated, visually, Houie says. It includes a mix of color and black-and-white shots.

Adults and children are shown in their natural habits, such as home, school and work, in and around the Twin Cities.

One young boy is pictured up close wearing a bright red superhero outfit. Alongside that is a black-and-white print of a young boy holding a sign that states, “I want to be a doctor.”

In another picture, a couple wearing traditional dress stands out amid a festive-looking crowd at the 2002 Hmong new year celebration in St. Paul in 2002.  

In some ways, each of the subjects is in costume, he says.

Together, the poignant images pose questions such as “What is home? Do you ever leave home? What does relocate mean?” The answers are especially complicated for immigrants, Houie says.

It’s a familiar topic for Houie, who is the only child in his Chinese family to be born in U.S. Often he gets asked where he’s from, even though he’s a native Minnesotan.

Throughout his work, he tries to “normalize iconography,” showing everyday examples of the reality, which is a lot more colorful than is shown in the mainstream media, he says.

 
Source: Wing Young Houie
Writer: Anna Pratt

SPOKES, a new bike and walk center in Minneapolis’s Seward neighborhood, is preparing for its Aug. 22 grand opening.

The center, whose acronym stands for Seward People Operated Kinetic Energy, is housed in a 2,400-square-foot warehouse space on the former Bystrom Brothers machine shop site. This is also where property owner Seward Redesign, which is a community development corporation, is planning the Seward Commons housing complex. (See The Line story here.)

Last week, volunteers helped paint and set up workbenches and storage areas inside the shop, according to center director Sheldon Mains. Bike racks will soon be installed outside, he says.

The Seward Neighborhood Group is behind the center, which has been in the works for a couple of years.

Startup funds came from Bike Walk Twin Cities, a federal nonmotorized transportation pilot program administered by Transit for Livable Communities through the Federal Highway Administration, he explains. This funding is facilitated by the Minnesota Department of Transportation and the city of Minneapolis, he adds. 

The center is part of a larger neighborhood initiative to “get more people biking and walking,” especially as a regular mode of transportation, Mains says.

Biking is more economical than driving and it’s a good form of exercise. “It can help build social connections, too,” he adds. 

The center will start out by targeting East African immigrants, who form a large community within the neighborhood. This is a response in part to a neighborhood survey that found that “what stopped people from riding was that they didn’t know how to,” he says.

Some people also said they couldn’t afford a bike or equipment, or they didn’t have a place to store it. “We’re trying to address those things,” Mains says.

Some helmets, bikes and Nice Ride bike-sharing memberships have been donated to the center, while the bike racks came from local manufacturer Dero. Seward Coop Market and Deli and Quality Bike Products have made contributions, as well.

The center is still looking for more used bikes to loan to low-income residents, he adds.  

SPOKES will also offer classesfocusing on basic riding skills, traffic rules, and bike mechanics. The shop will also host open work times for women, he says.

Plus, a bike repair station will be accessible 24 hours a day outside. “It’s a unique program,” Mains says.  

Source: Sheldon Mains, director, SPOKES
Writer: Anna Pratt

To step into a new era, the James J. Hill Reference Library in St. Paul, which specializes in business materials, is inviting patrons to use it in new ways.

Greg Heinemann, a representative of the library, says that it’s trying to adapt to the drastic technological changes that have hit libraries over the past decade.

Gone are the days of going to the library solely to conduct research or find information in books and periodicals or on microfiche. “Reinventing libraries has become necessary to make them relevant,” he says.

It doesn’t mean that buildings, like the ornate James J. Hill, which dates back to 1921, are obsolete or that the library's resources should be scrapped. But it has shifted its focus. For example, Heinemann is thinking about how the building can be a “platform to create content, promote discourse, entertain, and gather communities while still making information and help available when it is needed,” he says.  

To carry this out, the library has recently embraced everything from weddings to retail events. It hosts a roots music show, which has become a "wonderful, live event that promotes gathering, entertainment, [and] culture and gets people to the library,” he says.  

Come December, the James J. Hill will have a pop-up store called Holiday Grade, which it’s creating with partners Katherine and Mac MacMillan, who founded the Pierrepont-Hicks clothing company. The store will bring American-made fashion pieces “to a very hip and cultured audience,” he says.  

It's also working to bring entrepreneurs together to share information and insights. Right now it's exploring ways to help veterans find new careers or grow their businesses.

At the same time, the library is renovating parts of the building. Soon, the conference rooms and reading room will be updated, as will the electrical, sound, and lighting systems. New bathrooms will be added as well.

All in all, the idea is to “keep our building in great shape, our services top-notch and our future intact,” Heinemann says.

Source: Greg Heinemann, James J. Hill Library
Writer: Anna Pratt

Last week, the city of Minneapolis introduced a mobile app for reporting non-emergency issues.

The free Minneapolis 311 app, which is available on both iPhone and Android platforms, supplements a city hotline. People can dial 311 to call attention to potholes, graffiti, broken streetlights, and so forth. (This can also be done on the city's website.)

Right now the app offers 10 different types of service requests that people can submit. It'll be expanded in the future depending on the demand, according to city information.

Thanks to GPS technology, the app can pick up the location of a certain request, according to Don Stickney, director of Minneapolis 311.

Further, service requests, which can be made even during 311’s off-hours, are trackable. Photos can be attached as well.

The app is a response to local and national trends. Many cities across the country have rolled out various types of apps in recent years. “The thing that we’ve seen is the utilization of smartphones,” Stickney says, adding that more and more visitors to the city’s website are using the devices.

The city is always working on increasing access, and this is another way to do so, he says.

SeeClickFix, a website that enables people to report neighborhood-level problems, developed the app, while Kana Software Inc. is “providing the technological framework to route the service requests” to the right city departments, according to city materials.

In a prepared statement about the app, City Council member Gary Schiff, who chairs the city’s Information Services Policy Steering Group, says that the app also helps in lean times. 

“While calls to 311 can take minutes and cost dollars, reporting the same thing with our new app takes seconds and only costs the city a few cents,” he says.

 
Source: Don Stickney, director of Minneapolis 311
Writer: Anna Pratt

Too often, people pass by the businesses on Snelling Avenue, near University in St. Paul, without stopping.

As one way to change that, the African Economic Development Solutions (AEDS) group is leading an effort to brand the district that spans Snelling Avenue between University and Minnehaha avenues as “Little Africa.”

Soon, the Central Corridor light rail transit line will run through the area, but in the meantime, the construction has decreased foot traffic in the district and beyond.

Bruce Corrie, who is a business professor at Concordia University in Saint Paul, explains that the branding campaign comes out of the broader, nonprofit-driven World Cultural Heritage District. This emerged as a way to help businesses stay afloat during the light rail construction on University.

The idea is to make the area a destination for ethnic tourism. Here, “there’s a growing presence of African Americans,” he says, adding that it includes about 20 immigrant businesses.

Further, “African immigrant groups are very dynamic and entrepreneurial,” he says. “We want to capture that.”

It follows other similar branding efforts along different segments of University, including “Little Mekong” (see The Line story here) and the African American Cultural Corridor.

The districts would also relate to similar areas in Minneapolis and Brooklyn Park.  As it is, “There’s not a strong cultural infrastructure in Minnesota,” he says, adding that it’s an opportunity. “We’re trying to tap into the global market.”

While encouraging more people to come to the district, another goal is to “develop the cultural capacity,” he says.

Eventually signage will come to indicate the district visually.

“One challenge is to get the attention of policymakers,” to help bring more resources to the area, he says.

Recently the district rolled out a voucher program, offering $5 coupons to district shoppers. Also, the Snelling Café will host a free book exchange through its new Little Free Library, which it’s celebrating with a July 27 luncheon.  

Source: Dr. Bruce Corrie, Professor of Business in the College of Business and Organizational Leadership, Concordia University
Writer: Anna Pratt

The historic Minneapolis Club’s restaurant, which hasn’t changed since 1974, will soon get a facelift.

As a part of the $900,000 project, the club, which has long been a gathering place for city leaders and businesspeople, is adding a new bar and patio, while the first-floor grill’s hours will expand to include dinner.

This part of the building hasn’t seen any renovations since 1974, according to the club’s general manager, Frank DiLapo. “Everyone loved it and they were reluctant to do anything in there,” he says.  

However, it finally got to the point where it was tired enough that “We needed to do something to spruce it up" and give it a contemporary atmosphere. The changes will help make it a better gathering place, says DiLapo. “We looked at the clubhouse and the ways members want to use it now,” he says. “The hallmark of a great club is that it transitions for its members.”

Although the place will be updated, it’ll still have an old-fashioned look. Design-wise, the club looked to a London hotel called The Connaught. “It resembles the clubhouse in a lot of ways, with dark wood in the lobby area,” DiLapo says.  

In the 110-seat restaurant, the club preserved the woodwork without painting over it. To inject some color into the space, colorful furniture and white tablecloths were brought in. “The whole room is a brighter, lighter spot,” he says.

The 40-seat bar will be something of a throwback to what the space looked like in the past, with familiar yet refurbished chairs. A mural referencing the skyline will grace the walls.  

An area alongside the building, which had been a lawn, has been turned into a 50-seat patio. The patio, which will have its grand opening today, is going for a modernized speakeasy feel with stone, black wrought-iron furniture, and a white-flower garden.

Altogether, “Now we’ll have this whole little dining complex,” DiLapo says.

The restaurant and bar changes will wrap up in September. “Some of the most important decisions about the city have been made here at the club, he says, adding, “We want to make sure we’re around for another 130 years.”


Source: Frank DiLapo, general manager, Minneapolis Club
Writer: Anna Pratt

Until last year's Southside Sprint Bicycle Race, the area surrounding 48th and Chicago in South Minneapolis hadn't seen an elite bicycle race since the 1980s. 

More than 200 racers, plus at least 500 spectators, showed up for the event last year.

This week, the race is returning the neighborhood. The July 22 event includes eight races that invite riders of all ages and abilities, including the region's top bicyclists, along with a family fun festival and a separate, free children's race and a movie screening.

The South Chicago Avenue Business Alliance and Nomad Marketing have teamed up to put on the event, according to Jason Lardy, one of the event’s organizers.

Lardy and his business partner, Andrew Dahl, also help plan another annual event: the high-profile Nature Valley Bicycle Festival.

When it comes to the Southside Sprint, “Certainly one of our goals is to put on a fantastic race for racers and spectators,” he says. “We’re also trying to draw attention to this fantastic neighborhood in South Minneapolis.”

Lardy also lives in the neighborhood. “It’s gone from a sleepy, not-so-exciting part of town to a vibrant, diverse retail environment,” he says.

“We’re making the race really accessible for new riders,” he says, adding that a beginner race clinic will help people work on skills.

He and Dahl hope to repeat the race every year. “We’ve gotten good feedback from riders and the neighborhood,” he says. “It’s one of the biggest events in the neighborhood all year long.” It’s also a good opportunity to expose new people to the area, he says.

Too often, bike races happen in areas “where it’s not very spectator-friendly,” which is why the pair sought a festival atmosphere. “We’re in this for the love of racing as a culture and community,” he says.


Source: Jason Lardy, organizer, Southside Sprint Bicycle Race
Writer: Anna Pratt

Mona, a new small-plate restaurant on South Seventh Street in downtown Minneapolis, takes its name from the famous Mona Lisa painting, which depicts a “woman with a mysterious smile.”  

Restaurant owner Lisa Hanson, who is also its head chef, says that like the painting, she thought the place might pique people’s curiosity: “Since I haven’t been cooking long in this town, I thought there might be a sense of mystery about how I became the 100-percent owner of this restaurant and built it from scratch,” she says.  

Hanson revamped the place earlier this year. Previously it had housed an Asian restaurant called Black Bamboo. “There was a lot of work to do,” she says, adding, that only the floor stayed intact. “We gutted the whole thing.”  

Today, the 3,000-square-foot space includes an open kitchen, counter seating, and booths, which can accommodate up to 102 people, along with a 75-seat patio.

A 20-foot island-style bar, chandeliers, tiled kitchen, dark wood, gilded mirrors and plenty of white and stainless steel define the space. “The media has said it looks like surgery,” she says. “The dining room is much softer and snazzy-looking.” 

Further, the patio is recessed from the street, so it has a more private feel.

Even though the restaurant has only been open for a few months, already it has seen an uptick in foot traffic. “A lot of people have said this is an area that’s underserved,” in terms of the cuisine, she says.  “We bring an opportunity for a lovely dining experience” as opposed to the more casual service at a bar.  
The restaurant also supports a number of local purveyors and farms and has a seasonal menu--something that she says is also lacking in this part of town. “We bring a lot of those factors to the area,” she says.

In a neighborhood that has many condos and apartment buildings, Mona seems to meet a need. “People come in and are so excited to have a real restaurant in their neighborhood,” she says. “We already have regulars.”  


Source: Lisa Hanson, owner and head chef, Mona
Writer: Anna Pratt

To make the area more amenable to bicyclists, the Metropolitan Council has started gathering information about individual rides with the help of a smartphone app called CycleTracks.

The San Francisco County Transportation Authority originally developed the app to improve its transit system. Recently the California agency licensed the Met Council, for a fee, to use the same program locally, according to council information. 

Using GPS technology, the free app, which is available to both iPhone and Android users, captures data about cyclists’ routes, distance, and travel times. The app also collects demographic information such as age, gender, ride frequency, and so forth.  

Jonathan Ehrlich, a senior planner with the council, explains: “We’re using it for transportation planning. We can get data about cyclists, what facilities they’re using, and for what purpose.”

“The app tells us everywhere a bicyclist has been,” he says.

It also distinguishes recreational bicyclists from commuters and others who bike as a primary mode of transportation.

This information will tell the council “what roads and paths are being used and what ones are being avoided,” he says.  

People can also add notes about their ride.  

Right now the app has a couple hundred users and the council hopes to get several thousand. “We’re very pleased with the response so far,” Ehrlich says.

The council is trying to get as much data as possible this summer and fall, to aid in a private study.  
 
Another senior transportation planner, David Vessel, adds that this is “a great way for regional cyclists to contribute to a more accurate model of cycling activity and improve the plan for future cycling facilities.”  

At the same time, “The app stores the ride map and stats for the cyclist on their phone too,” he says, adding, “It is a handy free cycle computer.”

Source: David Vessel, Jonathan Ehrlich, senior transit planners, Met Council
Writer: Anna Pratt

After several years of traveling exhibits, the Minnesota Museum of American Art will have a regular gallery in St. Paul this fall.  

The museum is moving into a ground-level space in the vintage Pioneer-Endicott building, which developer Rich Pakonen plans to turn into a high-end housing complex. (See The Line story here.)  

In 2009, the museum moved out of the space it rented at the Ramsey County Government Center. It hasn't had a home base since then.

The 3,700-square-foot space at the Pioneer will enable the museum to do local programming, according to its director, Kristin Makholm.  

“We haven’t had any kind of regular space in St. Paul to do any kind of on-the-ground programming for over two years, so this will allow us to intersect and create a vibrant space,” and to reconnect with local artists and community members. “It’ll be populated with events and conversations.”  

At the same time, “We don’t consider this the final museum,” she says.

But the MMAA will be investigating the building as a permanent home. “That’s one of the reasons we chose this space for the gallery. It’s a testing ground,” she says.  

The museum will continue to do shows in other locations in the short term, she says.

If the museum does decide to expand in Pioneer, it’ll bring in additional exhibits, classrooms, offices, and storage areas and fill up to 45,000 square feet, according to the Star Tribune.

Besides the visibility that the space will give the museum, the building will be close to the coming Central Corridor light rail line.

“It’s really going to help invigorate that part of St. Paul that traditionally lies between Lowertown and the Rice Park districts and connect the city,” she says.

Source: Kristin Makholm, director, Minnesota Museum of American Art
Writer: Anna Pratt

Last month, Cycles for Change, a nonprofit bike shop, celebrated its expansion along University Avenue in St. Paul.

The shop, which has been around since 2001, strives to increase bike access for low-income and underserved populations in the surrounding neighborhoods, according to its website.

It has grown a lot over the past few years, and it needed more space to accommodate that, according to development and outreach director Jason Tanzman.

To carry that out, recently the shop, which was formerly known as the Sibley Bike Depot, received a $30,000 grant from the Central Corridor Funders Collaborative. 

As a part of the project, the shop added 600 square feet to its existing 3,000 square feet, he says.

Through the project, the administrative area and workshop (where customers can work on their bikes), got more space, he says. The retail section moved to the storefront area while the walls got a fresh coat of paint and the floors were refinished.   

The shop has also been able to get improved signage for better street-level visibility, which is especially important considering the challenges of Central Corridor light rail transit line construction, he says.

Prior to the expansion, the bike shop was a bit out of the way in the building, he says.

Besides the phsyical changes, the place was able to increase its retail hours.   

All in all, the changes “enhance our ability to be a community organization and promote biking as a way to get around in combination with public transit," he says. 

Despite the momentum around biking right now, it can still be cost-prohibitive, especially for minorities and low-income people. “We need a level of intentionality about it so it’s not an upper-middle-class white thing, and that we’re able to expand the circle of who has access,” he says.   


Source: Jason Tanzman, development and outreach director, Cycles for Change
Writer: Anna Pratt