Coordination/Collaboration : Development News

The vibrant blend of sights, smells, sounds, and people milling together at Southeast Asian night markets can be a vivid sensory and cultural experience. This summer, the Asian Economic Development Association (AEDA) is bringing a slice of that life to the Twin Cities.

Throughout the summer, AEDA will hold five outdoor night markets in the Little Mekong business and cultural district of Saint Paul, between the Mai Village and Little Szechuan restaurants on the 300 block of University Avenue. The first market will be held June 14, the same day the Green Line’s light-rail service begins.

The Little Mekong district is home to a high concentration of Asian residents and businesses. Of the almost 80 establishments on the five-block stretch of University between Mackubin and Marion streets, about 75 percent are Asian-owned according to a 2013 AEDA study documenting the impact of Central Corridor Light Rail Transit on the area.

Many of these small businesses were hit hard by light-rail construction over the last several years, according Theresa Swaney, AEDA’s communications coordinator. AEDA hopes to bring needed visibility, and customers, to businesses still reeling from the disruption. Swaney also hopes the night markets will help breathe new life into the area as a nighttime destination. “It’s sort of shifting the idea of what’s acceptable, and possible, at night,” she says.

Like farmers markets, the Little Mekong night markets will host local farmers selling fresh produce, but also up to 30 different vendors selling specialty food, art, and crafts. “It’s sort of this mix between a festival and a farmers market,” says Swaney. “It’s going to be a little more entertaining and a little more exciting than just getting your vegetables.” Artist organizer Oskar Ly is planning live performances, art, and activities as part of the market.

Organizers are currently looking for businesses and vendors located from throughout the Twin Cities to participate. Unlike many markets, applicants don’t have to be established. “We’re pushing toward new vendors,” Swaney says. “We want these people to have an opportunity to sell their stuff, and if they do well, maybe draw them into opening a brick-and-mortar business in the district or along University.”

AEDA also hopes the night markets will help lay ground for a new public plaza and community gathering space at the site. A rundown building used mostly for storage currently sits in the middle of the plot. The organization recently held a series of workshops and community meetings to gather input on redeveloping the site.

Source: Theresa Swaney
Writer: Kyle Mianulli

Whether through images of the early English barmaid, American sitcom brewery workers Laverne and Shirley, or the Miller Lite Girls passing out promos at sports bars, women and beer have had a dynamic, sometimes complicated relationship through history.

For Deb Loch and Jill Pavlak of Urban Growler Brewing, however, it’s pretty simple.

“We happen to be women and we happen to brew beer,” Pavlak said before a screening last week of “The Love of Beer,” a documentary about women fighting to end gender stereotypes surrounding the craft beer industry in the Pacific Northwest. The film and discussion, part of the Minnesota Museum of American Art’s First Friday Film series, also showed how women are taking hold in the craft brewing industry all over the country.

According to Doug Hoverson, author of “Land of Amber Waters: The History of Brewing in Minnesota,” who led the discussion with Loch and Pavlak before the screening, temple priestesses in ancient Mesopotamia are credited with beer’s invention.

Women also brewed the family’s beer during the early Colonial era. In Medieval England, housewives would make ale and advertise their brew by hanging a broom over their door. These pop-up alehouses were so successful, the aristocracy eventually levied a tax against them, Hoverson said.

Marketing beer by using images of women is a familiar strategy. But marketing beer to women isn’t a new concept, either. One ad from the late 1960s—a time when women purchased most of the beer for the household—shows a bottle of beer nestled amongst a bouquet of pastel-colored flowers. In the 20s and 30s, Guinness was billed as a nutritious beverage for gestating and nursing mothers.

In 2011, Chick Beer ruffled some feathers with the release of “the first beer specifically for women.” The bottles, covered in labels shaped like black cocktail dresses, were packed in purse-like cases with white sequins, thus embracing a hyper-feminine stereotype. “Marketers insist on marketing beer to a particular vision of women, which doesn’t always fit,” Hoverson said.

In contrast, neither Urban Growler’s logo nor messaging identifies the company as women-owned and -run. Loch says the product appeals to women, instead, with flavorful, quality beer—sometimes with a more moderate alcohol content. The brewery opens this spring in the Creative Enterprise Zone of Saint Paul.

“We want to be pretty much gender neutral,” Pavlak said. “We have lived our lives believing we can do whatever we want to do, and have felt a lot of craft brewers are very inclusive. We want to continue that tradition.”

Pavlak and Loch aren’t the only women making suds in the industry. Deborah Carey founded New Glarus Brewing Co. in Wisconsin as a gift to her home-brewing husband, Dan, in 1993. “Dan makes amazing beer, but Deb is in charge,” Hoverson remarked. New Glarus teamed with German-based Weyermann Malting, also led by a woman, to release the Two Women American style lager in 2010.

“Hopefully,” Hoverson added, “we’ll get to the point where this will not be particularly newsworthy anymore.”

Source: Jill Pavlak, Deb Loch, Doug Hoverson
Writer: Kyle Mianulli
 

A new co-working model is joining CoCo, Joule, and other innovators in the Twin Cities’ growing co-working movement. The newcomer is Lydia’s Place, nestled in a dense pocket of nonprofits in the Creative Enterprise Zone near the new Green Line in Saint Paul.

Founded by former adman and current Lutheran pastor Scott Simmons, Lydia’s Place is co-working oriented around the common good. Simmons says he hopes to seed both a professional and faith-based community of altruists at Lydia’s Place.

The new venture aims to satisfy two modern day needs with one stroke. First, it provides office space and equipment to a workforce that is increasingly independent, freelance-based, and according to Simmons, professionally isolated. “It’s fulfilling a need that’s not being filled,” says Simmons, who worked for nearly a decade as a freelance advertising copywriter.

Secondly, as attendance at traditional faith services continues to drop, religious leaders are looking for new models to sustain worship communities. “People’s lives don’t revolve as much as they once did around religion,” Simmons says.

With backing from the Evangelical Lutheran Church in America (ELCA) and the Saint Paul Synod, Lydia’s Place is a Lutheran mission. While most of the current “Lydians,” as they call themselves, come from Lutheran backgrounds, Simmons says faith affiliation is not a prerequisite for joining the co-working community.

“This is a place where anybody, whether they’re atheists or agnostics, are welcome,” Simmons says.

In theory, Lydia’s Place isn’t all that different from other co-working spaces in the Twin Cities. When you put a group of motivated self-starters together in a communal professional environment, collaboration and mutual benefit ensues.

While many new co-working spaces seem to be gauged toward entrepreneurial and tech startups though, Simmons says Lydia’s Place is couched in the idea that some people are more motivated by helping others than the prospect of a billion dollar IPO.

“We are gifted and are called, whether by God or by our basic humanity…to use those gifts not just to improve our own lot in life, but the entire world, and that includes people at the fringe,” Simmons says.

The benefits of this type of co-working are already manifesting. Rev. Margaret Kelly recently started Shobi’s Table, which seeks to serve and empower the homeless population in Saint Paul. Kelly plans to incorporate a food truck into the new ministry, staffed and maintained by those struggling on the margins.

She is now teamed up with another Lydian, Tom Melander, who has a background in career guidance services. The two hope to incorporate workforce development into Shobi’s Table’s mission.

Eric Darling is new to the co-working community. His startup, Donormite, seeks to connect charities with donors through the gifting of specific items, rather than money. Darling is now working out of Lydia’s Place part time, and is helping connect others at Lydia's place to donated office furniture and equipment through his new online donor platform.

Lydia’s Place opened in January and is still small, but growing. Simmons says there are currently at least nine core collaborators working from the space at least occasionally, and says he is fielding more calls from interested people every day. He’s already talking about expanding into a bigger space in the same neighborhood.

There’s currently no official fee to use the space, though there is a suggested donation for those who plan to be there regularly. “At this point our model does not have to be an economic model,” Simmons says. “It’s a relational model. We want to build community.”

Simmons plans to have the space completely supported by co-workers by August 1 this year.  With collaborators giving what they can, the venture is less than $100 a month short of that now.

Source: Scott Simmons
Writer: Kyle Mianulli

After just one year, Northgate Brewing is upgrading to new digs. The Northeast Minneapolis brewery just signed a lease on a new space at 783 Harding Street NE, which will include a 1,500-square-foot taproom.

Co-owner Adam Sjogren says neither he nor his partners anticipated the rapid growth. At around 750 square feet, Northgate’s current location at 3134 California Street NE is one of the smallest brewing spaces around. “We were very small,” Sjogren says. “There was not a lot of room to grow.”

With almost ten times the square footage, including the taproom, the new space will allow Sjogren to experiment with different brewing techniques that will be even more true to the brewery’s focus on English session ales.

“We really want to be able to have the space to do some barrel aging, some real ales—cask stuff—and be able to make some one-off batches and test them in the taproom to see what people really like,” Sjogren says.

Most English-style ales get a bad wrap in the States, Sjogren says. They don’t pack the same slap of citrusy hops and don’t have the same high alcohol content Minnesota beer drinkers have become accustomed to in their microbrews.

By nature of the ingredients and brewing process, these session ales don’t travel or store well, Sjogren adds. They have to be enjoyed fresh, and thus close to where they’re produced. He and business partner Todd Slininger grew fond of the earthy freshness these beers offer while traveling in the British Isles several years ago.

“It’s really good over there, but it gets represented poorly, we think, here in the States,” he says.

There will soon be more of Northgate’s fresh session ales. The brewery produced around 300 barrels in its first year, according to Sjogren. That was distributed between 30 different tap accounts around town and about 40 liquor stores. With the added space, Sjogren expects Northgate will have the capacity to produce around 1,500 barrels the first year.

Northgate’s new space will share a building with the soon-to-open Wander North Distillery—a new venture by Brian Winter who is looking to distill quality spirits from locally sourced grains. Winter and Northgate’s head brewer Tuck Carruthers used to play on the same rugby team, according to Sjogren.

Collaboration between the distillery and brewery is a foregone conclusion, Sjogren says. What might such collaboration look like? Sjogren says Northgate could make a “wash”—the process of rinsing the yeast used to brew a batch of beer for reuse—then give the wash to the distillery to use and age for spirits.

Sjogren attributes a good deal of Northgate’s early success to the supportive craft beer community in Northeast Minneapolis. Several other recently opened breweries have experienced similar growth and expansion in the last year and half. Indeed Brewing Co., Dangerous Man Brewing Co., and 612 Brew are among them.

“It’s as true as everybody says and most people don’t believe,” Sjogren says of the mutually supportive craft beer scene in the Twin Cities. Northgate Brewing plans to open its new space later this year.

Source: Adam Sjogren
Writer: Kyle Mianulli

One year ago, the former Midway Chevrolet car dealership at 1333 University Avenue was yet another vacant lot along the Central Corridor—a remnant from a previous era when car dealerships dominated the Midway area of Saint Paul. Today, the lot stands as a colorful, artistic sign of things to come.

Over the past year, artist/organizer Oskar Ly has been working on a large-scale public art project at the site dubbed “ARTIFY—Bringing the Arts to Hamline Station.” Her project aims to create a renewed sense of place around the site ahead of a 108-unit affordable housing development, which Project for Pride in Living plans to break ground on this spring.

Ly brought community members and more than two-dozen local artists together to create 20 public art installments and 11 performances at the lot—all based on the theme “Home is…” She says the goal is to signify the transformation of an abandoned business to a place people would soon call home.

ARTIFY capped-off its yearlong project with a final celebration, “Midway is Home,” last Saturday. Artists reflected on their work, while spectators toured the grounds to view the various installments. Poetry for Thought, a local effort to inspire community dialogue through spoken word performances, organized area poets to present original works and spark discussion of what “home” means.

Janell Repp, a Saint Paul native, has lived all over the world, most recently in India. For her, home is often changing, she says. She once purchased a car at the Midway Chevrolet dealership. “I sat in this office and signed the papers,” she said. “It’s funny how time changes…you make your home where you are… and you keep moving through time.”

The most visible installation to passerby is a large mural painted at the Saint Paul Open Streets event last summer. It depicts a row of colorful houses over the façade of the old dealership with the words “Home is Hamline Midway” printed across the top. Another piece involves 108 house-shaped wood cutouts decorated by area youth with their own ideas of what “home” is.

Mischa Keagan and Witt Siasoco held several workshops at the Hamline Midway and Rondo libraries where people traced places they considered home on large green canvases that are now on display at the site. “All along people talked about their family, their kids, their homes, and their dogs…it was a really nice way to get to know people in the community,” Keagan said.

Most of the art installments will remain on display till demolition begins this spring. Ly says she has at least one more project planned. She hopes to hang large photos on the fence surrounding the construction site this summer. “I want to create a façade that helps create an environment that’s more community-oriented than if it was just a construction site,” she said.

The future PPL development will feature a public plaza to display art, thanks in part to the ARTIFY project, according to Ly.

ARTIFY is supported by Irrigate Arts, an artist-led creative placemaking initiative that seeks to foster a new sense of place through public art along the Central Corridor. Irrigate is made possible through a partnership between the City of Saint Paul, Twin Cities Local Initiatives Support Corporation, and Springboard for the Arts.

Sources: Oskar Ly, Janell Repp, Mischa Keagan
Writer: Kyle Mianulli

Vinyl aficionados can look forward to flipping through a new trove of wax when Barely Brothers Records opens later this month at 783 Raymond Avenue in the Creative Enterprise Zone on the Central Corridor in Saint Paul. Barely Brothers joins such retro and vintage shops in the area as Mid Mod Men and Succotash.

The shop’s grand opening celebration is March 22. Local music acts including Minneapolis-based Eleganza, and Matt Arthur & the Bratlanders, will perform.

Co-owner Mike Elias has spent a good part of his life digging through stacks of records. After working at various record shops for a decade, he spent 13 years at the Electric Fetus in Minneapolis. When he’s not pushing vinyl, he’s often spinning it at clubs and events around town where he performs as DJ Father Time.

Along with co-owner Spencer Brook, Elias is now bringing his erudite musical tastes to bear on this new venture. With 8,000 LPs and 20,000 45s in store, Barely Brothers will offer a “deep and eclectic” catalogue of used records along with new releases, according to Elias.

“We have a pretty good Latin Boogaloo section,” Elias says, only half joking. “People don’t even know they want this stuff yet,” Brook adds.

Just talking about music and expanding customers’ horizons is a big part of the joy of owning a record store, Elias says, while fingering through a rack of albums. “Show me what you like and I’ll show you what else you’ll like,” he says.

Elias and Brook also plan to host live performances in their new space. With movable racks, the record store by day can easily become an intimate music club by night. Elias hopes to tap local DJs—many of whom he calls friends—to spin records specifically from the store’s catalogue. The owners would eventually like to host art-show openings in the space as well.

Their eclectic inventory might attract a certain collector crowd, but Elias and Brook are non-discriminating in their music tastes.  “My tastes are expansive so I really can’t discount anyone else’s…unless it’s Billy Joel,” Elias says.

Brook says they want every music fan, especially young ones, to stop by the shop and rediscover a different way of listening to music. They’re critical of today’s digital music industry, which pushes single tracks over holistic albums.

“We want people to think about the way they are listening to music, that there are better ways to do it,” Brook says. His suggestion? “Sit down and put on a record.”

Sources: Mike Elias, Spencer Brook
Writer: Kyle Mianulli

As the craft beer boom and local food movement have shown, the Twin Cities has developed a palate for artisanal and locally produced fare. Shawn Person, of Moonshine Coffee Co., is now looking to expand our developing taste for specialty roast coffee. In early March, he’s opening a new storefront location in the Creative Enterprise Zone next to the Green Line in Saint Paul. Roundtable Coffee Works, he says, is a “coffee roasting manufactory.”

Inspired by craft guilds and modeled after collaborative workspaces, Roundtable Coffee Works will house an array of local businesses endeavoring to create their own unique Twin Cities’ flavors of specialty coffee. “It’s really about sharing knowledge and helping each other out—establishing that kind of community,” Person says.

It might not make financial sense for a local coffee shop to purchase and maintain personal roasting equipment. But being able to rent a roaster by the hour to make a one-of-a-kind specialty roast? That’s an opportunity Person is confident coffee entrepreneurs will jump at.

After six years in the Twin Cities’ roasting scene, Person is an industry veteran, he says. He already has several local coffeepreneurs on board and a surprising number of home roasters have approached him about utilizing the space. Due to rising interest, he also plans to have dedicated hours for hobbyists to come in and roast their own beans.

“There’s a growing awareness of specialty coffee in general,” Person says. He’s also noticing “differences in ways of selling coffee. By that I mean Starbucks, Dunn Bros., and Caribou all sell coffee a certain way, and it works. But then there’s another way to sell [it], and that’s small and local, with a neighborhood focus, as well as quality focus.”

Just as people are flocking to taprooms to taste local microbrews, so are they increasingly interested in how their morning java tastes—and is made. They want to feel connected to the process, he says. “People want to see the roaster... At Thanksgiving, they want to brew some coffee in the morning and tell their family, ‘Yeah, my buddy Shawn roasted this.’”

Roundtable will have a retail component though don’t look for tables to sit at with your laptop while you leisurely sip a breve hazelnut latte. The roaster will only offer drip coffee and espresso to go, along with beans. The Roundtable brand of coffee won’t be wholesaled either.

For Person, his start up is more about serving residents of and visitors to the neighborhood. Still, eager customers can purchase Roundtable Coffee beans, mugs, t-shirts and other gear for a limited time through an online pop-up shop and similar pop-ups he’ll schedule annually.

Source: Shawn Person
Writer: Kyle Mianulli

Rock Star Supply Co.’s busy location, in the Creative Enterprise Zone at the corner of Raymond and University in Saint Paul, is about to get busier. The educational nonprofit—its dedicated volunteers tutor elementary- and secondary-school children on writing, algebra, and other subjects—is working with San Francisco-based tutoring company 826 National to bring one of that organization’s signature “stores” to the Twin Cities.

Rock Star is currently a lively tutoring workshop that offers “a range of programs, all free of charge…[that] focus on project-based learning, homework help, [and] extra-curricular reading, along with spectacular writing prompts and smaller writing workshops,” according to its website. This summer, Rock Star’s headquarters, as part of 826’s new franchise-style expansion initiative, will be rebranded as the “Mid-Continent Oceanographic Institute.”

What? The name does make sense. Here’s why. In its 10-plus years, 826 National has developed a clever, family-friendly approach to branding. Each tutoring center (it currently has eight, mostly in major Northern cities) doubles as a store with an unmistakable “angle.” For instance, Boston’s “Bigfoot Research Institute” sells cryptozoology books and paraphernalia.

Chicago’s “Boring Store” doubles as a “Spy Supply Store.” (The “boring” part is meant to throw passers-by off the trail.) Seattle’s “Space Travel Supply Company” sells rocket equipment, space suits, and other accessories to “freelance space travelers.” Each store plows its merchandise earnings back into its tutoring operations. So how did the Twin Cities become home to the Mid-Continent Oceanographic Institute?

“We went through an extensive ideation process to arrive at Mid-Continent Oceanographic Institute,” says Jeremy Wang, chair of Rock Star’s Executive Board. “We’re playing off the idea that, to most of the country, we’re a ‘fly-over’ state, hence the Mid-Continent. And while we have a lot of coastline, none of it is oceanic.” Wang’s thrilled at the prospect of opening a “sub shop” that doesn’t sell anything edible.

The expansion also comes with challenges. “Our biggest hurdle is to be financially stable enough to build out the storefront and sustain our current programming,” says Wang, noting that the organization has traditionally relied on donations from individuals and foundations. Razoo and upcoming Kickstarter campaigns are providing a crucial shot in the arm.

What can kids, parents, and shoppers expect from Mid-Continent Oceanographic Institute, née Rock Star Supply Co.? “I think nearly everyone involved at Rock Star Supply Co. has been inspired by the 826 model,” says Wang. “So we don't really see our programming changing a whole lot as we transition.”

That said, Wang does expect Rock Star to add more writing workshops as the transition date approaches. And there’s the issue of merging educational programming and retail activities. “Unlike other 826 sites, we started without a storefront,” says Wang. “They mostly started their programming at the storefront, then worked their way into schools.”

For now, the folks at Rock Star are working to retain their core mission without neglecting the coming transition. For Wang and the rest of the board, this means seeking help wherever they can find it. “We are always looking for tutors in any subject, especially algebra,” he says, “as we have a whole group of students that comes in for Algebra 2 on Tuesdays.” Rock star math tutors: Take note.

Source: Jeremy Wang
Writer: Brian Martucci

Several years ago, Saint Paul’s historic Victoria Theater was nearly demolished. Now, after sitting vacant for 14 years, the place is getting a new lease on life. The Twin Cities Community Land Bank is closing on the purchase of the theater, according to Tyler Olson, the project coordinator. Olson is working with the volunteer-driven Victoria Theater Arts Initiative (VTAI), which will take over the building’s ownership in the future. 

Basically, the land bank is “holding” the property for the group. “The fear was that we would do the work upfront and the owner [of the theater] would get an offer that couldn’t be refused” from someone else, Olson says. 

A kickoff event, which includes building tours, begins at 2:30 p.m., Thursday, January 16.

VTAI, which began meeting a year ago, is comprised of representatives from various local organizations including the Frogtown Neighborhood Association, the Center for Hmong Arts and Talent, Historic Saint Paul, Dangerous Productions, and the New Victoria Theater Project. “We started saying, ‘Let’s make something happen here. It feels like now is the time, especially with the light rail coming,’” he says.   

That kind of grassroots effort is typical in Frogtown, where a "trend of organic growth" has taken hold, he says, citing the development of the nearby Frogtown Farms. 

Together, the consortium “intends to revitalize the building, transforming it into a community-owned and -managed center for arts engagement, education and performance,” a prepared statement reads. Irrigate, Springboard for the Arts, and the City of Saint Paul helped to make the project happen.   

What are the next steps? As it is, the building is a shell that needs to be renovated. “We really need to figure out all of the things that need to happen to make it workable and usable,” he says. The group is also “getting out into the community,” to find out what people are interested in seeing happen at the theater, he says. “People are excited about its potential.”
 
The theater will be “a huge boon to the community, a landmark destination,” he says. “The hope is that people will come to see something here they wouldn’t be able to see anywhere else in the Twin Cities."  


Source: Tyler Olsen, project coordinator, Victoria Theater Arts Initiative 
Writer: Anna Pratt 

Todd Boss is planning an ambitious public art installation at the historic Saint Paul Union Depot that explores themes of arrival and departure.

Boss, a local poet, public artist, and a co-founder of Motionpoems, intends to turn the landmark building into a 3D screen for various short films based on original poems. His project, titled, "Arrivals and Departures," will coincide with the Saint Paul Art Crawl in October 2014.     

Films will be projected onto the building’s façade every five minutes so the Depot appears to be moving along a rail line, he explains. "The idea is to inspire Minnesotans to think about the Depot and to attempt a poem about what it symbolizes,” he says. 

In the coming years, the recently renovated Depot will be a multimodal hub for various forms of transit. Boss's project celebrates the building's turnaround. “I want this to be a sort of reclamation of the space. I want it to be one way in which we give that space new meaning, and possess it again,” he says. 

The poetry that will inspire the films is emerging out of a statewide poetry contest for which The Loft Literary Center is a sponsor. The contest deadline is Jan. 15, the same day that the Kickstarter campaign ends. Boss is trying to raise $20,000 through Kickstarter. He hopes to remount the project annually over the next four years. He also wants to document the process through film.

Boss encourages contest entrants to think broadly about the theme, not literally. For him, the theme has to do with “second chances and opportunity and this melting pot nation that we have. All of the things that we associate with departure and arrival,” he says. 

Depending on how much funding the project secures, as many as 10 poems could move forward, he says. At that point, local filmmakers will be invited to interpret the poems in film. It’s all about “locally-sourced, community-making,” he says.

Boss credits his wife, Amy, for coming up with the original idea for the installation. One day last year, when they were working on a separate project, “She sat down at the kitchen table and said, ‘You know what would be cool?’ And she laid out a vision of a projected image of a landscape slowly going by, to make it look like the view out of a train car,” he says. “The poet part of my brain just recognized the poetic gesture of that.”  


Source: Todd Boss, Poetry in Motion 
Writer: Anna Pratt

Karen Linner, principal at Shenandoah Consulting, and Harvey McLain, of the Turtle Bread Company, teamed up to renovate Longfellow Offices at 36^th and Lake in South Minneapolis. The new Longfellow Offices had its grand opening earlier this month. 

The vintage building previously housed an art gallery. The building's focus now is wellness, which Linner says is a “burgeoning market.” Longfellow Offices houses tenants that work in massage therapy, acupuncture, and Rolfing. A holistic diabetes group is also in the works.

Throughout the construction process, Linner and McLain sought to bring out the building’s best features.

“It’s a great building with great bones,” Linner says. 

The structure was gutted, then divided into 10 suites for practitioners. Tenants share a common hallway that’s equipped with a sink, plus a kitchenette and an accessible restroom.  

Linner and McLain added windows to allow for plenty of natural light, and they installed dimmable light fixtures, “which are convenient for practitioners,” she says.

They also paid attention to design details that preserve the building’s character. For example, hand-painted ceilings resemble old-fashioned pressed tin. Hardwood floors, high ceilings, subway tile, and wood trim add to the effect.  

Soundproofing in each suite was a priority. In wellness offices, Linner says, the “biggest complaints are about sound transmission. You don’t want to hear someone’s emotional release coming through the walls.”

Linner's  pleased with the way Longfellow Offices turned out. “People walk in and say, ‘This is such a nice building,' or 'It feels so calm in here,’” she says. 

On a broader level, “I hope we’ve created a community in the building,” she says, adding that the like-minded tenants “are part of a renaissance on East Lake Street.” 

Source: Karen Linner, principal, Shenandoah Consulting 
Writer: Anna Pratt 

Tracy Sides, a healthy-foods advocate who lives on St. Paul’s East Side, frequents the nearby Bruce Vento Nature Sanctuary. The grounds have become a source of inspiration for her, and more recently, the focus of a million-dollar idea. 

In February, Sides submitted a plan to transform a vacant building at Bruce Vento into a food hub, to the St. Paul Foundation’s Forever St. Paul Challenge, a contest to support ideas for improving the city.  

Sides’ Urban Oasis concept rose to the top, and on Monday the foundation announced it was the contest’s winner. The foundation will contribute $1 million to the cause.    

Urban Oasis was among 1,000 entries in the beginning. The pool was whittled down to 30 semifinalists and more recently, three finalists. A public voting system online determined the final winner. 

For Sides, the outcome came as a pleasant surprise. At the same time, it seems like a natural next step in a longstanding community process to liven up the nature sanctuary, she says. Urban Oasis is part of a bigger project to renovate the city-owned building, she adds.   

The food hub, which will take up a couple of floors in the four-story building, will include a food cooperative, eatery, event space, catering company, and a food truck. Commercial kitchens will be available for rent, while the hub will also provide business training to small ventures oriented around food. Communal suppers on Sunday nights and cooking classes will also help make the place a true community center, she says. 

The food hub is about “creating something that’s a thriving asset for the community, and that’s addressing some of our needs,” she says. Additionally, in a diverse neighborhood, a food hub seems like an appropriate way to “acknowledge and celebrate our differences,” she says. “We’re connecting people through food.” 

Although food hubs are experiencing a groundswell of popularity across the country, Sides’ concept is unique for the “unprecedented number of spokes [it has]. In a way, it’s modeling a healthy food system, with growing, producing, distributing, selling, preparing, eating, and composting waste,” Sides says. 

It’s about “creating a more equitable and healthy food system. That’s the real outcome I would love to see from this.”


Source: Tracy Sides
Writer: Anna Pratt 
Image: Kevin McKeever - Image Generation

The Corcoran Neighborhood Organization (CNO) wants to encourage community participation in the planning of an ambitious event it's hosting this fall called Take the Field. 

The Oct. 11 event, which will take place at Minneapolis's South High School's athletic field, will be a block party-style get-together with a special artistic project, a picnic, a movie screening, and more. 

Tonight, people will gather at the intersection of 21^st Avenue South and 31^st Street to brainstorm for the event. 

Besides the community-building aspect, Take the Field aims to spark a dialogue about neighborhood traffic issues and possible solutions, according to CNO community organizer Ross Joy.

The event was inspired in part by the school district's decision to phase out yellow school bus service to the city's public high schools, he explains. Starting this fall, students will walk, bike or take public transit to South High, or more cars might be on the road, according to CNO.  

In response, the neighborhood group wants to lead a discussion about how 21^st Avenue and 32^nd Streets could become major corridors for pedestrians and cyclists. CNO hopes to jumpstart that conversation at the meeting this week, which is open to anyone. Attendees will help flesh out event details, as well, Joy says. 

The neighborhood group is collaborating with the artistic trio Janaki Ranpura, Andrea Steudel, and Meena Mangalvedhekar, known collectively as JAM, on the event's main attraction, in which huge projections and sound will turn the field into an interactive art space. Attendees can join in the visualization, or they can take in the spectacle from the bleachers.  

Joy hopes the public art project will “engage the community about the big ideas of scale, time and space.” That's important as the neighborhood considers how walkers, bicyclists and car drivers fit together, physically. 

These are issues that have been building in the neighborhood for some time. Last spring, South High students led a petition asking local government leaders to improve 21st Ave S and 32nd Street for cyclists. “Most students live east of Hiawatha highway 55 and thus major crossing like at 32^nd Street are often dangerous and discourages bicycle use,” Joy explains. 

Furthermore, the event dovetails with other planning efforts in the neighborhood, including its small area plan and the Urban Planning vision for East Lake Street, he says. 

“One of the big outcomes we are seeking is for the wider community to embrace a new identity for the South High Athletic Field,” Joy says. 

That identity should be “high-use and diverse, engaging for pedestrians, and safe for cyclists,” he adds.  


Source: Ross Joy, lead organizer, CNO  
Writer: Anna Pratt 

Last week, the White House honored Steven Clift, the founder and head of E-Democracy, an online forum where people discuss everything from neighborhood development to airport noise, as a Champion of Change.  

Clift was among 15 people across the country to receive the award. The honorees stand out for their work "to build participation in our democratic processes while using new technologies and engaging less represented communities via open government and civic hacking,” a prepared statement about the award reads.  

Clift, a fellow with the Ashoka association of global social entrepreneurs, started the nonprofit E-Democracy in 1994. Even today, “Most cities don’t have anything like that," he says. 

The website has continued to evolve as well. For example, last year, with a Knight Foundation grant, it started a volunteer-run initiative called BeNeighbors.org that strives to “connect all neighbors online (and off) in public life,” a prepared statement reads. 

So far, BeNeighbors.org has over 15,000 members throughout the Twin Cities and beyond who participate in numerous online forums, according to E-Democracy materials.

The forums are especially busy in South Minneapolis. Clift hopes to see the site gain traction in St. Paul.  

This involves “tackling areas that are community information deserts with limited in-person (or online) opportunities to connect people locally across race, immigrants and native-born,” and more. To do so, the organization has been reaching out to people in person at local libraries, soccer games, and community festivals and even going door-to-door. The idea is to “make virtual space welcoming, open and relevant,” Clift says. 

Already, posting volume on the site has increased 152 percent from St. Paul-ites over the past year. St. Paul is the first city he knows of with “a network of open online spaces covering every neighborhood/district,” he says. 

In the forums, “People love to celebrate local small business, get recommendations on service, development along the light rail,” along with art events and more. In some ways, the result is akin to the virtual version of a grocery store bulletin board, Clift says. Meanwhile, the website’s volunteers are monitoring certain topics, looking for intersections of culture and place, among other things, he says. 

Seeing the progress so far is encouraging. “These are pretty exciting times. We’re looking forward to expanding the work and sharing the welcomes,” he says.

Source: Steven Clift, E-Democracy
Writer: Anna Pratt 

A mural in a skyway at downtown St. Paul’s Alliance Bank Center is encouraging all kinds of personal and profound reactions. 

The mural, which spans a 36-foot-long construction barricade, has been designed to appear like an oversized chalkboard. Over and over, it contains the line, “Before I die I want to…” with space for 168 people to fill in the blanks.  

Shawn Wiski, the property manager for the building, had seen a headline about New Orleans-based artist Candy Chang’s original project. It had to do with how the words, “Before I die I want to….” changed her life, she says. 

Chang came up with the project after losing a close friend who’d been a mother figure to her. “She started reflecting on the rest of her life and what she wanted to do,” she says.  

The artist took that line of thought and she wound up stenciling it on the exterior of a vacant, boarded-up house in New Orleans. “The response was phenomenal, so it’s been duplicated,” in cities all over the globe, she says. 

Wiski thought about the skyway, where the “huge white construction wall calls out for something to be decorating it. It was an opportunity for something to go there that benefits others.”

St. Paul's "Before I die" mural is in an ideal spot, with plenty of pedestrian traffic. “It’s gone over far better than I could have expected. It’s had an overwhelming response,” Wiski says. 

Within several hours of the mural’s unveiling in the skyway on July 8, the slots had been completely filled out. Since then, the answers have been erased and already it’s chock-full of answers once again. “It’s been cool to watch the people gather by it, read it, take pictures and write on it,” she says. 

The mural will be up for a total of six weeks, as was another art project that came before it. “I just hope it’s an inspiration to all, that it helps everyone reflect on their life and the importance of what they can contribute,” she says. 

The mural also offers a community-building exercise. “It teaches us about our fellow businessperson, resident, visitor, and more,” she says. 

Many of the responses defy stereotypes, she says. People are “divulging a little bit of their inner self. So it’s personal.”  


Source: Shawn Wiski, property manager, Alliance Bank Center 
Writer: Anna Pratt