Coordination/Collaboration : Development News

Last spring, a task force from the Union Park District Council in St. Paul started scouting out places for a new community garden.

A workshop with the local nonprofit organization Gardening Matters helped to get the project going, according to landscape architect Jeff Zeitler, who serves on the task force.

Finding open land was a challenge in the well-developed neighborhood, but the group has settled on a spot near Interstate 94 and the intersection of Prior and Gilbert avenues. To set up the Prior/Gilbert Community Garden at this location, the council is working out a lease agreement with the city’s public works office, he says.

It would be mutually beneficial in that “We maintain the space and they [Public Works] don’t have to, and we get to grow food there,” he says.  

One reason the community started looking for potential garden space was that the existing Eleanor Graham Community Garden, which has a long waitlist, will be closed temporarily next year during the reconstruction of a nearby city bridge.

In 2014, both gardens will be in play. “There’s a big demand for community garden space,” Zeitler says. “It’s really something to see.”

This spring, Prior/Gilbert will start out with 42 plots. The garden includes different-size parcels and individual and community areas. It has a phased implementation plan, which means it’ll start out with only the bare-bones necessities, according to Zeitler.

Getting water to the garden is the most expensive task, while donations are still needed for a shed, tiller, fencing, fruit trees, and more, he says.

Zeitler hopes the neighborhood’s gardeners will be able to start digging in the dirt by the end of April.

The rewards go beyond local food production. “It’s a community center in some ways. [In the garden] people talk and meet their neighbors. It brings people together,” he says.  

Source: Jeff Zeitler, volunteer, Union Park District Council
Writer: Anna Pratt

Next week, a group of local energy experts will head to Nigeria for 10 days to lead solar training.

The Minnesota Renewable Energy Society (MRES) in Minneapolis developed the “Light Up Africa” project through its two-year-old international committee. The group will make its first stop at an area hospital, where they’ll show workers how to install a 60-watt solar module lighting system, according to Fran Crotty, one of the committee’s co-chairs. 

Their exact itinerary couldn't be shared as of press time.

Committee members will also teach people to put together a solar cell-phone charger and build a soldering station and a solar panel, according to MRES information.

“Technology transfer is mainly what we do,” Crotty says.

Besides helping set up energy-efficient infrastructure, the trainings will “provide the opportunity for [Nigerians] to do a small cottage industry” if they want, she adds.

“We provide technical information that’s always linked to economic development,” she says.

For example, entrepreneurs could start a small business charging cell phones or using solar power for grinding, the MRES website states.

The group will help Nigerians figure out what to build by “listening to them and letting them shape what they want.”

“Solar projects would be helpful in many countries that have problems with unreliable electricity, unsafe lighting, deforestation and poverty,” the MRES website states.

MRES is working with a nongovernmental organization in Nigeria. A couple of committee members happen to be from Nigeria, including Harry Olupitan, who says on the MRES website that the project is a part of a lifelong dream. “My vision is to see every household in Nigeria and in all of Africa at large powered with electricity powered by solar energy,” he says.

Source: Fran Crotty, Minnesota Renewable Energy Society
Writer: Anna Pratt

Soon, a memorial honoring veterans will have a spot on the south end of Sheridan Memorial Park in Northeast Minneapolis, which has views of the Mississippi River.  
 
The $400,000 public art installation has been in the works for five years, according to Deborah Bartels, a project manager from the Park Board.
 
Local veterans collaborated with the Sheridan Neighborhood Organization (SNO) to enhance the new park, which eventually will hook up with the regional trail system along the river, with various amenities, including picnic areas, playgrounds, and more, she says.
 
University of Minnesota designers came up with a concept for the site. The plan for the memorial was presented at a Feb. 21 open house at Park Board headquarters. Soon, the board will select an artist for the sculpture through a competitive application process.   
 
A sculpture that speaks to “memorial and sacrifice” will go into the middle of a circular plaza, the Park Board’s website states.
 
Surrounding the sculpture will be vertical markers that speak to the nine conflicts that Minnesotans have fought in. They’ll give some background on the wars, including personal anecdotes.  
 
An “empty” marker will “represent the precarious nature of peace,” according to Park Board information.   
 All along the way will be paths, benches, and green space; trees will ring the outer edge. 
 
As for the sculpture, “We’d like to see what people come up with,” says Bartels. “We don’t want it to be representational.” The idea is to do something that’s “contemplative in nature,” she says.
 
Site work will wrap up by Veterans Day this year, while the main sculpture will be finished in time for Memorial Day in 2013.
 
Source: Deborah Bartels, project manager, Minneapolis Park and Recreation Board
Writer: Anna Pratt
 

A project launched last week, entitled "We are Sabathani," will document the impact of the longstanding Sabathani Community Center in South Minneapolis through words and art.

The Council on Black Minnesotans and the Minnesota Humanities Center have partnered in the project, with funding from the state Arts and Cultural Heritage Fund.

Sabathani, which brings together everything from a food shelf to after-school youth programs, has long been a community gathering place, according to Anika Robbins, who is leading the project along with retired Judge LaJune Thomas Lange.

Already Robbins and Lange have started collecting oral histories and artifacts, such as newspaper clippings and other writings related to Sabathani, all of which will end up in a traveling exhibit. They're also cataloging the center's extensive art collection.

In the 1960s, Sabathani originated as a church. Back then, churches were often a “pivotal point for bringing communities together,” Robbins says. Before present-day types of nonprofit organizations and community centers were created, "Churches were activism-involved and they helped push social change,” she adds.

Later Sabathani evolved into a community center at its current location, which was formerly a junior high school. It became “an avenue for children, to keep them engaged,” Robbins says, adding that she has fond youthful memories of the place herself.

These days, it’s also a hangout for seniors, and some of its original founders participate in events; this, she says, “is a story in and of itself.”

Robbins is excited about the opportunity to capture these stories, which she hopes will help people to “understand the fabric of the community they come from.” The place has hosted “so many people from different walks of life, who grew up in the area or came through the doors for various reasons,” she says, adding, “It continues to be a beacon in the city.”  
 

Source: Anika Robbins, "We are Sabathani"
Writer: Anna Pratt

Videotect 2, the second annual video competition from Architecture Minnesota magazine, got people thinking in many different directions about sustainable transportation.
 
The 39 submissions included everything from an old-timey PSA about the benefits of walking to a Super Bowl-commercial-inspired video about getting around in the future.
 
The grand prizewinner, "SaddleBag," which won a $2,000 prize, was announced at the competition’s March 1 screening at the Walker Art Center. (Watch it below.)
 
Gaardhouse and Shelter Architecture teamed up on the video, which was tongue-in-cheek yet informative. “I hope more outfits take a cue from it,” Hudson says. “It had a great story line with lots of facts and it was easy to read and understand the diagrams.”   
  
The most popular video among viewers, which also received a $2,000 check, was “Twin Cities Trails,” by Steven Gamache, Matt Herzog, Ben Lindau, Chris Lyner, and Mike Oertel. It showed a 1980s hair band that sang about the Twin Cities’ unmatched trail system. “It spoofed Queen amazingly,” he says, adding, “It was inventive and funny.”   
 
The $500 honorable mention awards went to the “Church of Automobility,” by Michael Heller and Ryan O’Malley, “A Fistful of Asphalt,” by John Akre, “Over/Under,” by Daniel Green, and “Sustainable Transportation,” by Ryan Yang. 
 
In general, guidelines for the 30- to 120-second videos were pretty open-ended. The pieces just had to “present a point of view on transportation choices, their impact on the environment and human health, and the role that design can play in enhancing them,” according to a statement about the competition.
 
Why is the magazine doing it? “The crux of it is, trying to bring more voices and creativity into urban design debates. It can be dry stuff, but it’s so important to the quality of our lives and how we design cities,” Hudson says. Videotect is a “great way to have fun with it, to make it entertaining to get at some of these issues that we keep debating as citizens.”

That's evident in the fact that the contest drew more submissions this year, and online voting spiked by 250 percent, he says.
 
Source: Chris Hudson, editor, Architecture Minnesota
Writer: Anna Pratt

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Videotect 2: SaddleBag from Architecture Minnesota on Vimeo.

The Starling Project is a sort of matchmaking service for University Avenue landlords and potential temporary renters.

It’s about filling vacant storefronts in the short term, many of which have been left empty as a result of the recession or other hardships connected to Central Corridor light-rail construction, according to Kristen Murray, who is a group leader.

In December, an eight-person team of graduate students from a neighborhood revitalization course at the University of Minnesota’s Hubert H. Humphrey School of Public Affairs launched the project as a creative way to help businesses that are struggling amid construction.

Murray says that the vacancies can be taken advantage of for “temporary or meanwhile uses, to bring extra energy into the corridor.”  

To do so, the group is hosting a series of informal open house events at various storefront spaces, which run through May.

The Starling Project is targeting areas where there’s a cluster of storefronts.
 
The group’s goal is “to figure out how this model can work longer-term for the Central Corridor and others in transition, where there are vacancies.”

Recently, a group of art students and their instructor from the university rented 2401 University for a temporary gallery, while other matches are in the works.  

“There’s a lot of visioning happening along the Central Corridor,” she says, adding that the group is trying to help neighborhood organizations “think about how vacant spaces can be used to express some of those visions for the future.”

“The temporary uses and events can really bolster business,” she says, adding, “We’re trying to [help] small locally-owned businesses survive and thrive.”  

Although other cities have worked on initiatives to enliven vacant storefronts, “There haven’t been any programs looking at how pop-up efforts can be a strategy to use during a disruptive period,” such as construction, says Murray.


Source: Kristen Murray, Starling Project
Writer: Anna Pratt

A new digital mapping tool encourages community members to offer feedback on Minneapolis’s redistricting process in a hands-on way.

Common Cause Minnesota and the League of Women Voters worked together to present the web-based map following a similar project at the state level.  

Besides attending public meetings about the implications of U.S. Census changes, people can go to the website to redraw their ward and park boundaries as they see fit, according to Mike Dean, who heads Common Cause Minnesota.

The deadline for doing so is April 2.  

In contrast to how the process has been done in the past, the map “lets people have more of a voice,” he says, adding, “It’s much more transparent.”

“Too often, it’s the politicians drawing lines,” he says. “For the first time, citizens can bring their own ideas.” Community members “do a good job of protecting the neighborhoods,” and more ethnic communities are weighing in this time, as well, he says.

So far, over 40 maps have been submitted, while at least 130 people have registered to use the tool.

The website includes a video tutorial along with information about terminology and factors to keep in mind while using the tool.

In the first year that this technology has been available, “We’re revolutionizing the way redistricting works,” Dean says, adding, “I think we’ll see, in the future, citizens be significantly more engaged.”

“It helps move the process along much more quickly,” he says, and he hopes it’ll result in a better map, too.

The application comes from DistrictBuilder, which is an initiative from PublicMapping.org.

Source: Mike Dean
Writer: Anna Pratt

RiverFIRST, a plan that would re-imagine a 5.5-mile stretch of the Mississippi riverfront in Minneapolis with new parks and trails, is entering into an early design phase.

The proposal, which will go before the full park board for approval in March, includes a riverfront trail system and a number of neighborhood-accessible parks that are being referred to as the Farview Park extension, Scherer Park District, North Side Wetlands Park, and Downtown Gateway Park, according to project spokesperson Janette Law.

(To see a description of each of these parks, go here.) 

The plan, which has a $174 million price tag, spaces out the projects over the next five years, with construction starting in 2013.

It also lays out a broader 20-year vision for the area along with a number of guiding principles, she says.

The planning committee is “asking for authorization of the completion of next steps,” which center mainly on the Scherer Park site and the 26th and 28th avenues North greenways, Law says. “The major news is that the park board is moving ahead on getting schematic designs."

RiverFIRST may also help lay the groundwork for the city’s Above the Falls master plan, which includes a "rich mix of land uses," including recreation along the Mississippi's east and west banks above St. Anthony Falls, according to park information.

RiverFIRST originated as the winning proposal from the design team Tom Leader Studio and Kennedy & Violich Architecture (TLS/KVA) as a part of the international Minneapolis Riverfront Design Competition, which the park board and the Minneapolis Parks Foundation jointly held in late 2010.   

The proposal stood out for the way it speaks to such contemporary challenges as dealing with water, the “green economy,” community health, and mobility, according to a prepared statement about the project.

After the contest wrapped up, the effort became known as the Minneapolis Riverfront Development Initiative.

“It’s an exciting vision for the Upper Riverfront, with the potential to bring the same water amenities to North and Northeast that South currently enjoys,” says Law, adding, “that area is significant locally and nationally. It presents the prospect of creating the most new park land in the city since the parks were founded over 100 years ago.”   

Source: Janette Law, RiverFIRST spokesperson
Writer: Anna Pratt

The Mill is a kind of coworking space for "makers" in the industrial arts. 

It includes a woodworking and metal shop, classroom, laser cutting and three-dimensional printing equipment, and a gallery space in its Northeast Minneapolis building, according to its website.

Previously, the 6,000-square-foot warehouse space was occupied by the Land O’Lakes company and later, a company called Hillcrest Development, according to The Mill’s founder, Brian Boyle.

Most recently, the warehouse had been used to manufacture washers and dryers before it sat vacant for some time, he adds.

When Boyle started to build out The Mill, which officially opened on Jan. 21, the space had an open floor plan, “with no walls or phone. It was just a big box,” he says.

That being said, “It’s a great location with great light,” he says, adding, “One wall is all windows.”

Right now, Boyle is still in the process of dividing the space to accommodate different kinds of maker-related activities, including an area for large assembly projects. 

“Making” is a new term that literally describes making things, "something that has been going on forever," he says. Boyle, who took inspiration from similar places in San Francisco, wants to “add the capabilities that this equipment affords for whoever wants to do it.” 

In this setting, “Anyone who wants to fabricate something can collaborate with others.”

“One of the great benefits is the idea of shared resources,” he says. “It’s hard to justify the purchase of this equipment for individuals.” It’s also a way to train people to use the equipment safely and responsibly.

Further, with people who have different areas of expertise to turn to, “It expands people’s creativity and what they can do.”
 

Source: Brian Boyle, The Mill
Writer: Anna Pratt

In St. Paul’s Como Park neighborhood, some neighbors are putting their heads together to identify the ideal spot for a new community garden.

Como Park already has a number of community flower gardens, but over the past year, some residents have expressed interest in planting vegetables somewhere, too, according to Jessie Bronk, the administrator and coordinator for the District 10 Como Community Council.

Recently, the neighborhood group formed a planning committee to help nail down the details. The eight-member committee, which had its first meeting earlier this month, involves both renters and homeowners in the neighborhood. “All are avid gardeners,” she says, adding, “It’s helpful to have all of that experience.”  

Since it’s so early in the process, the project’s budget and scope, along with the garden's location, have yet to be determined. “We’re aiming for a space that can accommodate at least 15 plots,” she says.

At this point, the group has narrowed its list to seven possible locations, which it plans to look into over the next month. For starters, in the case of each piece of land, “We need to find out who owns the land and whether there’s a water source nearby,” she says. 

It's a lot of work, but community gardens have plenty of benefits.

“[They're] a great way to connect neighbors, build community and beautify the neighborhood,” Bronk says, adding that they can help reduce crime as well.

She also sees community gardening as a good opportunity to reach out to diverse groups in the neighborhood. “It’s a way to make our district stronger,” she says.

Additionally, community gardens encourage local food production, healthy eating, and physical fitness.  

The group hopes to begin gardening this spring. The fact that it's been such a mild winter has made it “fun to dream and plan for spring,” Bronk says.  


Source: Jessie Bronk, administrator and coordinator, District 10 Como Community Council
Writer: Anna Pratt

Soon, a portion of the commercial corridor in Minneapolis’s Whittier neighborhood will become a temporary outdoor gallery space.

Original artwork from local artists will dress up a number of vacant storefront windows on Eat Street (Nicollet Avenue) in April, and will stay up for about six weeks.

It’s a creative way to showcase art and to advertise spaces that need to be leased, according to Joan Vorderbruggen, who is coordinating the project through the Whittier Business Association.

Vorderbruggen, who is a Whittier resident, says that local photographer Wing Young Huie, whose community-minded work has graced various storefronts in Minneapolis and St. Paul, inspired her.

After doing some digging, Vorderbruggen, who designs window displays for businesses professionally, stumbled upon similar programs in other cities across the country that had been successful. “The spaces have been leased a lot faster when they’ve participated in this,” she says.  

Seeing that, she approached the Whittier Business Association, which was supportive.

Right now, the Business Association is applying for grant money to help offset the pilot program's costs, but it'll mainly be a do-it-yourself-kind of thing, she says.

Separately, the Longfellow neighborhood has a similar project underway, which The Line covered here.

This week, the group is putting out a call for artists; artists who live, work, or go to school in the neighborhood can apply to submit work to the project. It can include paintings, sculpture, fashion, yarn bombing, and murals, or just about anything else that’s doable as a window display, she says.  

The neighborhood group will also be lining up a number of business and property owners who are willing to participate, with a goal of getting at least 6 to 10 storefronts in the mix.  

Besides giving artists a venue to show their work, it’s about revitalizing and beautifying the corridor. “It’s kind of a free staging service to property owners,” she says. “It brings foot traffic to the space.”   

When the exhibit opens up in April, the group will host walking tours of the storefront displays. “The hope is that you’ll be walking down Eat Street and there’ll be art everywhere,” Vorderbruggen says.  


Source: Joan Vorderbruggen, artist, Whittier
Writer: Anna Pratt

Soon, a building in Minneapolis's Northeast Arts District that sat vacant for a year will become a hub for beer, art, and solar power.

It's been dubbed the Solar Arts Building, according to Nathan Berndt, a cofounder of Indeed Brewing Company, which will be its anchor tenant on the first floor.

In the past, the 1914 building had various uses, including housing a Sears Roebuck distribution center and more recently, an electrical transformer company, before it went through foreclosure stages, according to Indeed Brewing information.

Besides the brewery, artist-geared spaces, some of which have already been snatched up, will fill the building's remaining two floors.

It’s an ideal location for the new brewing company, which recently signed a lease for the space with building owner Duane Arens, Berndt says. “We’re involved in the community and we support being in a place for people to come together,” especially artists, he says. “We like being around creative people.”

Another dimension of the brewing company will be a public taproom, for which the design is still being developed.

A strong visual feature will be the building’s original wood columns, which lend a turn-of-the-last-century warehouse feel, he says.

Sustainability is also an important aspect of the building’s overall rehab. On the building’s rooftop a sizable solar array will be installed. It’s also getting new energy-efficient windows and mechanical systems, Berndt says.  

The effort to go green is something that’s important to the brewing company, as well, he adds.

“This sleepy dead-end adjacent to the Northstar Commuter Rail tracks will be a bustling intersection of art, craft beer, solar power, and urban revitalization,” the brewing company’s website states.

Indeed plans to open this summer.

Source: Nathan Berndt, cofounder, Indeed Brewing Company
Writer: Anna Pratt

The Minneapolis Sculpture Garden and nearby Cowles Conservatory, popular attractions at the Walker Art Center, are due for a facelift, according to Phillip Bahar, the museum’s chief of operations and administration.

It’s been almost 25 years since the sculpture garden was inaugurated, he says.

Back then, the garden, which is run by the museum on city parkland, was the “first major urban sculpture garden in America,” and it became a model for many others.  

The University of Minnesota’s Landscape Arboretum ran the conservatory in the beginning, and the Minnesota Department of Transportation constructed the colorful bridge that connects Loring Park and the sculpture garden.

“It was an amazing example of what can happen when the community comes together around one idea,” Bahar says.

Since then, over 8 million people from all over the world have visited the sculpture garden, which is also the most tagged photo subject on the photo-sharing site, flickr, he says. “It carries the message of Minnesota and the arts.”

However, over the years the garden’s soil has become so compacted that water doesn’t drain properly anymore. It needs to be refreshed to “loosen up the topsoil.” Granite pavers that have settled into the land also need to be reset. “Those are some of the things that are hit the hardest by water,” he says.

A new drainage system that’s been designed for the garden would capture rainwater to irrigate the land, a process that's especially useful for the famous Spoonbridge and Cherry sculpture, which has a water feature.

Beyond that, the conservatory’s mechanical systems have become outdated, and its greenhouse use is also nearing an end. The conservatory will probably be turned into an exhibition space of some sort, he explains.

Altogether, it’s an $8.5 million project, which the state legislature is considering in its current bonding bill. To be clear, he says, the park board is making the funding request. As such, “None of this money goes to the art. It goes to infrastructure and landscape,” the sculpture garden’s “hard parts.”

Depending on how the legislative session goes, work on the garden could begin as soon as the fall.  

“We have this beloved state asset,” Bahar says, and, just like any other major infrastructure project, the garden needs work to “replenish it to its glory when it was new.”

Source: Phillip Bahar, chief of operations and administration, Walker Art Center
Writer: Anna Pratt

This spring, a pop-up tree nursery is coming to St. Paul’s Frogtown neighborhood as a creative way to get more trees planted in the area.

Part of the reason for the project, which is a collaborative effort between St. Paul, Frogtown Gardens community activists, and the University of Minnesota, relates to a 2010 tree canopy analysis of the city.

The study found that Frogtown has a lack of tree cover, according to Brett Stadsvold, who works for the city’s parks and recreation department.

Last fall, the partners worked together on a pilot project to address the issue. They involved “citizen foresters” in planting and maintaining 18 boulevard trees throughout the neighborhood.

Building on the project's success, “The next idea was to develop a citizen-run tree nursery,” but starting small, with a pop-up or temporary nursery, says Stadsvold. “We wanted to gain support and get people interested.”

The 25-tree nursery, which will include a mix of shade and fruit- and nut-bearing trees, will go on the corner of Dale and Lafond avenues--a city-owned parcel--for one growing season, starting close to Arbor Day.

Experts in the subject will help volunteers “learn how to propagate trees from seed.”

At the nursery, there’ll also be space for demonstrations and social events for which University of Minnesota agriculture students will be submitting design proposals on Feb. 27, he says.

Signage and furniture made out of repurposed materials will make the lot inviting year-round. “We’re repurposing things that may be seen as waste items, and acquiring them at low cost,” he says.  

Later the trees will be transplanted onto private properties in the neighborhood.

Although the project’s budget is $3,000, it’ll probably only use half of that amount, says Stadsvold.

In the future, the project could be expanded. “We want people to feel empowered to take care of trees and be stewards,” he says, adding that the effort has come from community members.

The city is providing support in the form of “labor with the logistics and acquiring the trees,” he adds.


Source: Brett Stadsvold, St. Paul parks and recreation, forestry unit
Writer: Anna Pratt

For Patricia Ohmans, a proponent of Frogtown Gardens, a potential urban farmstead and demonstration site in St. Paul’s Frogtown neighborhood, the proposal is becoming more of a reality.

It's a mutlifaceted concept for a new kind of park that would go beyond a nature sanctuary, a place where people would “literally gain sustenance,” she explains. (See The Line's earlier story here.)

For those who've gotten involved in the effort, she says, “We are solidly in favor of a place to play and commune with nature and a place for food and eating,” adding that it makes sense to do it on the largest green space left in the city.

Until recently, the idea seemed like a bit of a long shot, due in part to the cost of the 12.5-acre parcel that the garden advocates are interested in. The site is owned by the St. Paul-headquartered Amherst H. Wilder Foundation, a nonprofit health and human services organization. Wilder put it up for sale through an auction, taking sealed bids on the site through late January, according to Ohmans.

Recently, the Trust for Public Land, a national nonprofit organization with a St. Paul office, partnered with Frogtown Gardens to put a bid on the land. “I think the TPL wouldn’t have decided to do it if it hadn’t see how much public support it’s generated,” Ohmans says.  

She hopes that the combination of a credible buyer and neighborhood and city support, including boosts from local institutions, will make it happen.

When the results could be in, though, remains an open question. Right now, “The ball is in Wilder’s court,” she says. Nevertheless, “It’s really a big step for us,” she says, adding, “It’s an idea whose time has come.”

On Jan. 26, the community activists hosted a cooking event at the Rondo Library to promote the project.  

In the hopes that the Frogtown Gardens will materialize, in the coming months, its advocates will be hosting meetings and design charrettes “to make sure the eventual design and creation of this park reflects as many people’s desires as it can,” Ohmans says.

Source: Patricia Ohmans, Frogtown Gardens and Urban Farm
Writer: Anna Pratt